Cristina Fontsare

Horizonte - Contemporary, Polaroid, Childhood

2019

Farewell - 2019 - 20x25cm, Edition of 10, plus 2 Artist Proofs. Photograph printed in Canson Barita Fiber Rag 340gr, based on a reclaimed Fuji Instant Film Negative (not mounted)...

Pianississimo, 2019, Edition 1/10 plus 2 Artist Proof, 50x50cm, Digital Print based on a Polaroid on Hahnemühle photo rag paper, not mounted. Signed on back with certificate. Arie...

Maya - diptych, 2016 17x38cm, Edition of 10 plus 2 Artist Proof. Archival photograph printed on Hahnemuhle photo rag paper, based on 2 original Polaroids. Signature label and ce...

LET ME TAKE YOU DOWN, CAUSE I'M GOING TO - 2018, Edition 1/10 plus 2 Artist Proof, 42x60cm. Digital Print based on a Polaroid on Hahnemühle photo rag paper, not mounted. Signed on ba...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, they have a story to tell. As metaphorical portraits, they suggest the essence of a person, rather than offer any literal interpretation. I like to think of these as visual vignettes that suggest half-remembered, fragmented dream worlds. They borrow from the past, my fugitive and skewed memories of that past, and fleeting moments in time. These multi-layered prints and the frequent use of toy and pinhole cameras offer a sense of movement and fluidity. The repeated layerings are meant to add a tonality and saturated richness, yet each layer also serves to remove all the hard, clearly defined edges and sharp clarity. A softness and ambiguity results— much the way we see and remember. I choose to print in 19th century hand-applied printing processes. These antique printing...

CURRENT EXHIBITION - runs through September 10th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer order...

In this work we can observe a landscape that is not sunny that transmits tranquility and sadness.

Edition of 5 Colleen Fitzgerald's series, "Stamina," provides new approaches to conventional subjects by utilizing the materials and tools of photography in non-traditional ways. A unique physical process combines aspects of sculpture and photography, subverting the idealized two-dimensional photograph and providing a new entry point to the enduring photographic subjects of natural landscapes, seascapes, and more. To create the photographs, unexposed large sheets of positive film are cut and bent into three dimensional shapes before being exposed inside a camera outfitted with a custom film holder that accepts the film as a three-dimensional object instead of as a standard, flat sheet. The results on the shaped film can...