Vertical Color Photography

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS PIECE: French photographer Ludwig Favre recently road tripped to California....

"Full Moon" Photography 29.5" x 24" in Edition of 15 by Kseniya Vashchenko Signed and numbered by the artist. Comes with COA issued by the Artist Not framed. Ships rolled in tube....

Untitled (City of Industry) - 2004 38x36cm, Edition of 5 plus 2 Artist Proofs. Analog C-Print, hand-printed by the artist, based on the Polaroid. Certificate and Signature label. ...

Multilayer 328 unique abstract photo paper collage (1 of 1), signed 28.8" x 21.7" / 73cm x 55cm About the artist Felix Schramm was born in Hamburg, Ger...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Touching the skin of the past is an extraordinary collection of Roman Statues captured with the ICM technique in order to make the marble skin like a truly human body. 'Touching the ...

Photographer Roberta Fineberg captures an afternoon sun shower near the Piazza Navona in Rome. A figure holds a pink umbrella in sunlight appearing in between buildings in a narrow R...

Trying to get this to all add up (The Princess and her Lover) - 2007 24x20cm. Edition of 10, plus 2 Artist Proofs. Archival Print based on the Polaroid. Signature label and Cert...

Across (Strange Love), 2006 - 126x125cm Edition of 5. Analog C-Print printed on Fuji Archive Paper, hand-printed by the artist, based on a Polaroid. Signature label and certif...

Wedgwood Oberon with Mandarinquat, limited edition photograph, signed and number Eating is a physical need, but meals are a social ritual. Utilizing t...

Available sizes: 37.5" x 30", Edition of 15 50" x 40", Edition of 10 60" x 48", Edition of 5 Narrative: If you’re wondering how a bear made it into the book, you are not alone. With...

Running with Guns (Long Way Home) - 1999, 58x56cm, published in 'Stranger than Paradise', Edition 2/10 (last available Edition). analog C-Print based on the Polaroid, hand-printe...

A portrait of an African-American street musician In star-shaped sunglasses, with his sax in hand on the #6 Train in New York City. Subway Star, NYC, 2010 by Roberta Fineberg is 17...

Richard Prince Angie Dickinson (Angie from Untitled Portfolio) from the estate of Vera G. List, 1986 Large Color Polaroid (w/Barbara Gladstone & Sotheby's Gallery Labels) Signed and ...

Untitled (Traintracks) - The last Picture Show - 2004 38x37cm. Edition of 5, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature label and Certificate. Artist...

This early 1970s lifestyle photograph, captured by society photographer Slim Aarons, features guests by the pool at Nelda Linsk's desert house in Palm Springs, California, January 19...

'Tulip, Awakening' 60 x 40" edition Limited edition archival photograph, hand signed and numbered. Unframed _________________ Gauzy afternoon light, the tulips are stretching softly,...

Motel Entrance II, photograph from Richard Heeps Salton Sea series. Classic mid-century architecture in this artwork from the Salton Sea California. Rich blues, palm trees with pops ...

Large original, vintage, Ektacolor print collage Depicts art deco architectural facade of Publix building at Dade Boulevard and Alton Road in Miami Beach, Florida. Multiple prints fo...

These extraordinary photographs are part of the the Hotel Chelsea series. The Hotel Chelsea closed its doors for the first time in its iconic history of over one hundred years. American photographer Victoria Cohen...

This early 1970s landscape photograph, captured by society photographer Slim Aarons, features La Voile d'Or Hotel in Saint-Jean-Cap-Ferrat, France. This is an estate stamped and han...

Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...

This early 1980s portrait photograph, captured by society photographer Slim Aarons, features Rosemary Saïd, wife of Syrian-Saudi Arabian financier Wafic Saïd, and son Khaled, relaxin...

Portrait of singer Kate Bush by acclaimed photographer, Gered Mankowitz, taken in his London studio in 1978. Kate Bush has seen a huge resurgence since her s...

30 Cents Singapore Orchid Purple, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcar...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Minjin Kang and Mijoo Kim are a creative duo, who have been inspirin...

The photography of Carla van de Puttelaar allows the eye to touch the skin on many different levels. Through her lens, she makes the viewer aware of the sensitivity and the sensualit...

Palm Springs Palm Trees X (Californication) - 2019 38x37cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. ...

Of Mice & Men Bar Code Series A definite "conversation" piece of art. Comes with a magnifying glass. *detail images may be from another barcode. All font sizing is similar. Each pi...

Hold Horses by Patty Carroll depicts a woman reclined in a rocking chair in a log cabin, covered by plastic horse toys. Hold Horses is part of Patty Car...

This early 1970s lifestyle photograph, captured by society photographer Slim Aarons, features guests by the pool at Nelda Linsk's desert house in Palm Springs, California, January 19...

ICES - Four Framed Artworks, Photographs by Richard Heeps. Featured here Vivid Lime Green, Pink Lemonade, Cornflower Blue, Red. Get in touch to request other sizes or color combina...

Untitled (Traintracks) - The last Picture Show - 2004 38x37cm. Edition of 5, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Arti...

London, Milan, New York, Hong Kong, four iconic cities photographed in Richard Heeps' unique style. A set of four individually framed artworks. They can be hung together in a row ver...

Positano Beach 1979 - Slim Aarons Estate Stamped Elevated view looking down on sunbathers and parasols on the beach at La Scogliera beach in Positano, Italy, 1979 40 x 30" inches /...

"Coming Back" captures a transformative moment in contemporary underwater fine art photography, where classical composition meets avant-garde expression. A figure in crimson emerges ...

Bikini Society 1972 - Slim Aarons Estate Stamped February 1972: From l to r; Christina Chambonne, Elinor Hill, Clare Davidson, Suzy Naggia, Carole Page gossiping by a swimming pool ...

Available sizes: 37.5" x 30", Edition of 15 50" x 40", Edition of 10 60" x 48", Edition of 5 Over 40,000 years ago, we began to depict animals in cave drawings. Throughout history, ...

A Thousand Windows is an exploration of building facades that become infinite reticles of repetitive cells, which contain in them the concept of unify...

30 Cents Singapore Orchid Green, from the Heidler & Heeps Stamp Collection. This historic postage stamps that make up the Heidler & Heeps Stamp Collection, Singapore Series 'Postcards from Afar' have been given a twenty-first century pop art lease of life. The fine detailed tapestry of the original small postage stamp has been brought to life, made unique by the franking stamp and Heidler & Heeps specialist darkroom process. This artwork is a limited edition of 25 gloss photographic, accompanied by signed and numbered certificate of authenticity. It requires professional framing. This artwork is available in other sizes. Be sure to look at Heidler & Heeps other artworks listed on 1stDibs as they are great paired for interior design projects. Following on from the hugely successful ‘Vinyl Collection’, Natasha Heidler & Richard Heeps have collaborated again, drawing from the childhood past time of stamp collecting...

Boy with Calf, 1996 by Jean-Michell Voge, is a contemporary color print 19" x 13" of a nomadic tribal child from the Surma tribe, painted from head to toe, posing with a calf with mu...

Norman Cohen's on Stanton Street, 1990 by Tria Giovan From a 6cm x 9cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with...

Artist: Jeffrey Mayer Limited Edition: Signed and hand numbered in the margin, archival pigment print on 100% cotton paper with a Baryta finish. Authorized worldwide release of 100 ...

Persephone VIII by Erik Pawassar 62 x 48 inches (157 x 122cm) edition of 7 signed 40 x 31 inches (102 x 79cm) edition of 25 signed archival fine art pigment print signed & numbe...

Dream Scene on Salt Lake - 2007 from the 29 Palms, CA project 48x47cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist Inventory #11...

Waiting for Randy (Wastelands) - 2003 38x37cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Artist inventory Number 1166. Signature lab...

The artists computer-generated paintings merge craftsmanship and technology, creating an eclectic and unique style. Through her art, she aims to illuminate the world. Tcherassi's wo...

NOMAD, New York, set of four framed American architecture color photographs by Richard Heeps. Richard Heeps has photographed the iconic Empire State building in the mist. The NOMAD s...

'Wanderlust Goes South', a selection of vintage fiction book spines. Photographed by Richard Heeps in a secondhand bookshop in the traditional North Norfol...

Model In A Red Dress 1960 A fashion shoot featuring a model in a red dress in front of a yellow aeroplane 1960. by Toni Frissell 30 x 20" inches / 76 x 51 cm paper size Archival...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1326. N...

Dreamcatcher (29 palms, CA) - 2008 48x47cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory #4645...

Forevermore (Till Death do us Part) - 2005 24x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist Invento...

Untitled (Into the Sun) - 2001 48x47cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No. 1329. N...

Light Blue Lingerie - however - (Wastelands) - 2003 57x56cm, Edition 4/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, Artist inventory Number 1179.04. Signature label and Certificate. Not mounted. For sale is a piece from the Wastelands series. Schneider harnesses the unpredictable chemical mutations of expired Polaroid film, where bursts of color erupt across the surface, destabilizing the photograph's traditional allegiance to reality. These vivid distortions draw her characters into ethereal, trance-like dreamscapes. Like fleeting sequences from a vintage road movie, Schneider’s images shimmer with a transitory quality, dissolving before any definitive conclusions can be drawn. Their ephemeral essence is conveyed through subtle gestures and enigmatic motives. Refusing to yield to the constraints of reality, Schneider’s work keeps alive a delicate interplay of dream, desire, fact, and fiction, blurring the boundaries between them with poetic ambiguity. Stefanie Schneider’s work echoes the heart of American art, channeling the cinematic nostalgia of Ed Ruscha’s roadscapes, the stark sensuality of Georgia O’Keeffe’s deserts, and the haunting solitude of Edward Hopper...

'Untitled' 2013 - Edition of 10 plus 2 Artist Proofs, 10.2 cm x 8.5cm. Archival Print, based on a Fuji FP-100C Negative scanning. Signed, embossed stamp and artist certificate. Not mounted. Xulong Zhang Short Bio: He has been engaged in fashion portrait photography for 30 years and loves Polaroid photography. In 2000, he began to develop Polaroid photography and traveled to 34 countries for photography. Vita: 1999 Has won the title “Ten Elites” in the 3rd China Portrait Photography. 2000 Named the World Chinese Artist, known as “The Prince of Album” 2001 September, CCTV special report on “Zhang Xulong’s Body Art Photography” gained strong feedback from the community. 2002 January, published “Strategies for Commercial Portrait Photograph” by Zhejiang Photography Publishing. 2002 February, launched the concept of “Tang Yun” and greatly accepted by the market. His idea has spread across whole China’s photography industry. 2002 July, launched the concept of “Picasso’s scene backdrop” for kids photography and shocking the whole industry. 2002 August, published “Ms.Tang’s Body Art Portrait Album”, the first female body photography in China, by People’s Arts Publishing 2002 September, a personal exhibition entitled “seeing memory” in the ancient city of Shanxi Province, the 2nd session of the Pingyao International Photography Festival. In December of 2002, he was invited to give lectures in Malaysia and auction off the “Fruitful Achievements” exhibition in Kuala Lumpur, donating all money to the Kuala Lumpur Charitable aid for nursing homes and orphanages, won the "goodwill ambassador" title of honor in Kuala Lumpur. 2003 February-March, held the exhibition of “White Valentines” at Beijing International Trade and Exhibition Centre. December 2003, pioneered the new concept of "Royal Wedding", and completed the album of “Invasion 2004” wedding photography books published by Jilin art press. In December 2003 was awarded the 2003 annual contribution of the Chinese human body photography. 2003 Published “China Portrait Culture”. 2004 January, published Body Art & Portrait album “Chun Hua Qiu Shi”. 2004 March, held the exhibition of “Body Art & Portrait photography” in Chengdu. 2004 May, featured on a special report of “Match En China” in Paris. 2004 September, Pingyao international photography festival held entitled "the ambiguity of ancient legacy" xu-long Zhang body art exhibition 2005 August. 2005 August, accept the German star weekly "Der Stern" special report of “China nude” photography...

Shot on the streets of New York, a neon-yellow pop art photographic portrait called Modern Man, 2011 by Roberta Fineberg. Modern Man is a 14" x 11" c-pri...

Foyer V, from Richard Heeps series A Short History of Milan which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become p...

Monitored (Stay) - with Ryan Gosling 2003, 60x30cm, Edition of 10, digital C-Print, based on a 35mm analog Negative strip, signature label and certificate, artist Inventory No. 30...

Children on Clinton Street, 1986 by Tria Giovan From a 6cm x 4.5cm negative, scanned in 2020 Archival Pigment Print available in this size of 16" x 20" in an Edition of 12 with 3 A...