Paper Color Photography

Pink Tinted Cassette, from the Heidler & Heeps Tape Collection. The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past a...

Rose-Colored Dream - 2018, 60x72cm, Edition of 5 plus 2 Artist Proof, 20x24cm, Digital Print based on an original Polaroid on Hahnemühle photo rag paper, not mounted. Signed on ...

Magic Mountain III (Memories of Green) - 2003 Edition of 10, 58x56cm. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper. based on an expired Polaroid, Artist...

Primo Tempo 3 is a 30cm x 30cm digital print on 50cm x 50cm cotton paper in a limited edition of 9 + 2 Artist Proofs. A bucolic scene, almost reminiscent of Baroque or Renaissance ...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Minjin Kang and Mijoo Kim are a creative duo, who have been inspirin...

Belles of Shoreditch, from Richard Heeps Burlesque series. Richard Heeps became well-known for his Burlesque Photography after he spent 2003 ca...

'Homestead III', from a sequence of photographs of abandoned buildings in the Californian High Desert, Wonder Valley The three part series is part of Richard Heeps' larger series 'Dr...

Karine - 2018 Edition of 10, 30x20cm. Archival Print. Signature label and Certificate. Not mounted. Tao Ruspoli (born 7 November 1975) is an Italian-American filmmaker, phot...

Shades of Pale (Wallscape) by Frank Schott from a series of photographic observances capturing urban textures and wallscape color palettes 48 x 66 inches / 122cm x 168cm edition o...

Taken in Ho Chi Minh City this luxurious mid-century private movie theatre has a stunning colour palette. The symmetry, style and interior design give it that 'accidentally Wes Ande...

Gasoline III (Stranger than Paradise) - 1999 Edition 10, 120x120cm, analog C-Print, hand-printed by the artist, based on the Polaroid, Not mounted, Certificate and Signature label, artist Inventory No. 271.01 Exhibition photos from the solo show 'Rough Cuts' at the Susanne Vielmetter gallery, LA Projects. The works of Stefanie Schneider evoke Ed Ruscha's obsession with the American experience, the richness of Georgia O'Keefe's deserts and the loneliness of Edward Hopper's haunting paintings. So how exactly did this German photographer become one of the most important artists of the American narrative of the 20th and 21st century? In this captivating artwork, we are drawn into the enigmatic world captured by Stefanie Schneider, where a solitary man, lost in his own thoughts, embarks on a journey while engulfed in a cloud of smoke...

ABOUT THIS ARTIST: Neal Grundy is a freelance photographer with almost 20 years experience. He studied at Falmouth College of Arts in Cornwall, UK. Neal is adept in a range of lens b...

ABOUT THIS ARTIST: Neal Grundy is a freelance photographer with almost 20 years experience. He studied at Falmouth College of Arts in Cornwall, UK. Neal is adept in a range of lens b...

Hidden Valley (Till Death Do Us Part) - 2005 78x77cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid Signature label and Certificate. artist Inventor...

The grand stand, at the authentic modest but historic Inyokern Airport Drag Strip. As a drag racing fan Richard is pleased he got to photograph there for h...

'The Road to Death Valley', taken in the Majove Desert, California, features a clouded blue sky met my mountains on the horizon. This American landscape artwork is part of Richard He...

This stylish artwork, 'Red Polka Dot Dress' taken at the glamorous retro event Goodwood Revival, perfectly captures feminine sophistication with a ...

ABOUT THIS ARTIST: Jessica C. Nugent is a photographer from California known for her contemporary images of nature. She uses her graphic design background to create an emotional conn...

Atlas Shrugged 20x20cm, Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature Label and Certificate. Not Mounted.

Richard Heeps 'Ordinary Places' Series, captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at the Photograp...

Colony at Dawn, architecture photography by Richard Heeps for his 'Dream in Colour' series, this piece features the mid-century architecture of Ballantines Movie Colony, California, captured at dawn against the Palm Springs mountain landscape...

Stars 3, 2014 - Stars and Trees in Ancient English Woodland and Forest Landscape by Ellie Davies Stars 3 by Ellie Davies is a stunning Digital C-Type Print on Fuji Maxima Matte pape...

TULLE by Christian Stoll an epic scale photograph of mesmerizingly tactile fashion textile details 40 x 30 inches / 122cm x 76cm signed edition of 25 64 x 48 inches / 163cm x 122cm...

ABOUT THIS PIECE: Beauty, elegance and fierce attitude defines Elena’s eye-catching work. She is known for her high impact colorful portraits. Her style is permeated with the passion for highly aesthetic, strong and elegant imagery, with saturated colors and play of light. Diving into her world means opening the doors of a minimalist and stylized world in which sublime female models play freely to the camera. ABOUT THIS ARTIST: Originally from Russia, Elena Iv...

Wild West II by Frank Schott 27 x 40 inches / 68cm x 102cm edition of 25 signed 48 x 71 inches / 122cm x 180cm edition of 7 signed archival museum quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ Frank Schott grew up in Germany and attended the prestigious Academy of Arts in Cologne, studying under Professor Arno Jansen, who was an early influence. Moving to California in 1998, Schott's work has evolved to include the epic landscapes and deserts of the American West as well as architectural, conceptual and more formal environments from both home and his travels. Influenced by a number of photographic peers and precursors such as Candida Höfer, Andreas Gursky, Thomas Struth, Jeff Wall, Ed Rusha...

large scale glass mounted photography of mesmerizing color compositions of liquid cloudscape painting in water, hypnotizing abstract liquidscapes f...

Heidler & Heeps Vinyl Collection Eight Piece Multicolor Installation. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautiful...

mesmerizing light reflections of glistening sunlight on turquoise aquamarine water surface, an homage to the iconic pool reflections paintings by artist David Hockney H2O ll by Erik Pawassar 27 x 40 inches (69 x 102cm) signed edition of 25 48 x 72 inches (122 x 183cm) signed edition of 7 archival quality fine art pigment print limited art edition published by Edition EKTAlux artist signed + numbered certificate of authenticity ________________________ About the artist Erik Pawassar's work focuses on the beauty of the disregarded or mundane object. The subjects for his striking and captivating visuals are typically set in the most ordinary environments, drawing the viewer into a charged but serene experience based on composition, palette and formal lines. Saturated in color, the nominal subjects gather a haunting and mesmerizing quality, creating a poignant pretext for the making of a formal color photograph. Decisively capturing the traces left by humanity, Pawassar's images are filled with a sense of universal nostalgia and pay homage to the passage of time and the extinguished moment, referencing documentary and street photographers like Henri Cartier-Bresson, Sebastian Salgado...

Part of Richard Heeps 'Man's Ruin' Series, captured at Viva Las Vegas, this fun piece has a cool kitsch vibe. This artwork is a limited edition of 25, gloss photographic print. Acco...

Men, photograph by Richard Heeps, from his Jersey Shore series. Taken in Wildwood, the historic Doo-Wop Town of New Jersey, this kitsch signage is perfect Pop Art and is typical of R...

Tom Thumb Special, captured in the iconic home of speed, Bonneville Salt Flats. The powerful, this iconic Ford Coupe Land Speed Racing Car, sits in the foreg...

The seductive blue sky and the seductive milkshakes make you feel as if you are sitting in the car at this "Americana style" Roadhouse in Welkom, South Africa. It is typical of Richa...

Part of Richard Heeps 'Ordinary Places' Series, it captures Britain on the brink of change. It was Richard's first colour series and it achieved much success with an exhibition at th...

Living in a Dream (Till Death do us Part) - 2005 20x20cm, Edition of 10, Archival C-Print print, based on the Polaroid. Certificate and Signature label, artist Inventory No. 9781. Not mounted. on offer is a piece from the movie "Till Death do us Part" Stefanie Schneider’s Till Death Do Us Part or “There is Only the Desert for You.” BY DREW HAMMOND Stefanie Schneider’s Til Death to Us Part is a love narrative that comprises three elements: 1. A montage of still images shot and elaborated by means of her signature technique of using Polaroid formats with outdated and degraded film stock in natural light, with the resulting im ages rephotographed (by other means) enlarged and printed in such a way as to generate further distortions of the image. 2. Dated Super 8 film footage without a sound track and developed by the artist. 3. Recorded off-screen narration of texts written by the actors or photographic subjects, and selected by the artist. At the outset, this method presupposes a tension between still and moving image; between the conventions about the juxtaposition of such images in a moving image presentation; and, and a further tension between the work’s juxtaposition of sound and image, and the conventional relationship between sound and image that occurs in the majority of films. But Till Death Do Us Part also conduces to an implied synthesis of still and moving image by the manner in which the artist edits or cuts the work. First, she imposes a rigorous criterion of selection, whether to render a section as a still or moving image. The predominance of still images is neither an arbitrary residue of her background as a still photographer—in fact she has years of background in film projects; nor is it a capricious reaction against moving picture convention that demands more moving images than stills. Instead, the number of still images has a direct thematic relation to the fabric of the love story in the following sense. Stills, by definition, have a very different relationship to time than do moving images. The unedited moving shot occurs in real time, and the edited moving shot, despite its artificial rendering of time, all too 2009often affords the viewer an even greater illusion of experiencing reality as it unfolds. It is self-evident that moving images overtly mimic the temporal dynamic of reality. Frozen in time—at least overtly—still photographic images pose a radical tension with real time. This tension is all the more heightened by their “real” content, by the recording aspect of their constitution. But precisely because they seem to suspend time, they more naturally evoke a sense of the past and of its inherent nostalgia. In this way, they are often more readily evocative of other states of experience of the real, if we properly include in the real our own experience of the past through memory, and its inherent emotions. This attribute of stills is the real criterion of their selection in Til Death Do Us Part where consistently, the artist associates them with desire, dream, memory, passion, and the ensemble of mental states that accompany a love relationship in its nascent, mature, and declining aspects. A SYNTHESIS OF MOVING AND STILL IMAGES BOTH FORMAL AND CONCEPTUAL It is noteworthy that, after a transition from a still image to a moving image, as soon as the viewer expects the movement to continue, there is a “logical” cut that we expect to result in another moving image, not only because of its mise en scène, but also because of its implicit respect of traditional rules of film editing, its planarity, its sight line, its treatment of 3D space—all these lead us to expect that the successive shot, as it is revealed, is bound to be another moving image. But contrary to our expectation, and in delayed reaction, we are startled to find that it is another still image. One effect of this technique is to reinforce the tension between still and moving image by means of surprise. But in another sense, the technique reminds us that, in film, the moving image is also a succession of stills that only generate an illusion of movement. Although it is a fact that here the artist employs Super 8 footage, in principle, even were the moving images shot with video, the fact would remain since video images are all reducible to a series of discrete still images no matter how “seamless” the transitions between them. Yet a third effect of the technique has to do with its temporal implication. Often art aspires to conflate or otherwise distort time. Here, instead, the juxtaposition poses a tension between two times: the “real time” of the moving image that is by definition associated with reality in its temporal aspect; and the “frozen time” of the still image associated with an altered sense of time in memory and fantasy of the object of desire—not to mention the unreal time of the sense of the monopolization of the gaze conventionally attributed to the photographic medium, but which here is associated as much with the yearning narrator as it is with the viewer. In this way, the work establishes and juxtaposes two times for two levels of consciousness, both for the narrator of the story and, implicitly, for the viewer: A) the immediate experience of reality, and B) the background of reflective effects of reality, such as dream, memory, fantasy, and their inherent compounding of past and present emotions. In addition, the piece advances in the direction of a Gesammtkunstwerk, but in a way that reconsiders this synaesthesia as a unified complex of genres—not only because it uses new media that did not exist when the idea was first enunciated in Wagner’s time, but also because it comprises elements that are not entirely of one artist’s making, but which are subsumed by the work overall. The totality remains the vision of one artist. In this sense, Till Death Do Us Part reveals a further tension between the central intelligence of the artist and the products of other individual participants. This tension is compounded to the degree that the characters’ attributes and narrated statements are part fiction and part reality, part themselves, and part their characters. But Stefanie Schneider is the one who assembles, organizes, and selects them all. THE RELATIONSHIP BETWEEN THIS IDEA (above) AND PHOTOGRAPHY This selective aspect of the work is an expansion of idea of the act of photography in which the artistic photographer selects that which is already there, and then, by distortion, definition or delimitation, compositional and lighting emphasis, and by a host of other techniques, subsumes that which is already there to transform it into an image of the artist’s contrivance, one that is no less of the artist’s making than a work in any other medium, but which is distinct from many traditional media (such as painting) in that it retains an evocation of the tension between what is already there and what is of the artist’s making. Should it fail to achieve this, it remains, to that degree, mere illustration to which aesthetic technique has been applied with greater or lesser skill. The way Til Death Do Us Part expands this basic principle of the photographic act, is to apply it to further existing elements, and, similarly, to transform them. These additional existing elements include written or improvised pieces narrated by their authors in a way that shifts between their own identities and the identities of fictional characters. Such characters derive partially from their own identities by making use of real or imagined memories, dreams, fears of the future, genuine impressions, and emotional responses to unexpected or even banal events. There is also music, with voice and instrumental accompaniment. The music slips between integration with the narrative voices and disjunction, between consistency and tension. At times it would direct the mood, and at other times it would disrupt. Despite that much of this material is made by others, it becomes, like the reality that is the raw material of an art photo, subsumed and transformed by the overall aesthetic act of the manner of its selection, distortion, organization, duration, and emotional effect. * * * David Lean was fond of saying that a love story is most effective in a squalid visual environment. In Til Death Do Us Part, the squalor of the American desert...

ABOUT THIS PIECE: "As a self-portrait artist, I use the observation of my surroundings, personal experiences, and my own personal growth to create conceptual images. I am a highly po...

The Mystic - Circle of Magic (29 Palms, CA), - 2009 Edition 3/5 , 37x47cm. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based on a Polaroid, Artist i...

Explore the exclusive limited editions of Tal Paz-Fridman's collection, with each captivating piece available in four select sizes. Limited to just 10 editions each, you can choose f...

large scale conceptual environmental still life photographs playing with viewer's perspective creating individual letters from found objects spelling the word HOPE H-O-P-E by Christian Stoll Incredible details in this body of work: focusing in on this epic photograph work, you will find yourself lost in the artwork's details. Reminiscent of the appropriation artwork of Vik Muniz, Christian Stoll arranges everyday objects to spell letters of the alphabet. Only at close inspection does the viewer realize he/she is looking at an actual photograph, created in camera rather than with digital manipulation. _________________________ Artwork can be installed vertically, horizontally, square or across multiple walls 4 individual photographs individual artwork size 24 x 24 inches (61 x 61cm) horizontal artwork composition 24 x 96 inches (61 x 244cm) vertical artwork...

Photographed in 1987 in John Rylands Library, Manchester and was part of Richard Heeps iconic series 'Ordinary Places', which was his first colour collection. The exhibition was show...

DIALOGUE 02 is a work by contemporary French photographer Matthieu Venot. In this series, he roams the city of Miami looking for deco architecture. With his camera, he cuts up the ur...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Neal Grundy is a freelance photographer with almost 20 years experie...

ABOUT THIS PIECE: Beauty, elegance and fierce attitude defines Elena’s eye-catching work. She is known for her high impact colorful portraits. Her style is permeated with the passion for highly aesthetic, strong and elegant imagery, with saturated colors and play of light. Diving into her world means opening the doors of a minimalist and stylized world in which sublime female models play freely to the camera. ABOUT THIS ARTIST: Originally from Russia, Elena Iv...

Castro’s labor-intensive, photo-collage works of drug kingpins, smugglers, hitmen, countrymen, street vendors, soldiers, paramilitaries, kidnappers, and pimps pose showing with pride...

large scale photograph of iconic American vintage car with crimson red sheetmetal paint and custom logo tag Marshall by Frank Schott 25 x 40 inches (64 x 102cm) signed edition of ...

WC, a kitsch vintage sign captured in Ho Chi Minh City, Vietnam. This artwork has a beautiful balance of neutral colour tones, texture and typography. ...

Untitled (Last Picture Show) - 2001 40x40cm, Edition of 10, Lambda Print based on the Polaroid Certificate and signature label artist inventory number: 1268. Not mounted. Insta...

ABOUT THIS ARTIST: Igor Vitomirov has over 15 years experience of working in photography. He loves nature and people and expressing their interactions w...

ABOUT THIS ARTIST: Karol Malecki is a fine art photographer living in Warsaw. He uses film and loves a cinematic feel paired with minimalism. The purpose...

Playgirl (Heavenly Falls) 2016, 50x50cm, Edition of 10. Archival C-Print based on the Polaroid. Certificate and signature label. Artist inventory number: 19598. Not mounted. ...

Mesmerizing abstract color play of muted tones and surreal shapes, from a series of still life works created entirely in camera Caleidoscope II by Christian Stoll 67 x 48 inches (1...

Harry's Corner, on the Wildwood Boardwalk. Taken in April 2013, this picture was first executed in Richard's darkroom in October 2020, he prints it full frame showing the AGFA Ultra ...

ABOUT THIS PIECE: Hong Kong has the most basketball courts of any city in the world. This bold claim is difficult to verify, but in his Hong Kong Basketball Court series, Austin Bell...

Original photo transfer on acetate and colored paper mounted on paper. Hand signed on front by the artist. Authenticated by Andy Warhol Art Authentication Board...

Automobili I by Frank Schott a series of Industrial Style still life photographs (Ferrari) - details at iconic Italian race car performance garage 48 x 72inches / 122cm x 183cm edi...

large scale art photography of an iconic glamorous American vignette Dealer by Frank Schott 48 x 72 inches / 122cm x 183cm edition of 7 signed 27 x 40 inches / 67cm x 102cm editio...

Wheels by Frank Schott 48 x 60 inches / 122cm x 152cm edition of 7 signed 32 x 40 inches / 76cm x 102cm edition of 25 signed archival quality fine art pigment print limited art ed...

ABOUT THIS ARTIST: Igor Vitomirov has over 15 years experience of working in photography. He loves nature and people and expressing their interactions with different emotions. Igor's...

Persephone I by Erik Pawassar 40 x 31 inches (102 x 79cm) edition of 25 signed 62 x 48 inches (157 x 122cm) edition of 7 signed archival fine art pigment print signed & numbered...

ABOUT THIS ARTIST: Igor Vitomirov has over 15 years experience of working in photography. He loves nature and people and expressing their interactions with different emotions. Igor's...

'Lilac Gloves' by Richard Heeps, taken at the glamorous retro event Goodwood Revival, perfectly captures the fine details in vintage fashion, a time of sophistication. This artwork f...