Enrique Badulescu

Orange Silhouette

Marshall by Frank Schott large scale photograph of iconic American vintage car with crimson red sheetmetal paint and custom logo tag delivered in classic archival gift artwork portfo...

Colosseo Quadrato by Frank Schott, from a series of photographic observances capturing urban textures and color palettes of Roman architecture 30 x ...

Influorescense - A limited edition large scale photography collaboration by Tom Blachford and Kate Ballis. The series takes its name from the marriage of two words. Fluorescence (me...

a series of observations on French master paintings and their opulent gilded frames GILDED DRAMA by Frank Schott 40 x 32 inches / 102 cm x 8...

Influorescense - A limited edition large scale photography collaboration by Tom Blachford and Kate Ballis. The series takes its name from the marriage of two words. Fluorescence (me...

Influorescense - A limited edition large scale photography collaboration by Tom Blachford and Kate Ballis. The series takes its name from the marriage of two words. Fluorescence (me...

Influorescense - A limited edition large scale photography collaboration by Tom Blachford and Kate Ballis. The series takes its name from the marriage of two words. Fluorescence (me...

"The Million Dollar Cowboy Bar (Colour)" Jacksonhole, Wyoming - 2025 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 42" Unframed 52" x 57" Framed Edition of 12 Large 56" x 64" Unframed 71" x 79" Framed Edition of 12 "Established in 1937, the Million Dollar Cowboy bar in Jackson, Wyoming is one of America’s landmark honky tonks. Its authentic western vibe draws hundreds of visitors a day and yet despite this fame, the joint retains a folksy charm. That is quite a trick. It is the epicentre of the Jackson Hole community and probably always will be. Clint Eastwood has acted in the bar (Any Which Way You Can), Willie Nelson and Hank Williams Jr have sung there and I thought it was high time we filmed there. I was drawn to the ageless facade of the bar, with its retro neon lighting and famous rotating cowboy on horseback sign on the roof. My creative pondering never departed much from the premise that this backdrop offered a definitive sense of place and had to be paid homage to. Neon lights don’t do themselves justice during the day, but as the bar is busy until closing, 365 days a year, shooting at night offered challenges. The solution was to film at 5.30 am and, on the morning of the shoot, this offered some bonuses as there was fresh snow and a temperature of 0°F. This extreme cold allowed the exhaust fumes from the Ford Bronco to add more drama to the set. I think a few cowboys were left a little disappointed with the manner of the cowgirl’s departure in this tableau. To leave the bar alone is one thing, but to leave with a wolf must have been distressing for all her courters. We would like to acknowledge John Baxter...

Available sizes: 23.6 x 31.5 in 60 x 80 cm C-Print Edition of 7 35.4 x 47.2 in 90 x 120 cm Archival Pigment Print Edition of 5 47.2 x 63 in 120 x 160...

Available sizes: 23.6 x 31.5 in 60 x 80 cm C-Print Edition of 7 35.4 x 47.2 in 90 x 120 cm Archival Pigment Print Edition of 5 47.2 x 63 in 120 x 160...