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David Yarrow
Got, Kvernufoss, Iceland by David Yarrow - Contemporary Wildlife Photography

2020

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request

About the Item

Got Kvernufoss, Iceland - 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Available sizes: Standard Image Size: 37" x 46" Framed Size: 52" x 61" Large Image Size: 56" x 70" Framed Size: 71" x 85"
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2020
  • Dimensions:
    Height: 52 in (132.08 cm)Width: 61 in (154.94 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU388314834382

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Game of Thrones
By David Yarrow
Located in Chicago, IL
Iceland 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 57 inches 67 x 81 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. For unframed, $1,500 will be deducted from the price. David Yarrow has built an unrivaled reputation for capturing the beauty of the planet’s remote landscapes, cultures and endangered animals. Born in Glasgow, Scotland in 1966, he is an internationally acclaimed fine art photographer and Europe’s best selling wildlife photographer. "The Icelandic Government rebates 25 cents in the dollar for all film work conducted in the country. That, coupled with the elemental and geologically angry landscape, make for a compelling proposition for film producers. Directors as senior as Clint Eastwood and Ridley Scott have reaped the benefits whilst leading film franchises such as Bond, Marvel and Fast and Furious...
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21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

True North
By David Yarrow
Located in Chicago, IL
True North Iceland - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Si...
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21st Century and Contemporary Contemporary Black and White Photography

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True North
By David Yarrow
Located in Chicago, IL
True North Iceland - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Si...
Category

21st Century and Contemporary Contemporary Black and White Photography

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Archival Pigment

The Perfect Storm
By David Yarrow
Located in Chicago, IL
Iceland 2018 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 83 inch...
Category

21st Century and Contemporary Contemporary Black and White Photography

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Legends of the Fall
By David Yarrow
Located in Chicago, IL
Iceland 2020 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 48 x 69 inch...
Category

21st Century and Contemporary Contemporary Black and White Photography

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Norse
By David Yarrow
Located in Chicago, IL
Norse Skogafoss, Iceland – 2022 - 2022 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Each is signed, dated and numbered on the front. Edition Size: 12 Available sizes: 40 x 37 inches 61 x 56 inches All prints are on 315gsm Hahnemühle photo rag Baryta paper and varnished after processing to give both endurance and sheen. Each is signed, dated and numbered on the front. Price includes David Yarrow's custom black ash frame, white archival matting and protective UV acrylic. “Skogafoss in southern Iceland is a familiar destination for us, we have filmed there a few times over the years and know its potential and also its challenges. The waterfall is aesthetically without equal in Europe and the backdrop offers the chance of an arresting photograph, especially as the foreground gives a platform on which to add narrative. The waterfall itself is of little interest to me; it is photographed thousands of times a day by good photographers with good cameras. It must be used as part of the story, not the whole event. The riddle is how to manage the distance between the camera and the point of impact of the huge volumes of water that smash onto the ground. To work too close risks not just losing perspective, but having spray, quickly rendering the camera inoperable. To work further away is more practical, but then the distance compression can dumb things down and lose the sense of immersion and importantly the scale. We now know our spot and our lens choice, but this was the first time we had put it to the test in the snow, when Skogafoss becomes a three-sided winter vortex; a bit like a deep freeze...
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21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

Norse
Price Upon Request

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