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David BurdenyDavid Burdeny - Saltern Study 17, Great Salt Lake, UT, 2015, Printed After
$3,300
£2,495.59
€2,858.56
CA$4,624.09
A$5,047.95
CHF 2,657.81
MX$60,468.62
NOK 33,992.42
SEK 31,035.64
DKK 21,354.07
About the Item
All available sizes
editions for each size of this photograph:
21” x 26" Edition of 7
32” x 40" Edition of 7
44” x 55” Edition of 10
59” x 73.5” Edition of 5
The tension between utilitarian purpose and artistic inspiration is the unexpectedly compelling strength of David Burdeny’s mesmerizing series of aerial abstractions called Salt. His large-format and luminously intriguing photographs of salterns occupy the hazy border zone between the prosaic and the poetic. In our hyper-connected age of GPS, Google maps and instant information, the instinctual reaction to these scenes might first be to determine the where and the why of them -their ground-level location or biological/environmental fact. To see first the service roads and draining ditches or to puzzle out how the chemical balance in the salt ponds creates these particular blooms of colour. Such readings serve to root vision in the commonplace and the established order -the here and now -and downgrade the sublimity in the aerial experience. But Burdeny’s Salt photographs aim to be more evocative and exalted than pedestrian. They seek to elevate our experience of the world in more ways than one.
With Burdeny’s Salt series, once you let go of the map, you take hold of the opportunity in the work. Then the immensity of the view, the expressive power of light and colour, and complex feelings of solitude and release take over, take flight. Burdeny manages to render into visual form the ineffable experience of drifting, of floating above it all, of being lost out beyond the humanly order of things (a clever conceit given how humans have definitely ordered these working salt fields). In some of the images -such as Saltern Study 15 -there is the sense of the transfigurative potential of expansion, a longing for the infinite. Whereas Red Water, Hut Lagoon reveals the awesome beauty of the abyss as a roiled cauldron of red. In their abstracted glory, Burdeny’s images play to the psyche and have powerful emotional force.
- Creator:David Burdeny (1968, Canadian)
- Dimensions:Height: 21 in (53.34 cm)Width: 26 in (66.04 cm)
- More Editions Sizes:32” x 40" Edition of 7Price: $6,60044” x 55” Edition of 10Price: $8,00059” x 73.5” Edition of 5Price: $17,000
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Stamford, CT
- Reference Number:1stDibs: LU25117396892
David Burdeny
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establishing himself as a photographer. Burdeny translates his intimate appreciation for the structure, details and metaphorical value of space into sublime observations on how the contemporary world is still pregnant with mystery and potential. His early work of square-format black and white images rendered space in stark, elemental terms. The spare landscapes seemed modeled to serve as liminal spaces -as thresholds and portals and points of departure that lead the viewer to a complex intimacy with the expressive force of empirical awareness. In subsequent series, Burdeny has explored both opulent and austere interior scenes that use the sensuality of colour to full effect. Whether focused on ordinary spaces or iconic settings, Burdeny's photographs occupy an artistic middle ground between the physical and the atmospheric, the concrete and the spiritual, the actual and the idealized. They represent not strictly what he found but his personal experience of these enigmatic and luminous locations.Burdeny has featured his photographic series in numerous solo and group exhibitions in Canada, the US and throughout Europe. His work has also been widely published including most recently in The Guardian, the Corriere Dela Sera and the Moscow Times.David Burdeny lives in Delta, B.C. and works from his studio in Vancouver.
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