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Stefanie SchneiderThe Games we played (Till Death do us Part) - Contemporary, Polaroid, Women2005
2005
$380
£288.71
€331.78
CA$533.76
A$580.98
CHF 307.84
MX$6,987.17
NOK 3,914.12
SEK 3,586.86
DKK 2,478.41
About the Item
The Games we played (Till Death do us Part) - 2005
20x20cm,
Edition of 10, plus 2 artist proofs.
Archival C-Print print, based on the Polaroid.
Certificate and Signature label, artist Inventory No. 9162.
Not mounted.
No artist has done what Stefanie Schneider has done—not in this way, not with this level of depth and vision.
Her work exists at the intersection of photography, cinema, and memory, but it doesn’t neatly fit into any one category. While many photographers have explored themes of nostalgia, imperfection, or the passage of time, Schneider’s approach is singular because she doesn’t just document these themes—she manifests them, embedding them into the very chemistry of her images.
Polaroid photography has often been seen as fleeting, ephemeral—an instant, a keepsake, a moment captured and then forgotten. But Schneider elevates it to something permanent, something mythic. Where others might see the unpredictability of expired film as a limitation, she has mastered it, bending time and chemistry to her will. Her images are not merely photographs; they are artifacts of a world just slightly out of reach, existing somewhere between memory and dream.
Unlike traditional photographers who chase a single decisive moment, Schneider builds entire narratives—worlds suspended in faded hues and hazy sunlit landscapes. Her work has the quality of a film still, yet it refuses resolution. The story lingers, unfinished, allowing the viewer to step in and complete it.
While some artists embrace nostalgia as an aesthetic, Schneider’s work goes deeper—she doesn’t just reference the past, she resurrects it, reconfigures it, and makes it feel eerily present. Her images exist outside of time, inviting us to question what was real and what was imagined.
This is why no artist before her has done what she has—because it’s not just about the film, the process, or the themes. It’s about her singular ability to take something fleeting and make it eternal.
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen, Bombay Beach Biennale 2018.
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2005
- Dimensions:Height: 7.88 in (20 cm)Width: 7.88 in (20 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652315757662
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
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