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Stefanie SchneiderAusten and Daisy in front of Trailer II (Till Death do us Part) - analog2005
2005
$7,000
£5,351.92
€6,131.91
CA$9,873.55
A$10,749.78
CHF 5,740.04
MX$129,766.64
NOK 72,162.55
SEK 67,119.57
DKK 45,802.39
About the Item
'Austen and Daisy in front of Trailer II' (Till Death do Us part), 2005 -
128x126 cm,
Edition of 5,
analog C-Print, hand-printed by the artist, based on the Polaroid,
Certificate and Signature label, artist Inventory No. 9251.
Not mounted.
Till Death Do Us Part – A Cinematic Vision by Stefanie Schneider
Offered here is a rare and evocative piece from Till Death Do Us Part, a cinematic chapter within Stefanie Schneider’s acclaimed 29 Palms, CA project—an experimental film composed of Polaroid stills and Super 8 sequences.
Set against the vast and indifferent landscape of the California desert, Till Death Do Us Part tells the story of Cristal and Margarita—two young women bound by fate, seeking refuge in each other from a world that has failed them. Cristal, already slipping into invisibility, finds herself reflected in Margarita, a runaway escaping a fractured past. In their roadside existence, they create an illusory paradise, believing their connection can transcend time. But when two lost souls fuse into one, do they find themselves, or do they vanish further into the void?
Schneider’s visual language is both poetic and haunting, her signature use of expired Polaroid film distorting time, memory, and reality. Colors bleed into each other like echoes of forgotten dreams, and the desert’s ephemeral light suspends the characters between intimacy and isolation. This work delves deep into themes of identity, androgyny, longing, and the fragile border between freedom and entrapment.
Accompanied by the ethereal voice of Austen Tate as Margarita and the haunting melodies of Daisy McCrackin as Cristal, Till Death Do Us Part is an artistic triumph—an exploration of love, loss, and the spaces in between.
Schneider, who received her MFA from the Folkwang School in Essen, Germany, has exhibited her work at institutions including the Museum für Fotografie (Braunschweig), the Museum für Kommunikation (Berlin), and Les Rencontres d'Arles, among others.
Her impact on contemporary photography is profound. As Dr. Florian Kaps, founder of The Impossible Project, states:
"Stefanie Schneider’s work achieves the possible from the impossible, creating the finest art from the most ephemeral of materials. Seeing her photography made me realize that Polaroid film could not be allowed to disappear. If not for Stefanie Schneider, this American symbol of photography might have been lost forever."
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2005
- Dimensions:Height: 50.4 in (128 cm)Width: 49.61 in (126 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652315949422
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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Austen in front of Trailer (Till Death do us Part)
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Daisy and Austen in front of Trailer (Till Death do Us Part) - 5/5, 4 pieces
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Daisy front of Trailer (Till Death do us Part)
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Daisy in Trailer (Till Death do us Part) with Daisy McCrackin - Polaroid
By Stefanie Schneider
Located in Morongo Valley, CA
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Certificate and Signature label,
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On offer is a piece from the movie: Till Death do Us part
'Till death do us part' an episode of the '29 Palms, CA' project. A film shot on Polaroid stills combined with Super 8 film sequences.
'Till Death Do Us Part' is the story of two young lovers, lonely souls escaping the abuse of reality into each other. Imagine a stranger suddenly in your path, you can just be silent with, and you feel you have known her forever. This is the experience of Cristal and Margarita, that begins when Cristal picks her up hitchhiking on a lonely dessert road. A runaway from a cruel older brother and a broken family, Margarita is searching on the edge of the shadows for a home. Cristal was also a lonely child and already dangerously close to vanishing when she finds Margarita. For her it is the begging of life. When she finds Margarita, she finds herself, she feels for the first time and discovers that she is not invisible after all.
The childlike, roadside life they make together is a dream that they truly believe will last forever, and with the naive joy of beginners, they dive in, never sensing danger. When two lost souls become one and share everything, do they loose themselves further or do they become whole at last? When a girl has no home, no anchor, can she combine thrive with another? Once a human heart wakes up from isolation for the first time, enchanted by a reflection in love's mirror, can the dreamer fall asleep again, or must she wander searching to find it again forever?
An artistic triumph for Schneider, this piece floats deeper into her exploration of the colors of the human psyche, separation, relationship, androgyny and the fringes of social reality.
The Californian desert light and the vintage colors of Polaroid create a unforgettable atmosphere in the abandoned trailer park.
Austen Tate gives Margarita her voice in poetry and Daisy McCrackin...
Category
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