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Christian HougeGasoline Pump in Moonlight Barentsburg S. by Christian Houge - Photography2007
2007
$1,723.57
£1,280.65
€1,440
CA$2,360.93
A$2,575.65
CHF 1,366.07
MX$31,030.76
NOK 17,338.11
SEK 15,873.51
DKK 10,969.74
About the Item
Gasoline Pump in Moonlight, Barentsburg, Spitsbergen is a limited-edition photograph by Norwegian artist Christian Houge.
This photograph is sold unframed as a print only. It is available in 2 dimensions:
-25 x 75 cm (9.8 x 29.5 in), 10 editions, 2 artist's proofs
-66 x 200 cm (26 x 78.7 in), 7 editions, 2 artist's proofs, only 1 edition left
All prints are signed and numbered.
Contact us regarding framing options.
All the photographs in this series were taken on Spitsbergen, the largest island in the Svalbard archipelago, situated between mainland Norway and the North Pole. This region is celebrated for its pristine, moon-like landscapes and its magical light. Known to have one of the cleanest atmospheres on Earth, it serves as an ideal location for climate research and space observation.
In Barentsburg, Christian Houge documents both the stark beauty of the Arctic environment and the remnants of Soviet-era mining settlements such as Barentsburg and Pyramiden, founded in the 1930s. Once symbols of Soviet ambition, these communities are now fading—marked by dwindling populations and decaying infrastructure. Their outdated interiors and obsolete facilities evoke a world suspended in time. Within this context, human presence appears still and solitary, caught between a vanished past and an uncertain future.
Aesthetically striking yet deeply contemplative, Houge’s photographs invite reflection on the fragile relationship between technology and nature. The panoramic format he adopts enhances a sense of spatial disorientation, echoing the tension between the vastness of the landscape and the isolation of human life within it.
“Houge’s photographs of Barentsburg and Pyramiden are a study of the decline of a colonial culture operating far from the center that once shaped its ideological, social, and aesthetic identity. […] Many of Houge’s photographs reveal complex tensions between the ideological drive of the Soviet Empire that founded these settlements and the stark reality of their decay.”
— Basia Sokołowska
“Many of my projects explore the contrast and symbiosis between nature and culture. This art project has taken me deep into the Arctic landscape of Spitsbergen over the past seven years, across ten journeys. I have become fascinated by the striking contrasts between the primal and the technological, between Man and the manmade—between our extroverted search for knowledge and our introverted search for insight.”
— Christian Houge
- Creator:Christian Houge (1972, Norwegian)
- Creation Year:2007
- Dimensions:Height: 9.85 in (25 cm)Width: 29.53 in (75 cm)
- More Editions Sizes:66 x 200 cm (26 x 78.7 in), 7 editions, 2 artist s proofs, only 1 edition leftPrice: $15,081
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803117135392
Christian Houge
Based in Oslo, Norway, I have been making photographs for over twenty years, and new insights continue to open. By obsessively exploring the relation, and conflict, between Nature and culture, I understand Mans` condition and Mans` ego, consumer society, the last remnants of pure Nature and identity. These are all recurring elements in my work. I often like to juxtapose the visually aesthetic with an underlying uneasiness. All of this usually emanates a cognitive dissonance in the viewer to invite deeper truths and personal references. This also gives the work a lot of room for interpretation, and this is where the beautiful dialog starts between the work and the viewer, but also amongst the viewers themselves.
In my work, I wish to ask new questions to the increasing challenges we face environmentally and see how it all relates.Art is often made to invite us to see ourselves from new angles, understanding our surroundings and each other.
I find `humanizing` nature is a good way of conveying my work to invite the audience to see themselves in a bigger picture. Looking at our actions and place in the environment, which we are so dependent upon, is a recurring theme in my exploration. My work ranges from panoramic analog cameras to state of the art digital cameras to large format for specific projects.
All the work is made with pigment on cotton paper producing the best quality. I have exhibited extensively in galleries and museums in my native country Norway and the US, England, France, and China.
`Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` My previous environmental work has been nominated for the Prix Pictet Award on several occasions with my previous series for both Earth, Power and Fire themes.
In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London).
I have sold work from the series `Arctic Technology`at Sothebys` in London as well as Cornette det Syr in Paris. My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice`. China tour on environmental issues with Three Shadows Photography Art Centre in Beijing 2009.
Publications include `Altered Landscape` (Nevada Museum of Art) including purchased work for their collection at Center for Art and Environment. My extensive research and photographic work on melting glaciers and the consequences of climate change, `Death of a Mountain`, exhibited April-June 2021 at Buer Gallery, Oslo.
This series has also been nominated for the Leica Oscar Barnack Award and received the annual arts grant from the Norwegian Government.
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