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Igal Pardo
Beachscape 02 - beach scene photography

2017

$7,000
£5,301.85
€6,088.99
CA$9,809.29
A$10,664.68
CHF 5,654.42
MX$127,842.41
NOK 71,864.81
SEK 65,837.94
DKK 45,507.50

About the Item

Beach Scape 02, 2017 Archival pigment print mounted on plexiglas 28 × 64 in 71.1 × 162.6 cm Edition of 6 This art work is part of Igal`s beach series. In this series, Igal takes photos of different scenes on the Tel Aviv beaches of Israel (where he lives) and manipulates the images to make it look as if they were surreal. The all image has a whitish feeling, unreal, but yet, people are still there, playing, swimming and surfing. The contrast between the day to day real activities people were caught doing and the surreal over all feeling is what makes this series all mysterious!
  • Creator:
    Igal Pardo (1965, Israeli)
  • Creation Year:
    2017
  • Dimensions:
    Height: 30 in (76.2 cm)Width: 71 in (180.34 cm)Depth: 1.5 in (3.81 cm)
  • Medium:
  • Movement Style:
  • Period:
  • Condition:
  • Gallery Location:
    New York, NY
  • Reference Number:
    1stDibs: LU23525160352

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Beachscape 02
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This art work is part of Igal`s beach series. In this series, Igal takes photos of different scenes on the Tel Aviv beaches of Israel (where he lives) and manipulates the images to m...
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In his beach series, Pardo is taking the viewers into a journey. A journey that goes on the line between surreal and real. His photos, straight shots that he manipulates, are sometim...
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Beachscape 03 - landscape photography
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This art work is a photo of the Tel Aviv beach taken by Pardo and then manipulated to make it look as a surreal beach. The people were there, playing, su...
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Beach Scene 37
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Born in 1965, Jerusalem, Israel. Professional photographer since 1992 1992 a member of the Professional Photographers of Israel. 1998 private photo workshops management. ...
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Beach Scene 38
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Born in 1965, Jerusalem, Israel. Professional photographer since 1992 1992 a member of the Professional Photographers of Israel. 1998 private photo workshops management. ...
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