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David BurdenyYusupof Theatre (Czar Box), St. Petersburg, Russia2015
2015
$15,000
£11,440.96
€13,028.49
CA$21,079.58
A$22,990.24
CHF 12,178.68
MX$275,620.32
NOK 155,102.22
SEK 141,829.47
DKK 97,335.54
About the Item
David Burdeny
Yusupof Theatre (Czar Box), St. Petersburg, Russia
73.5 x 59 inches
Edition of 5
Archival Pigment Print
Signature Label
Price for Print only. Ask us for framing options.
Dating back to 1935, The Moscow and St. Petersburg Metro was one of the USSR’s most extravagant architectural projects. Under Stalin’s direction, the Architects were directed to introduce the concept of “svet” or light and “sveltloe budushchee” or “A Bright Future”.
With their polished marble walls, high vaulted ceilings, and ornate chandeliers, the Metro stations have been likened to an “artificial underground sun”.This underground paradise was to remind its riders that Stalin and his party had delivered something substantial to the people in return for their sacrifices.
Burdeny has themed the series around this notion, showcasing his photographs of 20 of the metro stations and various Russian museums, palaces, and theatre interiors.
The artist is also working with esteemed writer and translator Rosamund Bartlett, highly regarded in academic circles for completing the latest and perhaps best translation of Anna Karenina (2014)
- Creator:David Burdeny (1968, Canadian)
- Creation Year:2015
- Dimensions:Height: 73.5 in (186.69 cm)Width: 59 in (149.86 cm)Depth: 2.5 in (6.35 cm)
- More Editions Sizes:73.5 x 59 inches, Edition of 5Price: $15,000
- Medium:
- Movement Style:
- Period:
- Framing:Frame IncludedFraming Options Available
- Condition:
- Gallery Location:New York City, NY
- Reference Number:1stDibs: LU101437640232
David Burdeny
David Burdeny (b. 1968. Winnipeg, Canada) graduated with a Masters in Architecture and Interior Design and spent the early part of his career practicing in his field before establishing himself as a photographer. Burdeny translates his intimate appreciation for the structure, details and metaphorical value of space into sublime observations on how the contemporary world is still pregnant with mystery and potential. His early work of square-format black and white images rendered space in stark, elemental terms. The spare landscapes seemed modeled to serve as liminal spaces -as thresholds and portals and points of departure that lead the viewer to a complex intimacy with the expressive force of empirical awareness. In subsequent series, Burdeny has explored both opulent and austere interior scenes that use the sensuality of colour to full effect. Whether focused on ordinary spaces or iconic settings, Burdeny's photographs occupy an artistic middle ground between the physical and the atmospheric, the concrete and the spiritual, the actual and the idealized. They represent not strictly what he found but his personal experience of these enigmatic and luminous locations.Burdeny has featured his photographic series in numerous solo and group exhibitions in Canada, the US and throughout Europe. His work has also been widely published including most recently in The Guardian, the Corriere Dela Sera and the Moscow Times.David Burdeny lives in Delta, B.C. and works from his studio in Vancouver.
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