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Diana BloomfieldGirl in Park2004
2004
$950
£719.90
€829.60
CA$1,343.56
A$1,444.89
CHF 772.58
MX$17,424.94
NOK 9,769.86
SEK 8,901.60
DKK 6,198.96
About the Item
Diana H. Bloomfield
"Figurative" Statement
I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, they have a story to tell. As metaphorical portraits, they suggest the essence of a person, rather than offer any literal interpretation. I like to think of these as visual vignettes that suggest half-remembered, fragmented dream worlds. They borrow from the past, my fugitive and skewed memories of that past, and fleeting moments in time.
These multi-layered prints and the frequent use of toy and pinhole cameras offer a sense of movement and fluidity. The repeated layerings are meant to add a tonality and saturated richness, yet each layer also serves to remove all the hard, clearly defined edges and sharp clarity. A softness and ambiguity results— much the way we see and remember.
I choose to print in 19th century hand-applied printing processes. These antique printing techniques offer me creative freedom and infinite possibilities. They mesh well with my images, which are always interpretive. The repeated layerings and unintended mis-registration of the gum bichromate process, in particular, remove all the hard and clearly defined edges, resulting in softness and ambiguity-- much the way we see and remember . . .
- Creator:
- Creation Year:2004
- Dimensions:Height: 8 in (20.32 cm)Width: 10 in (25.4 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Sante Fe, NM
- Reference Number:1stDibs: LU13425563331

About the Seller
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These multi-layered prints and the frequent use of toy and pinhole cameras offer a sense of movement and fluidity. The repeated layerings are meant to add a tonality and saturated richness, yet each layer also serves to remove all the hard, clearly defined edges and sharp clarity. A softness and ambiguity results— much the way we see and remember.
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"Figurative" Statement
I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, they have a story to tell. As metaphorical portraits, they suggest the essence of a person, rather than offer any literal interpretation. I like to think of these as visual vignettes that suggest half-remembered, fragmented dream worlds. They borrow from the past, my fugitive and skewed memories of that past, and fleeting moments in time.
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