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Stefanie SchneiderSundays (Heavenly Falls) - Contemporary, 21st Century, Polaroid, Nude2016
2016
$350
£266.30
€306.83
CA$496.89
A$533.07
CHF 285.93
MX$6,418.15
NOK 3,604.49
SEK 3,286.79
DKK 2,292.43
About the Item
Sundays (Heavenly Falls) - 2016
20x20cm, Edition of 10,
Digital C-Print based on the Polaroid.
Certificate and signature label,
artist inventory number: 19502.
Not mounted.
Stefanie Schneider
The Girl Behind the White Picket Fence
Feature Film, Polaroid Still Sequences
Super-8, 78 minutes
Voiceover in English, Color
In The Girl Behind the White Picket Fence, Stefanie Schneider redefines the boundaries of narrative cinema through her unmistakable visual language—instantly recognizable and impossible to replicate. Shot entirely with expired Polaroid film and interwoven with Super-8 sequences, the film is not so much told as it is dreamed. Faded edges, chemical blooms, and fragmented colors become storytelling tools, speaking the unspeakable.
Set in the remote Californian desert, the film follows a young girl in the wake of a profound personal loss. Orphaned and left to her own devices in a vintage Spartan travel trailer, she wanders through the sun-drenched silence, seeking meaning in the remains of a world once filled with family and routine. What emerges is a cinematic monologue—intimate, poetic, and unresolved—rendered in Schneider’s signature aesthetic of beautifully deteriorating film.
The Girl Behind the White Picket Fence expands on the themes central to Schneider’s larger body of work: isolation, longing, the myth of the American West, and the intersection of memory and emotion within a shifting physical landscape. Here, the visual artifacts of expired film mirror the imperfections of recollection and the distortions of grief.
With nods to diaristic filmmaking and experimental narrative traditions, Schneider’s feature occupies a unique space in contemporary art and cinema. It is a rare thing: an artwork that refuses to explain itself, yet resonates with uncanny emotional clarity. It leaves behind no easy conclusions—only the lingering presence of something felt.
Why do you think it is important to own art?
'We have art in order not to die of the truth' Nietzsche
- Creator:Stefanie Schneider (1968, German)
- Creation Year:2016
- Dimensions:Height: 7.88 in (20 cm)Width: 7.88 in (20 cm)Depth: 0.04 in (1 mm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Morongo Valley, CA
- Reference Number:1stDibs: LU652316362542
Stefanie Schneider
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018, 2019.
About the Seller
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