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Christian HougeAntennaforest 2, Arctic Technology Spitsbergen by Christian Houge - Photography2000
2000
$10,349.31
£7,738.96
€8,640
CA$14,258.76
A$15,551.18
CHF 8,237.97
MX$186,436.62
NOK 104,915.10
SEK 95,937.07
DKK 65,840.24
About the Item
Antennaforest 2 is a photograph by Norwegian artist Christian Houge, part of his Arctic Technology series created in Spitsbergen. The image depicts rows of antennas set against the stark beauty of the Arctic landscape.
Medium:
Small format: Archival pigment print mounted on aluminum. 66 x 200 cm (26 x 79 in), 7 editions, 2 artist's proofs.
Large format: C-print mounted on aluminum. 100 x 300 cm (39.4 x 118.1 in), 3 editions, 1 artist's proof.
All photographs in the Arctic Technology series were taken on Spitsbergen, the largest island in the Svalbard archipelago, situated between mainland Norway and the North Pole. This region is celebrated for its untouched, almost lunar terrain and its extraordinary light. It also boasts the cleanest atmosphere on Earth, making it an ideal location for climate research and space observation. Over the years, the island has become home to monumental technical structures—satellite receivers, scientific installations, and even the Global Seed Vault—each one merging with yet subtly disrupting the surrounding wilderness.
While visually striking, Houge’s photographs provoke contemplation on the fragile coexistence between technology and nature. The artist’s use of a panoramic format enhances the feeling of spatial disorientation, emphasizing the scale and tension of this encounter.
“Many of my projects explore the contrast and symbiosis between nature and culture. This art project has taken me deep into the Arctic landscape on Spitsbergen over the past seven years, across ten expeditions. I’ve become fascinated by the profound contrasts between the primal landscape and technology, between Man and the manmade; between our outward search for knowledge and our inward search for insight.” — Christian Houge
In 2005, Arctic Technology was shortlisted for the BMW Prize at Paris Photo.
The series was later included in the Paradise Lost exhibition (2015), presented in three Chinese cities including Beijing, at the Three Shadows Photography Art Centre, which has showcased renowned photographers such as Ken Kitano and Sasha Weidner.
This photograph was exhibited at Bomuldsfabriken Kunsthall in Arendal, Norway, as part of Christian Houge’s solo exhibition Lost Paradise in 2025.
- Creator:Christian Houge (1972, Norwegian)
- Creation Year:2000
- Dimensions:Height: 25.99 in (66 cm)Width: 78.75 in (200 cm)
- More Editions Sizes:100 x 300 cm (39.4 x 118.1 in), edition of 4 copiesPrice: $13,943
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803117031822
Christian Houge
Based in Oslo, Norway, I have been making photographs for over twenty years, and new insights continue to open. By obsessively exploring the relation, and conflict, between Nature and culture, I understand Mans` condition and Mans` ego, consumer society, the last remnants of pure Nature and identity. These are all recurring elements in my work. I often like to juxtapose the visually aesthetic with an underlying uneasiness. All of this usually emanates a cognitive dissonance in the viewer to invite deeper truths and personal references. This also gives the work a lot of room for interpretation, and this is where the beautiful dialog starts between the work and the viewer, but also amongst the viewers themselves.
In my work, I wish to ask new questions to the increasing challenges we face environmentally and see how it all relates.Art is often made to invite us to see ourselves from new angles, understanding our surroundings and each other.
I find `humanizing` nature is a good way of conveying my work to invite the audience to see themselves in a bigger picture. Looking at our actions and place in the environment, which we are so dependent upon, is a recurring theme in my exploration. My work ranges from panoramic analog cameras to state of the art digital cameras to large format for specific projects.
All the work is made with pigment on cotton paper producing the best quality. I have exhibited extensively in galleries and museums in my native country Norway and the US, England, France, and China.
`Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` My previous environmental work has been nominated for the Prix Pictet Award on several occasions with my previous series for both Earth, Power and Fire themes.
In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London).
I have sold work from the series `Arctic Technology`at Sothebys` in London as well as Cornette det Syr in Paris. My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice`. China tour on environmental issues with Three Shadows Photography Art Centre in Beijing 2009.
Publications include `Altered Landscape` (Nevada Museum of Art) including purchased work for their collection at Center for Art and Environment. My extensive research and photographic work on melting glaciers and the consequences of climate change, `Death of a Mountain`, exhibited April-June 2021 at Buer Gallery, Oslo.
This series has also been nominated for the Leica Oscar Barnack Award and received the annual arts grant from the Norwegian Government.
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