Toni Frissell

Model In A Red Dress 1960 Oversize Limited Signature Stamped Edition

1960 (printed later)

Model In A Red Dress 1960 A fashion shoot featuring a model in a red dress in front of a yellow aeroplane 1960. by Toni Frissell 30 x 20" inches / 76 x 51 cm paper size Archival...

'Two-Tone Dress' 1956 Slim Aarons Limited Edition Estate Print - Oversize A woman posing in a formal garden wearing a long, sleeveless, two-tone dress with a decorative bow at the...

Two-Tone Dress 1956 - Slim Aarons Estate Stamped A woman posing in a formal garden wearing a long, sleeveless, two-tone dress with a decorative bow at the waist, San Diego, Californ...

Two-Tone Dress A woman posing in a formal garden wearing a long, sleeveless, two-tone dress with a decorative bow at the waist, San Diego, California, October 1956. Paper size 20 ...

Two-Tone Dress (1956) Limited Estate Stamped (Photo By Slim Aarons) A woman posing in a formal garden wearing a long, sleeveless, two-tone dress with a decorative bow at the wai...

Model and future Factor Star, Ivy Nicholson in New York for American Vogue, 1957 by Norman Parkinson NORMAN PARKINSON POSTHUMOUS LIMITED EDITION PRINTS ...

Diana H. Bloomfield "Figurative" Statement I began this ongoing series of my daughter over eighteen years ago. These particular images work as narratives. Alone, or in combination, they have a story to tell. As metaphorical portraits, they suggest the essence of a person, rather than offer any literal interpretation. I like to think of these as visual vignettes that suggest half-remembered, fragmented dream worlds. They borrow from the past, my fugitive and skewed memories of that past, and fleeting moments in time. These multi-layered prints and the frequent use of toy and pinhole cameras offer a sense of movement and fluidity. The repeated layerings are meant to add a tonality and saturated richness, yet each layer also serves to remove all the hard, clearly defined edges and sharp clarity. A softness and ambiguity results— much the way we see and remember. I choose to print in 19th century hand-applied printing processes. These antique printing...

Signed by the photographer on the verso