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UnknownMan and Universe1980
1980
$7,000
£5,332.84
€6,086.03
CA$9,836.66
A$10,720.22
CHF 5,676.82
MX$128,761.19
NOK 71,869.81
SEK 66,077.22
DKK 45,455.89
About the Item
Mitchell Funk is the creator of thi work and a pioneer of Sci-Fi Photography. He did an ad campaign for Omni Magazine in the early 1980's.
Archival Inkjet print, Signature: Signed, dated, numbers 3/15 recto lower left. Unframed, other sizes available, printed later, Printed on Hahnemühle Fine Art paper
- Creation Year:1980
- Dimensions:Height: 40 in (101.6 cm)Width: 60 in (152.4 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU38533058001

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Historically , newsstand magazines have used a standard set of practices when it came to choosing their cover image. Their goal was to use a image that people could instantly relate to. The idea being, if an image pops off the page it will attract more attention and then generate more newsstand sales. For editors, choosing a cover was first a marketing decision and then an aesthetic one. That is why most magazine covers and (that includes art magazines) pretty much looked the same. They used familiar images, mostly of celebrities, beauty people or news items of that would beckon and aggressively reach out to the prospect. In this Modern Photography Cover of August 1983, they chose a radical departure. Their cover image that was the opposite of the norm. Mitchell Funk’s Graphic Surreal Landscape...
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Modern Photography Cover, Surreal Landscape
By Mitchell Funk
Located in Miami, FL
Historically , newsstand magazines have used a standard set of practices when it came to choosing their cover image. Their goal was to use an image that people could instantly relate to. The idea being, if an image pops off the page it will attract more attention and then generate more newsstand sales. For editors, choosing a cover was first a marketing decision and then an aesthetic one. That is why most magazine covers and (that includes art magazines) pretty much looked the same. They used familiar images, mostly of celebrities, beauty people or news items of that would beckon and aggressively reach out to the prospect. In this Modern Photography Cover of August 1983, they chose a radical departure. They used an image that was the opposite of the norm. Mitchell Funk’s Graphic Surreal Landscape breaks the rules of formula magazine cover art...
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End of the World. Begining of the World
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Mitchell Funk is a pioneer of Sci-Fi photography. In the 1980's He did work for the groundbreaking Bob Guccioni magazine Omni.
Signed, dated and number LL recto, 3/15 other size ava...
Category
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Futuristic Vision: Sci Fi Outer Space Cosmos Celestial Abstraction
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Decades before Photoshop and digital photography enabled the user to manipulate a photograph easily - Mitchell Funk created some of the most original, mind-bending, and technically brilliant images in analog. This work, "Futuristic Vision: Sci-Fi Outer Space," is a composite of two inverted Transamerica Buildings on a 35mm piece of film. It was done in 1978, and that is six years after the completion of the futuristic Transamerica Pyramid Building...
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Located in Miami, FL
Pioneering SciFi photographer Mitchell Funk experiments with altered realms of reality by juxtaposing two landscapes of unnatural color to form a never-before-seen original vision. A single silhouetted figure looks out on a day-glow yellow sea leading to a dreamscape of trees. The yellow of water is picked up in the trees to unify the different perspectives. Published Popular Photography Magazine, February 1976...
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Signed, Dated, number Lower left recto, unframed, 3/15 other size available, printed later
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Category
1970s Abstract Geometric Nude Photography
Materials
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