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Brad WilsonPalm Cockatoo #3, Los Angeles, CA, 20162016
2016
$2,000
£1,524.04
€1,757.64
CA$2,840.60
A$3,052.06
CHF 1,637.43
MX$35,956.84
About the Item
From Brad Wilson's Affinity Series
Affinity by Brad Wilson is a series of exquisitely detailed close-up color portraits of captive birds, reptiles, and mammals in a studio environment. Employing a stark black backdrop, these dramatic photographs illuminate subtle idiosyncrasies in each subject as they confront Wilson’s camera. The result is remarkably captivating as Wilson utilizes a refined technique and rapport typically reserved for human sitters.
Three Edition Sizes Available
20x29" Edition of 15, $2,000
30x44" Edition of 10, $4,000
40x60" Edition of 3, $6,000
- Creator:Brad Wilson (American)
- Creation Year:2016
- Dimensions:Height: 20 in (50.8 cm)Width: 29 in (73.66 cm)
- More Editions Sizes:30x44 in.Price: $4,00040x60 in.Price: $6,000
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Sante Fe, NM
- Reference Number:1stDibs: LU13422180193
Brad Wilson
Brad Wilson's early education in the visual arts began at the University of North Carolina at Chapel Hill, where he studied art history and studio art. From there, he moved on to both the Maine and Santa Fe Photographic Workshops to focus exclusively on photography before settling in New York City. In New York, Wilson worked with several notable photographers and then began his career in the commercial and fine-art genres. His work has been widely published around the world, appearing in numerous advertising campaigns, magazines, annual reports, and music packages. His fine-art photographs are currently represented by Doinel Gallery in London, Surround Art Gallery in Moscow, Artistics Gallery in Paris, and PhotoEye Gallery in Santa Fe. His first book, Wild Life, was released by Prestel. After more than a decade in New York City, Wilson moved to New Mexico, where he continues his photography surrounded by the beauty and tranquility of the southwestern deserts.
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