C Print Color Photography

Original color photograph, from the original transparency, by Bert Stern taken six weeks before Marilyn Monroe’s death in 1962. The sitting took p...

Hotel Sports Limited Edition Estate Stamped Print (edition size 150 only). 1958: Holidaymakers water-skiing in front of the Carlton Hotel, Cannes. France (Photo by Slim Aarons) 6...

Andros Island (1957) Limited Estate Stamped (Photo By Slim Aarons) Sunbathers by a swimming pool at the Hotel Punta Tragara on the island of Capri, Italy, August 1974. Additional Information: Unframed Paper Size: 20x20'' Printed Later Limited Estate Stamped NOTE OTHER SIZES OF THIS IMAGE AVAILABLE 12 x 12'' 16 x 16'' 20 x 20'' 30 x 30'' 40 x 40'' FRAMING AVAILABLE ON REQUEST About the Artist: Slim Aarons (American, October 29, 1916–May 29, 2006) was a photographer well-known for his portraits of the rich and famous. Born George Allen Aarons, he spent his youth in New Hampshire and New York before joining the army during World War II, where his photography career began. Working throughout his career with magazines like Life, Holiday, and Town & Country gave Aarons the chance to document the jet-set lifestyle of Hollywood stars, American and European socialites, and other celebrated figures. His approach was simple; using no make-up artists or artificial lights, he let the natural opulence of his subjects and their surroundings illuminate his lens. Typical scenes from Aaron’s photography take place in the sun, and in front of a pool surrounded by bathing beauties. The Slim Aarons Prints...

Self-Portrait - 2020, Part of the series shot during the second UK lockdown. Edition of 10. 50x50cm. Digital C-Print based on a Polaroid. Signed on back with Certificate. Not moun...

Portofino Villa, 1977 - Aerial View Italian Landscape Countryside Swimming Pool by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

Half Light 6, 2016 - Autumn Leaves in English Forest Woodland Landscape by Ellie Davies Half Light 6 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this...

The artist's photographs capture the transformation of everyday life into another reality. Images that explore what the future will be like. Industrial, eccentric and progressive, Ca...

Half Light 7, 2016 - Autumn Leaves in English Forest Woodland Landscape by Ellie Davies Half Light 7 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, available in this...

From the 2018 Singapore Series, Postcards from afar. This artwork is a limited edition of 25, gloss photographic print. Accompanied by a signed and numbered certificate of authentic...

Stéphane COUTURIER (*1957, France) E1027/123 – Villa Eileen Gray – Photo #24, 2021-2022 C-Print 140 x 116 cm (55 1/8 x 45 5/8 in.) Edition of 5 Signed In 1994, Stéphane Couturier sh...

Fires 3, 2018 - Autumnal Seasonal Landscape in Ancient English Woodland Clearing by Ellie Davies Fires 3 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Matte pape...

'Light my Fire’, 2017, 20 x 20 cm, Edition 1/10, Digital C-Print based on a Polaroid, not mounted. Numbered and signed on the back by the artist. Artist...

A fabulous example of roadside America sign porn. Part of Richard Heeps Dream in Color Series photographed in Fallon, Nevada. This artwork is a limited edition of 25, gloss photogra...

Richard Heeps’ seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter – be it cool, descriptive interio...

Edition of 5 Mounted in Plexiglas Kai Schäfer is an acclaimed German photographer with a passion for vinyl records and iconic turntables. The World Records series celebrates some of...

Mustang, El Mirage, California is a stunning C-Type Print by contemporary photographer Samuel Hicks. It is available in this size in an Edition of 25, and is sold unframed. A Mus...

Stars 10, 2015 - Stars and Trees in Ancient English Woodland Forest Landscape by Ellie Davies Stars 10 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Matte paper,...

Museum quality fine art print of Iman by photographer Markus Klinko taken in New York, 2004 This print is available in the following sizes, signed and numbered by Markus Klinko 24" ...

1968, A kneeling sunbather shows off her rings and pendant on a beach in Capri, Italy. Slim Aarons Capri Tan 1968. (printed later) C print Estate stamped and numbered edition of 1...

"Baby goats are always a blast to photograph. Bubbles was full of life and floated around like a happy-go-lucky butterfly. He was so social, in fact, that within a few minutes of bei...

"From her soft, silvery coat to her upright ocher horns, Notta Chance was impressive from head to toe. She brought so many textures to my lens, which is always a fun challenge. It ta...

Between the Trees 6, 2014 - Mist and Fog Natural Landscape in Ancient Woodland by Ellie Davies Between the Trees 6 is a stunning Digital C-Type Print on Fuji Maxima Matte paper, ava...

Draught, 2017, Edition 2/7 plus 2 Artist Proof Based on an original Impossible film Digital C-print, not mounted. Signed on the back and with certificate. Artist inventory PL2017-307...

Untitled 08 (Saigon) - 2003 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Certificate and signature label. Artist Inventory #19813. Not ...

Former fashion model Helen Dzo Dzo Kaptur (in white lace), Nelda Linsk (in yellow), wife of art dealer Joseph Linsk, and other guests at the Kaufmann Desert House in Palm Springs, Ca...

Initially taken as part of Cawston’s series juxtaposing images from Banksy’s Dismaland with its host town of Weston-super-Mare for his book Are We There Yet?, The Perfect Fish and Chips...

'Herefordshire House' by Christopher Simon Sykes An open window gives a view along a country lane in Herefordshire, from the home of filmmaker John Bulmer and sculptor Angela Connor...

Between the Trees 1, 2014 - Mist and Fog Natural Landscape in Ancient Woodland by Ellie Davies Between the Trees 1 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima ...

Brooklyn Bridge (Strange Love) - 2005 20x25cm, Edition of 10. Digital C-Print, based on the Polaroid. Signature label and certificate. Artist Inventory No. 18350. Not mounted. ...

Palazzo Hercolani, Bologna 2011 C-print Signed, titled, dated and numbered edition of 5 on artist's label on verso. Mounted and framed The photographer is based in Florence, and is ...

A deserted multi-storey car park in Bristol. – Cawston’s Concrete Jungle is not a vision of the ultramodern, of orderly skyscrapers with comfortable interiors. It is rather of a Bla...

Pink Moon An abandoned swimming pool in Havana, Cuba.  Shot on colour negative with a large format camera before the addition of a dash of pink! – The Spaces in Between series devel...

Aerial view with sunbathers and parasols and, dotted with yachts and small boats, the waters off the coast of Porto Ercole, Italy, in July 1991. The image was taken from Hotel Il Pel...

With great wit and sensuous color, Julie Mack's work allows us to share in the awkward moments her family experiences before her large-format camera with long exposures, providing an...

A topless Tiziana Audino enjoys a shower at the Hotel San Pietro in Positano, 1984. Slim Aarons Tiziana 1984. (printed later) C print Estate stamped and numbered edition of 150 wi...

Half Light 2, 2016 - Fall Leaves by Lake in English Forest Woodland Landscape by Ellie Davies Half light 2 by Ellie Davies is a stunning Digital C-Type Print of Fuji Maxima Matte pa...

Half Light 1, 2016 - Season Fall Leaves in English Forest Woodland Landscape by Ellie Davies Half Light 1 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Matte pap...

This isolated giant great roadside sign set against a vast blue sky is a remnant of The Sundowner Bar and Restaurant of the Motel which is unfortunately no more. This photograph, par...

"As with so many baby animals, Clover clings to her mother like a shadow every chance she gets. In fact, what you wouldn’t know about this photo is that her mom was originally in it ...

"Kotton is as soft as a swab and reminded me of a panda’s face and charm. Born a true mama’s boy, this gentle lamb clung to his mother’s side months after being born but has slowly c...

"I was not surprised to learn that Lauren came from a winning line of beautiful bunnies. Her black velvet fur lined with hints of gold reminded me of an eerie eclipse when the dark m...

New age design in Charles de Gaulle airport. – The Spaces in Between series developed out of visits to Naples in Italy and Havana in Cuba, two cities whose past glories are suffused ...

The greenfinch is an infrequent visitor to my garden, but with their glorious colours and strong, rounded shapes they are a sight to behold. The fan-like shape of the wings frames th...

Horses on Mosquito Coast, Honduras, Central America 1980's. (photograph Alain Le Garsmeur) A gorgeously evocative shot taken in the early 1980's by prolific documentary and well kn...

"Dutton was always up to something. Originally raised to be a show bunny, he instead retired early due to his naughty ways on the show table. Mischievous to his core, Dutton is also ...

Reinhard Görner Beinecke, New Haven Yale Rare Books and Manuscript Library New Haven Contemporary large scale photograph 50 x 56 inches ed. of 10 $6,000 ...

A celebration of the art of graffiti drawn from various locations around the world… these pieces are part reality and part creation emphasizing the often ephemeral nature of street ...

Gabriela at Eleven - 2019 40x48cm, Edition of 7 plus 2 Artist Proofs. Photograph printed in Canson Baryta Fiber Rag 340gr, based on a reclaimed Fuji Instant Film Negative (not mou...

Miscellany circa 1990 by Christopher Simon Sykes A wall of discarded implements, including a large scythe, in the attics at Doddington Hall, Lincolnshire circa 1990 This beautiful...

"Carmela was a character. With their wild fluff and laughable likeness to a fluttering Muppet from the 1970s, silkies naturally exude charisma and charm. When in motion, their feathe...

"Aleister is a rare breed—quite literally. With fewer than 1,000 Sultan chickens existing today, this snow-feathered fellow is helping keep the bloodline alive. He doesn’t let the pr...

Hearst Castle II San Simeon USA, 2016 C print Edition of 5 120 x 150 cm mounted on aluminum (production and shipping takes approximately 4 weeks) Massim...

A helicopter carrying tourists hovers over the Fontainebleau Hotel on Miami Beach, Florida, April 1972. Slim Aarons Aerial Miami Beach 1972 C print (Printed later) Estate signature...

Glastonbury Tor rises from the mists in this mythical vision of the Somerset levels – Cawston’s landscapes are filled with delicate harmonious tones. They resonate feeling and leave...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft...

Heidler & Heeps Vinyl Collection Set of Three Framed Artworks. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesm...

An abandoned cinema in Caibarien, Cuba. This pre-Revolutionary edifice was built when Cuba was a playground for tourists and mobsters alike, and America was still revered as somewhe...

Darren Almond Fullmoon@Beacon 1999-2004 C-print mounted on aluminum in artist’s frame 48 x 48 inches; 122 x 122 cm Edition of 5 Signed in ink (verso) Available from Matthew Marks G...

Museum quality fine art print of Beyonce by photographer Markus Klinko. Shot in 2003 for the back cover of the album, Dangerously In Love This print is available in the following s...

We present another series of new work highlighting the raw, natural beauty of Californian landscapes and nature, from various California based photographers. May be paired with other Californian Coast photography...