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Christian HougeVanitas 7, Vanitas by Christian Houge - Photography, vanitas, skull2022
2022
$5,433.67
£4,047.30
€4,560
CA$7,482.60
A$8,144.63
CHF 4,315.55
MX$97,951.45
NOK 54,871.07
SEK 50,283.26
DKK 34,744.18
About the Item
Vanitas 7, Vanitas Series is a limited-edition photograph by Norwegian artist Christian Houge.
This photograph is sold unframed as a print only. It is available in 3 dimensions:
-107 × 80 cm (42.1 × 31.5 in) 6 editions, 2 artist's proofs. Archival pigment print mounted on aluminium.
-160 x 120 cm (63 × 47.2 in), 3 editions, 1 artist's proof. UV print on aluminium.
-204 x 150 cm (80.3 × 59.1 in), 1 edition. UV print on aluminium.
All prints are signed and numbered.
Contact us regarding framing options.
In his Vanitas series (2019–2022), Christian Houge reinterprets the iconography of vanitas still lifes—a genre that flourished across Europe in the 17th century and was marked by symbols of the transience of human life and the futility of earthly pleasures. Traditionally, a skull—illustrating the Latin phrase memento mori (“remember you will die”)—was paired with objects that evoked time, mortality, and human desire: candles, books, musical instruments, jewels, fruit, and flowers.
These compositions served as meditations on life and death, urging viewers to live with awareness and intention. In his contemporary photographic approach, Houge draws particular inspiration from early 17th-century Dutch masters such as Pieter Claesz and David Bailly.
At the core of his images stands the skull—a timeless and universal symbol that transcends cultures and disciplines. Yet Houge disrupts the traditional vanitas vocabulary by introducing an unexpected element: fire.
Both destructive and purifying, fire adds new interpretive depth to the work. It becomes a metaphor for the annihilation of a contemporary culture obsessed with ego and digital imagery, while simultaneously enacting a process of transformation—a rebirth of the skull and the identities it represents.
“The cathartic performance of burning is very much in the moment, as the fire continually alters both the skull and the still life, consuming each element in stages. It is both a cremation and a liberation for the object itself—a closure, a final breath of life.
[…] Vanitas is a beautiful reminder that we will all transcend this life one day. The question of what comes next has remained one of humanity’s greatest mysteries, and even with our remarkable progress, it is still left unanswered.”
— Christian Houge
- Creator:Christian Houge (1972, Norwegian)
- Creation Year:2022
- Dimensions:Height: 42.13 in (107 cm)Width: 31.5 in (80 cm)
- More Editions Sizes:160 x 120 cm (63 × 47.2 in), 3 editions, 1 artist s proofPrice: $7,865204 x 150 cm (80.3 × 59.1 in), 1 editionPrice: $19,304
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Paris, FR
- Reference Number:1stDibs: LU803117084212
Christian Houge
Based in Oslo, Norway, I have been making photographs for over twenty years, and new insights continue to open. By obsessively exploring the relation, and conflict, between Nature and culture, I understand Mans` condition and Mans` ego, consumer society, the last remnants of pure Nature and identity. These are all recurring elements in my work. I often like to juxtapose the visually aesthetic with an underlying uneasiness. All of this usually emanates a cognitive dissonance in the viewer to invite deeper truths and personal references. This also gives the work a lot of room for interpretation, and this is where the beautiful dialog starts between the work and the viewer, but also amongst the viewers themselves.
In my work, I wish to ask new questions to the increasing challenges we face environmentally and see how it all relates.Art is often made to invite us to see ourselves from new angles, understanding our surroundings and each other.
I find `humanizing` nature is a good way of conveying my work to invite the audience to see themselves in a bigger picture. Looking at our actions and place in the environment, which we are so dependent upon, is a recurring theme in my exploration. My work ranges from panoramic analog cameras to state of the art digital cameras to large format for specific projects.
All the work is made with pigment on cotton paper producing the best quality. I have exhibited extensively in galleries and museums in my native country Norway and the US, England, France, and China.
`Residence of Impermanence` has been exhibited at five museums and several galleries already (including a big solo show at Fotografiska, Stockholm (2019), and Arles Fotofestival (2019). Work from `Residence of Impermanence' is currently exhibited at the UCR: California Museum of Photography in Los Angeles with the exhibition `Facing Fire,` Art, Wildfire and The End of Nature in the New West.` My previous environmental work has been nominated for the Prix Pictet Award on several occasions with my previous series for both Earth, Power and Fire themes.
In 2005, my series `Arctic Technology` was shortlisted for the BMW Prize at Paris photo (through Scout Gallery, London).
I have sold work from the series `Arctic Technology`at Sothebys` in London as well as Cornette det Syr in Paris. My other series has been shown in museums, including a symposium at Johnson Museum, N.Y. and been part of travelling exhibitions with WHATCOM (Museum of Washington) with the exhibition `Vanishing Ice`. China tour on environmental issues with Three Shadows Photography Art Centre in Beijing 2009.
Publications include `Altered Landscape` (Nevada Museum of Art) including purchased work for their collection at Center for Art and Environment. My extensive research and photographic work on melting glaciers and the consequences of climate change, `Death of a Mountain`, exhibited April-June 2021 at Buer Gallery, Oslo.
This series has also been nominated for the Leica Oscar Barnack Award and received the annual arts grant from the Norwegian Government.
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