Urizen Freaza

Ataduras - Contemporary, Conceptual, Polaroid, 21st Century, Color

2017

'Disappear' 2015, Edition 1/10 plus 2 Artist Proofs. 20×50 × 0.8 cm. 'Last night i dreamt that i was dreaming of you' Digital Print based on Polaroid triptych, mounted under Plexi....

'Growth' 2016, Edition 1/10 plus 2 Artist Proofs. 30 × 30 × 0.8 cm. Digital Print based on a Multiple exposure Polaroid, mounted under Plexi. Signed on verso with Certificate. Urize...

Pianississimo, 2019, Edition 1/10 plus 2 Artist Proof, 50x50cm, Digital Print based on a Polaroid on Hahnemühle photo rag paper, not mounted. Signed on back with certificate. Arie...

'Terasa' 2016, Edition 1/10 plus 2 Artist Proofs. 27 × 36 × 0.8 cm. Digital Print based on peel-apart Polaroid, mounted under Plexi. Signed on verso with Certificate. Urizen Freaza ...

CURRENT EXHIBITION - runs through September 10th, 2017. Any framed photographs purchased during the show will be available then. If the exhibition piece is sold or the customer order...

From the smallest of seeds the tree grows, striving for the skies. Branches form, ramify and blossom in the rhythm of time. The human figure transforms. The elements depend on each o...

From the Emerging Series. Placing herself in the frame, Louise uses her body to intrepet evolving emotional sensations and stages. Edition of 25 Giclee print on Hahnemuhle Museu...

Listing is for UNFRAMED print. Inquire within for framing. Edition of 22. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. ABOUT: Victoria Goldman’s twenty-year-long fascination with Tarot has created a series of photographs based on the imagery and the mythology behind the ancient Tarot cards. Each image in the collection is inspired by and named after one of the 22 major archetypes of the Tarot. While photographing and teaching yoga and meditation in India, Hawaii, and throughout Europe, Goldman always made sure to carry a Tarot deck in her backpack. She views Tarot as a tool for personal elevation, helping her direct her focus and better understand her psyche. The collection’s soft focus and figurative emphasis is reminiscent of the work of Francesca Woodman or Julia Margaret Cameron, whom Goldman cites as personal artistic inspirations. The concept behind the exhibition was long thought-out; while some pieces date as recently as two months prior to the exhibition opening, others date as far back as 1999 or 2000. Shot primarily with vintage Polaroid and film with a twin lens Rolleiflex camera, the dark, moody, mythological images recall a classical tone that mirrors the timelessness of the cards themselves. The invitational image, entitled “Wheel of Fortune”, depicts a young woman in a glittering gown, her backside facing the viewer and her body positioned to spin a large carnival wheel hidden in the darkness of the photograph. The high-contrast nature of the image abstracts the gown, morphing the glitter on the dress into drops of light that shine through the dark air. The slender young woman in “Fortune” can be found in several of the collection’s photographs, depicting not just Lady Luck, as in the invitational image, but also the Emperor, the Devil...