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Christian HougeSwan in Flight 2, Residence of Impermanence series by Christian Houge - Photo2018
2018
$8,183.61
£6,109.62
€6,840
CA$11,273.52
A$12,369.20
CHF 6,515.50
MX$147,144.62
NOK 83,462.74
SEK 76,212.88
DKK 52,123.41
About the Item
Swan in Flight 2, Residence of Impermanence series is a limited-edition photograph by Norwegian artist Christian Houge.
This photograph is sold unframed as a print only. It is available in 2 dimensions:
*120 × 90 cm (47.2 × 35.4 in) edition of 7 copies. Archival pigment print on cotton paper mounted on dibond.
*170 × 126 cm (66.9 × 49.6 in), edition of 7 copies. C-print mounted on dibond.
All prints are signed and numbered.
Contact us regarding framing options.
The series, released in 2019, has garnered nine nominations for the Prix Pictet Award (2021) and has been shown in major photography institutions, including the Preus Museum (Horten, Norway, 2019), Fotografiska (Stockholm, Sweden, 2019), and the California Museum of Photography (Los Angeles, USA, 2020). It is now being offered for sale on Artistics for the first time.
Developed over nearly seven years, the project stems from Christian Houge’s fascination with taxidermy specimens, of which he assembled dozens before assigning new meaning to these lifelike figures. The demanding preparation required extensive logistical and technical efforts, particularly in the transport and preservation of the animals.
Through these photographs, Houge weaves together cultural and mythological references. By immortalising destructive flames, he symbolically grants the animals release—from their condemned existence—into a state of permanent yet transcendent transformation. The unsettling spectacle becomes a paradoxical triumph for species on the brink of disappearance, staged against a backdrop of ornate Victorian tapestries. These tapestries, deliberately chosen, evoke humanity’s long history of imperialism over both nature and fellow man.
With Residence of Impermanence, Houge furthers his ongoing inquiry into humanity’s relationship with the natural world and the hierarchies imposed upon it. As he explains: “Exploring our relationship, and conflict, to Nature has been a recurring theme in all my series throughout the last twenty years. Residence of Impermanence is for sure the most expressive and thought-provoking yet.”
Animals, standing here as emblems of the natural world, are transformed into powerful visual icons, enriched with layers of symbolic resonance. The series highlights a striking paradox: the aesthetic and emotional force of these images compels viewers to confront the quiet, almost invisible disappearance of countless species—an extinction too often met with human indifference.
One of these photographs was recently exhibited at Bomuldsfabriken Kunsthall in Arendal, Norway, as part of Houge’s solo exhibition Lost Paradise (2025).
- Creator:Christian Houge (1972, Norwegian)
- Creation Year:2018
- Dimensions:Height: 47.25 in (120 cm)Width: 35.44 in (90 cm)
- More Editions Sizes:170 × 126 cm (66.9 × 49.6 in), edition of 7 copies.Price: $12,778
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803116946722
Christian Houge
Based in Oslo, Norway, I have been making photographs for over twenty years, and new insights continue to open. By obsessively exploring the relation, and conflict, between Nature and culture, I understand Mans` condition and Mans` ego, consumer society, the last remnants of pure Nature and identity. These are all recurring elements in my work. I often like to juxtapose the visually aesthetic with an underlying uneasiness. All of this usually emanates a cognitive dissonance in the viewer to invite deeper truths and personal references. This also gives the work a lot of room for interpretation, and this is where the beautiful dialog starts between the work and the viewer, but also amongst the viewers themselves.
In my work, I wish to ask new questions to the increasing challenges we face environmentally and see how it all relates.Art is often made to invite us to see ourselves from new angles, understanding our surroundings and each other.
I find `humanizing` nature is a good way of conveying my work to invite the audience to see themselves in a bigger picture. Looking at our actions and place in the environment, which we are so dependent upon, is a recurring theme in my exploration. My work ranges from panoramic analog cameras to state of the art digital cameras to large format for specific projects.
All the work is made with pigment on cotton paper producing the best quality. I have exhibited extensively in galleries and museums in my native country Norway and the US, England, France, and China.
`Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` My previous environmental work has been nominated for the Prix Pictet Award on several occasions with my previous series for both Earth, Power and Fire themes.
In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London).
I have sold work from the series `Arctic Technology`at Sothebys` in London as well as Cornette det Syr in Paris. My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice`. China tour on environmental issues with Three Shadows Photography Art Centre in Beijing 2009.
Publications include `Altered Landscape` (Nevada Museum of Art) including purchased work for their collection at Center for Art and Environment. My extensive research and photographic work on melting glaciers and the consequences of climate change, `Death of a Mountain`, exhibited April-June 2021 at Buer Gallery, Oslo.
This series has also been nominated for the Leica Oscar Barnack Award and received the annual arts grant from the Norwegian Government.
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