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Potatoes (Still Life Photograph of Flowers
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David HallidayPoppies
Potatoes (Still Life Photograph of Flowers
Vegetables on White)2010
2010
$1,600
£1,219.23
€1,406.11
CA$2,272.48
A$2,441.65
CHF 1,309.94
MX$28,765.47
About the Item
Contemporary still life photograph of bright orange and blue poppy flowers and fingerling potatoes on a crisp white tabletop background
archival pigment print, edition 6 of 10
17 x 22 inches unframed, 24.25 x 29 inches with a handmade white painted wood frame that includes AR non-glare glass
Atelier stamp lower right, signed verso
Excellent condition and ready to hang
Halliday's color still-lifes of fruits and vegetables show influences of Renaissance and early 20th-century still-lifes. He counts painters like Cotan, Carravaggiio and Morandi and photographers Steichen, Disfarmer and Weston among those whose aesthetics he admires. “I learned a lot in terms of differentiating between finding things to photograph out in the world and those in a home space setting,” he says.
Though Halliday does make portraits and studies of the human figure, his more characteristic subject matter is the inanimate world. And yet a paradox arises here. The designation “still life” implicitly suggests one of the goals of both painters and photographers dedicated to the genre: they want to imbue the inanimate objects they depict with the vibrancy of life despite the immobility of the medium. Like the great painters of still life—Zurbarán, Chardin, Cézanne, Morandi—Halliday charges his fruits, vegetables, and other objects with a poised intensity that intrigues us partly because possible meanings are just out of reach.
About the work:
David Halliday's photographs are about beauty, pure and simple. His primary subjects are carefully composed still lifes, portraits and landscapes which he shoots in black and white film with only natural light. He is a purist behind the lens, rarely manipulating his negatives in any way and a master in the darkroom. His work has an ethereal quality that's translated not only through the subject, but also by the warm sepia tones he uses in his printing.
David Halliday started showing with Carrie Haddad Gallery in 1991.
- Creator:David Halliday (1958, American)
- Creation Year:2010
- Dimensions:Height: 24.25 in (61.6 cm)Width: 29 in (73.66 cm)Depth: 2 in (5.08 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Hudson, NY
- Reference Number:1stDibs: LU227175872
David Halliday
David Halliday's photographs are about beauty, pure and simple. His primary subjects are carefully composed still lifes, portraits and landscapes which he shoots in black and white film with only natural light. He is a purist behind the lens, rarely manipulating his negatives in any way and a master in the darkroom. His work has an ethereal quality that's translated not only through the subject, but also by the warm colors and sepia tones he uses in his printing.
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Bread House (Framed Food Still Life Photograph of Bread, Vegetables
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By David Halliday
Located in Hudson, NY
Contemporary food still life photograph of bread with assorted vegetables on a wood table
Archival pigment print, ed. 9 of 25
Image size: 11 x 14 inches
17 x 21 inches with dark wood frame with non-glare glass and 8-ply white mat
Halliday captures the beauty of a traditional still life with a contemporary spin. Here three loaves of bread are balanced on one another, beside blueberries, stones, squash, tomatoes, and legumes against a black background. The entwined green legumes and the bread's rough surface provides intriguing texture, while the delicately positioned white stones and blueberries lend brilliant color and shape. The contemporary still life is placed against a solid black background. The print #9 a limited edition of 25, is currently framed in a dark wood frame with non-glare glass and an 8-ply white mat. The artist's signature is located on the back and front.
About the Artist:
David Halliday's photographs are about beauty, pure and simple. His primary subjects are carefully composed still lifes, portraits and landscapes which he shoots in black and white film with only natural light. He is a purist behind the lens, rarely manipulating his negatives in any way, and a master in the darkroom. His work has an ethereal quality that's translated not only through the subject, but also by the warm colors and sepia tones he uses in his printing.
More about the work:
A master of light, David Halliday produces lush and elegant images that are both classical and modern. Celebrated for his ‘purist’ eye, he poetically captures the nude male body in a selection of sepia-toned prints from 1996. Rarely revealing the model's face, Halliday prefers to focus on the natural drape of limbs, soft folds of flawless skin, and curvature of the spine. Overall, a stunningly intimate portrayal of the male form done with elegance and charm.
Resume:
Born 1958, Glen Cove, New York
Lives in Schodack Landing, NY
EDUCATION
1998 Penland School of Crafts, Penland, North Carolina
1988 The Maine Photographic Workshops, Rockport, Maine
1976-79 Syracuse University, New York
1974-76 Wooster School Community Art Center, Danbury, Connecticut
SELECTED SOLO EXHIBITIONS
2013 Threadbare/New Photographs, Arthur Roger Galley, New Orleans, LA
McMurtrey Gallery, Houston, TX
2012 The Past Still Present, Ogden Museum of Southern Art, New Orleans, LA
2010 Arthur Roger Gallery, New Orleans, LA
Wessel+O’Connor Fine Art, Lambertville, NJ
Julie Heller Gallery, Provincetown, MA
Graficas Gallery, Nantucket, MA
2009 Culinary Delights, San Antonio Museum of Art, San Antonio, TX
Two Decades: David Halliday, Carrie Haddad Photographs, Hudson, NY
2008 Arthur Roger Gallery, New Orleans, LA
Still-Life, Stephen Cohen Gallery, Los Angeles, CA
Carrie Haddad Gallery, Hudson, NY
Watermark Gallery, Houston TX
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Radishes (Contemporary Still Life Study in Light Box with Diffused Light)
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11.25 x 11.25 inches unframed
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edition of 12
Some of David Halliday's most engaging works are those from his Box Series in which he merges traditional ideas about light and composition with contemporary experiments. In this series an empty cookie tin becomes a tiny studio for food objects. Halliday carefully styles his photographic subjects inside and, allowing only natural light to seep in through a circular window. The results feel less like still lifes and more like intimate portraits of human sustenance. In these photographs, the fleshy curves of a fig, the slick bodies of sardines, even the homeliest porcini mushrooms possess a degree of nobility, providing a refreshing contrast to the compulsive relationship we so often have with food, reminding us to slow down and savor with gratitude.
In this particular image, a bunch of radishes with their deep pink skins are are gently brushed with the natural diffused light, echoing techniques associated with a Vermeer painting!
About the work:
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