Paper Color Photography

Palm Springs Palm Trees (Californication) - 2023 40x40cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

A Vision you can't Capture #04 (29 Palms, CA) - 2007 A piece from the 29 Palms, CA project 40x50cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. A...

large scale photograph of iconic Italian architecture by architect Adalberto Libera on the Mediterranean island of Capri, Italy, built for writer Curzio Malaparte and famous film location of Jean-Luc Godard's movie 'Contempt' starring Brigitte Bardot and Michel Piccoli Casa Malaparte...

Heidler & Heeps Vinyl Collection Nine Piece Multicolor Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifull...

Classic vintage Vegas Casino at the Flamingo Las Vegas. This art deco interior has the South Beach Miami vibe, opened in 1946 it is the oldest in ...

Between the Trees 8, 2014 - Mist and Fog Natural Landscape in Ancient Woodland by Ellie Davies Between the Trees 8 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima ...

Underwater photograph of a young woman in red dress dancing underwater in a pool. A very bright photograph with plenty of sun and positivity. The model was an amazing Russian dancer...

El Mirage Lake, where the Southern Californian Timing Association, Land Speed Racing event, tracks in the ground from the previous days racing, adding a beauty to the natural landsca...

Lucia at Fourteen (2018) 40x51 cm, Edition of 7 plus 2 Artist Proofs. Giclée Print on Hahnemühle Fine Art Baryta, based on a Fuji Instant Film (not mounted) Once / Cristina Fonts...

Nightmare (Suburbia) 2004, 40x40cm each, installed 40x130cm, Edition of 10 plus 2 Artist Proofs. 3 archival C-Prints based on the 3 Polaroids. Signature label and Certificate. ...

Day or Night??, Original Landscape Photography, 2017 19" x 10" Artist Commentary: This photo was an un-expected surprise. In January 20...

'10000 blue days' Mesr Desert, Iran 2016. Limited edition of 20.

Side Effects (Stage of Consciousness) - 2007 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and signature label. Artist Invent...

Organza dream - Signed limited edition archival pigment print, Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-f...

Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride...

Dreamer - Signed limited edition archival pigment print - Edition of 8 Photography : 1989 Bichromate print : 2015 Pigment print : 2020 Several negatives was used to create a ha...

'The Pilgrimage to the Black Rock' (Burning Man) Edition 2/10, 20x30cm, 2016, Color-Print, printed on Velvet Watercolor, 310gsm, Bright White, Acid Free, Signature label and Certificate. About Tao Ruspoli (born 7 November 1975) is an Italian-American filmmaker, photographer, and musician. Background He is the second son of occasional actor and aristocrat Prince Alessandro Ruspoli, 9th Prince of Cerveteri by Austrian-American actress Debra Berger. Tao was born in Bangkok, Thailand and raised in Rome and Los Angeles. He graduated from the University of California, Berkeley with a Bachelor of Arts in Philosophy. Career Moviemaker magazine singled out Ruspoli as one of the 10 Young Filmmakers To Watch in its spring 2008 issue. His feature narrative debut, Fix, was one of 10 feature films to screen in competition at the 2008 Slamdance Film Festival and soon afterward at the Santa Barbara International Film Festival where Ruspoli was awarded the Heineken Red Star Award for 'most innovative and progressive filmmaker.' Fix also won the Festival Award for Best Film at the 2008 Brooklyn Film Festival, Vail Film Festival and the 2008 Twin Rivers Media Festival, as well as other prizes at several international festivals. His most well-known documentary is Just Say Know, a personal discussion of his family's drug addiction. His other films include Flamenco: A Personal Journey, a feature length documentary about the flamenco way of life as it is lived by Gypsies in the south of Spain. He has directed a number of other short documentaries, including El Cable (also about Flamenco), and This Film Needs No Title: A Portrait of Raymond Smullyan (a portrait of the renowned logician, mathematician and concert pianist Raymond Smullyan). Tao founded LAFCO in 2000. The Los Angeles Filmmakers Cooperative, is a bohemian collective of filmmakers and musicians who work out of a converted school bus. Through LAFCO, Tao has produced several films and helped dozens of filmmakers to make their first films and discover the wonders of digital media. His producing credits include the feature film Camjackers, which he also acted in and co-edited. Camjackers won the best editing award at the 44th Ann Arbor Film Festival. Tao is an accomplished flamenco guitar player, and his first CD, FLAMENCO, was released on Mapleshade Records in 2005. He married actress Olivia Wilde in 2003. They divorced in 2011. He currently lives and works in the High Desert, California. He is the co-founder of the Bombay Beach Biennale. The Exaltation of Imagination Photographs and Musings in Defense of Burning Man by Tao Ruspoli The press around Burning Man had gotten so bad that I almost felt embarrassed to be going this year. Even Daniel Pinchbeck, famed psychonaut and burner par excellence, had written a thoughtful piece explaining why, after 15 consecutive years, he wasn’t going back this year: the festival had changed too much-the rich had taken over, it had gone from a relevant and fascinating social experiment to epitomizing the worst elements of capitalist excess. Besides, he seemed to be saying, the world is going through too many crises, both ecological and humanitarian, to justify the extravagance of an event like this. Keith Spencer...

an homage to the photo realism + pop art color palette of artist David Hockney Best Seats by Erik Pawassar 48 x 72 inches (122 x 183cm) signed edition of 7 27 x 40 inches (69 x 1...

Bath time Story IV - 2021 - 20x20cm, Edition of 7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, Signed on the back and with certificate. Artist inventory PL2021-1069...

The photo was created during a hot summer day, evoking good mood under a RED umbrella. Signed by the author, limited 5.

'Monte Amiata I', photographed in February 2020 for his ongoing series 'A Short History of Milan'. There is a reoccurring linear, structural theme throughout the series, capturing t...

Chrome Tutti Frutti, from the Heidler & Heeps Tape Collection - The B Sides. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, pe...

The iconic Coney Island structure, Parachute Jump, photography by Richard Heeps, printed from negative full frame with the Fuji Film border. This artwork is a limited edition of 25...

Untitled (The Last Picture Show), 2005 38x36cm, Edition 2/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the original SX-70 Polaroid. Inventory No. 781.02. Signature label and Certificate. Not mounted. LIFE’S A DREAM (The Personal World of Stefanie Schneider) by Mark Gisbourne Projection is a form of apparition that is characteristic of our human nature, for what we imagine almost invariably transcends the reality of what we live. And, an apparition, as the word suggests, is quite literally ‘an appearing’, for what we appear to imagine is largely shaped by the imagination of its appearance. If this sounds tautological then so be it. But the work of Stefanie Schneider is almost invariably about chance and apparition. And, it is through the means of photography, the most apparitional of image-based media, that her pictorial narratives or photo-novels are generated. Indeed, traditional photography (as distinct from new digital technology) is literally an ‘awaiting’ for an appearance to take place, in line with the imagined image as executed in the camera and later developed in the dark room. The fact that Schneider uses out-of-date Polaroid film stock to take her pictures only intensifies the sense of their apparitional contents when they are realised. The stability comes only at such time when the images are re-shot and developed in the studio, and thereby fixed or arrested temporarily in space and time. The unpredictable and at times unstable film she adopts for her works also creates a sense of chance within the outcome that can be imagined or potentially envisaged by the artist Schneider. But this chance manifestation is a loosely controlled, or, better called existential sense of chance, which becomes pre-disposed by the immediate circumstances of her life and the project she is undertaking at the time. Hence the choices she makes are largely open-ended choices, driven by a personal nature and disposition allowing for a second appearing of things whose eventual outcome remains undefined. And, it is the alliance of the chance-directed material apparition of Polaroid film, in turn explicitly allied to the experiences of her personal life circumstances, that provokes the potential to create Stefanie Schneider’s open-ended narratives. Therefore they are stories based on a degenerate set of conditions that are both material and human, with an inherent pessimism and a feeling for the sense of sublime ridicule being seemingly exposed. This in turn echoes and doubles the meaning of the verb ‘to expose’. To expose being embedded in the technical photographic process, just as much as it is in the narrative contents of Schneider’s photo-novel exposés. The former being the unstable point of departure, and the latter being the uncertain ends or meanings that are generated through the photographs doubled exposure. The large number of speculative theories of apparition, literally read as that which appears, and/or creative visions in filmmaking and photography are self-evident, and need not detain us here. But from the earliest inception of photography artists have been concerned with manipulated and/or chance effects, be they directed towards deceiving the viewer, or the alchemical investigations pursued by someone like Sigmar Polke. None of these are the real concern of the artist-photographer Stefanie Schneider, however, but rather she is more interested with what the chance-directed appearances in her photographs portend. For Schneider’s works are concerned with the opaque and porous contents of human relations and events, the material means are largely the mechanism to achieving and exposing the ‘ridiculous sublime’ that has come increasingly to dominate the contemporary affect(s) of our world. The uncertain conditions of today’s struggles as people attempt to relate to each other - and to themselves - are made manifest throughout her work. And, that she does this against the backdrop of the so-called ‘American Dream’, of a purportedly advanced culture that is Modern America, makes them all the more incisive and critical as acts of photographic exposure. From her earliest works of the late nineties one might be inclined to see her photographs as if they were a concerted attempt at an investigative or analytic serialisation, or, better still, a psychoanalytic dissection of the different and particular genres of American subculture. But this is to miss the point for the series though they have dates and subsequent publications remain in a certain sense unfinished. Schneider’s work has little or nothing to do with reportage as such, but with recording human culture in a state of fragmentation and slippage. And, if a photographer like Diane Arbus dealt specifically with the anomalous and peculiar that made up American suburban life, the work of Schneider touches upon the alienation of the commonplace. That is to say how the banal stereotypes of Western Americana have been emptied out, and claims as to any inherent meaning they formerly possessed has become strangely displaced. Her photographs constantly fathom the familiar, often closely connected to traditional American film genre, and make it completely unfamiliar. Of course Freud would have called this simply the unheimlich or uncanny. But here again Schneider almost never plays the role of the psychologist, or, for that matter, seeks to impart any specific meanings to the photographic contents of her images. The works possess an edited behavioural narrative (she has made choices), but there is never a sense of there being a clearly defined story. Indeed, the uncertainty of my reading here presented, acts as a caveat to the very condition that Schneider’s photographs provoke. Invariably the settings of her pictorial narratives are the South West of the United States, most often the desert and its periphery in Southern California. The desert is a not easily identifiable space, with the suburban boundaries where habitation meets the desert even more so. There are certain sub-themes common to Schneider’s work, not least that of journeying, on the road, a feeling of wandering and itinerancy, or simply aimlessness. Alongside this subsidiary structural characters continually appear, the gas station, the automobile, the motel, the highway, the revolver, logos and signage, the wasteland...

The Dwell - 2018 20x24cm, Edition of 10 plus 2 Artist Proofs. Archival Print on Hahnemühle photo rag paper, based on the Mixed Media collage of a Spectra Polaroid and glitter. Si...

MASSIMO LISTRI Palazzo Reale I, Amsterdam, 1991 60 x 48 inches 150 x 120 cm Edition of 5 Chromogenic Print Signed, dated, and numbered on verso label Unframed (Framing options ava...

large scale photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes from the bo...

Swim-in-Pool Supply Co. This fun original artwork really shows Richard's unique eye as a photographer. Captured in Las Vegas in 2003 it is part of a series he took over a few years. ...

Chrome, from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past and their perso...

Heidler & Heeps Vinyl Collection Twenty-Five Piece Multi-color Square Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha H...

Untitled Story III is a photograph by French contemporary artist Camille Brasselet. This photograph is a limited edition of 15 copies, it is sold framed with a black shadow box wit...

Palm Springs Pool Side, photograph by Richard Heeps taken at Ballantines Movie Colony. This artwork captures the classic mid-century Palm Springs architecture set against saturated b...

M (Immaculate Springs) - 1998 - 20x20cm, Edition of 5, plus 2 Artist Proofs. Archival C-Print, based on the original Polaroid. Signature Label and Certificate. Artist inventory...

View of Hotel du Cap, Eden Roc - Five Star Hotel on French Riviera Sea Views by Slim Aarons 12" x 16" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "V...

This one depicts fragmented space photos and is titled Moon and Earth. it depicts a view from outer space. SIMONS, Vera (1920 - 2012) Vera Habrecht Simons...

Plane (Vegas) - 2000 Edition 4/10, 44x59cm. Analog C-Print, hand-printed and enlarged by the artist, based on the Polaroid. Certificate and Signature label. Artist Inventory #54...

'Zzyzx Resort Pool', part of Richard Heeps 'Dream in Colour' Series, he was set a challenge to find something interesting on the road from LA to Las Vegas. In the heart of the Mojave...

California Dreaming by Frank Schott from a series of photographs capturing the Golden State's vast desert landscapes 27 x 40 inches / 68cm x 102cm edition of 25 signed 48 x 72 inches / 122cm x 183cm edition of 7 signed archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Michael Wolf, Gregory Crewdson, William Eggleston and Joel Sternfeld, Schott's images successfully blend technical, conceptual and formal rigor with a decisive sense of composition and color. Schott's images have an iconic sensibility and give us a bird's eye view onto humanity and its constructs. The specific is edged towards the abstract, often revealing the compelling and disjunctive moment where nature meets man. Frank Schott was born in Cologne, Germany in 1962. He currently lives and works in San Francisco...

Venenum is a photograph by French contemporary artist Camille Brasselet. This photograph is sold unframed as a print only. It is available in 2 dimensions: *50 cm × 75 cm (19.7" × ...

Private Booths, New York City street neon. This artwork is part of Richard's portfolio of street photography he is building up which depict the colour, ...

Snow Silence (Stranger than Paradise) - 2003 57x56cm, Edition 4/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on the Polaroid. Artist invento...

Patrick Sansone uses analog cameras and film to create photographs that reference stillness, lure, and intermission. Decaying signage, abandoned indust...

CREATURE II by Christian Stoll from a series of still life photographs capturing fantastical creatures made of found objects and organic materials ( 48 x 68" / 122 x 173cm ) editio...

Winter Pool - 2013 50 x 75 cm, Edition of 1/5. Archival Photography printed on Canson Baryta 310gr (not mounted). Signed on back with Certificate. About myself I was born and rai...

ABOUT THIS ARTIST: Photographer Dewey Nicks was born in St. Louis, Missouri. Nicks studied photography at the Art Center College of Design in Pasadena. He has been a professional fas...

Steps into the pool at the La Concha Motel Las Vegas. Part of Richard Heeps Dream in Colour series. This motel is a part of Las Vegas history, designed by Paul Williams...

Prairie Rose, 2019 20x20cm, Edition 1/7 plus 2 Artist Proofs, digital C-Print based on a Polaroid, not mounted. Signed on the back and with certificate. Artist inventory - PL2019...

Foyer IV, from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project featuring at the Affordable Art Fair Milan 2019 and the series is o...

Richard Heeps series A Short History of Milan began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has become popular with art buye...

Tinted Oval Window Cassette from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal ...

'Lariat Motel II' is classic roadside Americana 'Sign Porn' photography and Richard Heeps captured it in its original site. The owners since sold the Lariat Motel and donated the 195...

pink cadillac by Frank Schott 40 x 32 inches ( 132 x 81cm ) edition of 25 signed 60 x 48 inches ( 152 x 122 cm ) edition of 7 signed 72.5 x 58 inche...

'Liberace's Piano' from Richard Heeps 'Dream in Colour' Series. Richard captured one of Liberace's piano's in a private home, it has a an archetypal fun, kitsch, Las Vegas feel. Th...

Modena by Frank Schott 30 x 40 inches / 76cm x 102cm edition of 25 signed 48 x 64 inches / 122cm x 163cm edition of 7 signed archival quality fine art pigment print limited art ed...

Richard Heeps’ seductive, highly saturated colours and sophisticated pictorial structures demonstrate a true love and empathy for his subject matter – be it cool, descriptive interio...

From a series of large scale abstract photographs of muted color monochromatic water surfaces SEASCAPE IV by Frank Schott available in two edition sizes ...

ABOUT THIS ARTIST: Erin Summer is an artist and graphic designer from Toronto, Canada. Her passion is creating colourful and whimsical images that communicate visual optimism, regard...

Somewhere in Australia, 1995 - 46x20cm, Edition of 10, digital C-Print based on a 35mm negative. Signed on back with Certificate. Not mounted.

Full Moon, Chrysler Building, New York City, 2012 by Roberta Fineberg is a 24" x 18" signed archival pigment print in an edition of 5 and 2 artist proofs (a/p I, a/p II). The contemporary color landscape photograph was shot on 42nd St and captures the art-deco Chrysler Building -- one of New York City's beloved buildings -- beneath a full moon. Available: Ed 2/5 Provenance: RF Studio *** Artist's Bio: As a visual artist, Roberta Fineberg (RF) focuses on the themes of serendipity, inventiveness, the development of ideas and color fields for her mixed media works. Drawn to experimentation, she explores diverse mediums and concepts such as the ephemeral (Butterfly Series), stolen moments (documentary), play, timelessness, the enduring, and the significance of matter. RF’s selected exhibitions: Women of Spirit Zurcher Gallery New York (2025); Sojourner Gallery New York (2022); Phyllis Harriman Gallery New York studio shows (2020, 2022); CADAF online art fair (2020); Gallery122 New York pop-up group...

ABOUT THIS PIECE: The cat is a photographic series shot in Milan for Vogue Bambini in January 2016. ABOUT THIS ARTIST: Carolina Mizrahi creates fantasy ...