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Christian HougeReflection, Gabba by Christian Houge - Photography, black and white, Norway2025
2025
$1,149.29
£859.47
€960
CA$1,583.66
A$1,727.73
CHF 914.82
MX$20,703.15
NOK 11,650.79
SEK 10,653.78
DKK 7,311.54
About the Item
Reflection, Gabba is a photograph by Christian Houge capturing a man immersed in water, surrounded by water lily leaves. Dimensions are 48 × 60 cm (18.9 × 23.6 in), 96 × 120 cm (37.8 × 47.2 in) and 128 × 160 cm (50.4 × 63 in).
The price shown is for the print mounted on aluminium and unframed. For any special request concerning framing, please contact us. Each print is numbered and signed by the artist.
In this series, the photographer seeks to illuminate the Sámi people’s deep spiritual connection with nature. In the Northern Sámi language, gabba denotes a white reindeer, a creature imbued with symbolic significance, embodying uniqueness and beauty within the Sámi natural world. Through his portraits, Christian Houge strives to convey authenticity, emotional depth, and a strong sense of identity, creating images that go beyond surface appearances to capture moments of truth and presence.
For this project, Houge chose the wet collodion process, a photographic technique developed by British photographer Frederick Scott Archer in 1851. Celebrated for its organic and singular quality, this method is highly complex, requiring meticulous chemical preparation and long processing times, which is why it remains rarely used. Subjects must remain still for extended exposures, and a single session can take several hours.
“Alongside my fine art photography, I’ve dedicated countless hours to mastering collodion wet plates. Each imperfection has deepened my understanding of this intricate, alchemical process. A wet plate portrait is more than an image — it is a tangible encounter, a unique expression of authenticity and presence,” explains Christian Houge.
Houge embraces this technique because its inherent unpredictability mirrors life’s fragility, transience, and imperfection, producing portraits that are both vibrant and profound. In today’s fast-paced digital era, where images are captured and consumed in seconds, collodion photography revitalizes the classical portrait, demanding time, craftsmanship, and a deep, intentional engagement with the medium.
- Creator:Christian Houge (1972, Norwegian)
- Creation Year:2025
- Dimensions:Height: 18.9 in (48 cm)Width: 23.63 in (60 cm)
- More Editions Sizes:96 x 120 cm (37.8 × 47.2 in) 6 editions, 1 artist s proofPrice: $2,586128 x 160 cm (50.4 × 63 in) 3 editions, 1 artist s proofPrice: $5,172
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803117053812
Christian Houge
Based in Oslo, Norway, I have been making photographs for over twenty years, and new insights continue to open. By obsessively exploring the relation, and conflict, between Nature and culture, I understand Mans` condition and Mans` ego, consumer society, the last remnants of pure Nature and identity. These are all recurring elements in my work. I often like to juxtapose the visually aesthetic with an underlying uneasiness. All of this usually emanates a cognitive dissonance in the viewer to invite deeper truths and personal references. This also gives the work a lot of room for interpretation, and this is where the beautiful dialog starts between the work and the viewer, but also amongst the viewers themselves.
In my work, I wish to ask new questions to the increasing challenges we face environmentally and see how it all relates.Art is often made to invite us to see ourselves from new angles, understanding our surroundings and each other.
I find `humanizing` nature is a good way of conveying my work to invite the audience to see themselves in a bigger picture. Looking at our actions and place in the environment, which we are so dependent upon, is a recurring theme in my exploration. My work ranges from panoramic analog cameras to state of the art digital cameras to large format for specific projects.
All the work is made with pigment on cotton paper producing the best quality. I have exhibited extensively in galleries and museums in my native country Norway and the US, England, France, and China.
`Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` My previous environmental work has been nominated for the Prix Pictet Award on several occasions with my previous series for both Earth, Power and Fire themes.
In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London).
I have sold work from the series `Arctic Technology`at Sothebys` in London as well as Cornette det Syr in Paris. My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice`. China tour on environmental issues with Three Shadows Photography Art Centre in Beijing 2009.
Publications include `Altered Landscape` (Nevada Museum of Art) including purchased work for their collection at Center for Art and Environment. My extensive research and photographic work on melting glaciers and the consequences of climate change, `Death of a Mountain`, exhibited April-June 2021 at Buer Gallery, Oslo.
This series has also been nominated for the Leica Oscar Barnack Award and received the annual arts grant from the Norwegian Government.
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