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David Yarrow
Daylight Robbery (Color) by David Yarrow - train

2025

Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request
Price Upon Request

About the Item

Daylight Robbery (Color) Bryson City, North Carolina (2025) Archival Pigment Print Provenance: From the collection of the artist. Standard Edition of 12, 3 APs, 1 EP Image size: 37" x 68" Framed size: 52" x 83" Large Edition of 12, 3 APs, 1 EP Image size: 56" x 103" Framed size: 71" x 118" David Yarrow's narrative for "Daylight Robbery": “A year ago, in October, we filmed in this same field in North Carolina with the same train and the end photograph worked well. There are inherent dangers in returning to the same location if the narrative has not evolved, but at least we had a good year to think about it. If we revisit somewhere, my goals tend to be loftier than before, as we never want to regress creatively. The first alteration we made was to embrace the colors of the fall and this meant waiting for the first overnight frosts to golden the trees and give our backdrop some proper seasonal glory. So we planned our trip to the Smoky Mountains at the end of October, rather than the middle; we all know 10 days can make a huge difference in the colors of the fall. It was wet, cold and a bit bleak but that is more appropriate weather for the scenes we were shooting than balmy sunshine. Flat light can be a photographer’s great friend in scenes like this, so long as the rain holds off. The second addition was to bring in a horse and rider to run alongside the steam train. This is not a job for part time cowboys as the steam and the smoke from the train are uncertain variables for a horse. Ty Mitchell is an old hand at this kind of stuff; Martin Scorsese cast him as the bad guy in Killers of the Flower Moon and he is certainly a bad ass dude. Ty is as good and game as they come, but even he fell off his horse shooting this sequence; the first time I have seen him do that in our six-year friendship. Huge respect to him for just getting up and giving it another go. The result is a strong picture with enough layers to tell a full story. I had props at my disposal for the concept to have potential, but the execution here was a little harder than most. But all you need is one good cowboy and one good frame, and eventually we got it.” - David Yarrow
  • Creator:
    David Yarrow (1966, Scottish)
  • Creation Year:
    2025
  • Dimensions:
    Height: 52 in (132.08 cm)Width: 83 in (210.82 cm)Depth: 2 in (5.08 cm)
  • Medium:
  • Period:
  • Framing:
    Frame Included
    Framing Options Available
  • Condition:
  • Gallery Location:
    Chicago, IL
  • Reference Number:
    1stDibs: LU388317164052

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The Fall (Color) by David Yarrow - train
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The Fall (Color) Bryson City, North Carolina (2025) Archival Pigment Print Provenance: From the collection of the artist. Standard Edition of 12, 3 APs, 1 EP Image size: 51" x 37" ...
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Daylight Robbery (B&W) by David Yarrow - train
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Daylight Robbery (B&W) Bryson City, North Carolina (2025) Archival Pigment Print Provenance: From the collection of the artist. Standard Edition of 12, 3 APs, 1 EP Image size: 37" ...
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The Fall (B&W) by David Yarrow - train
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The Fall (B&W) Bryson City, North Carolina (2025) Archival Pigment Print Provenance: From the collection of the artist. Standard Edition of 12, 3 APs, 1 EP Image size: 51" x 37" F...
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Parts Unknown III by David Yarrow - Contemporary Photography
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Parts Unknown III Durango, Colorado - 2023 Archival Pigment Print on 315gsm Hahnemühle Photo Rag Baryta Paper Edition Size: 12 Available sizes: Standard Image Size: 44" x 37" ...
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Stop That Train, North Carolina by David Yarrow - Smokey Mountain Railroad
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Stop That Train Bryson City, North Carolina - 2024 Archival Pigment Print on 315gsm Hahnemuhle Photo Rag Baryta Paper. Available Sizes: Standard 37" x 72" Unframed 52" x 87" Framed Edition of 12 Large 52.5" x 102" Unframed 67.5" x 117" Framed Edition of 12 "Train robbers hold a firm place in the mythological lore of the American West. Attacks on trains were a common occurrence when the rule of law was either difficult to implement or simply non-existent. Thin governance was an accepted danger on the Final Frontier. What is perhaps surprising is that history has looked fondly on the bandits, as if their means of living was laudable and even romantic. Our affection for the underdog knows no bounds and Hollywood played to this emotion by often characterising the bandits as lovable and misunderstood rogues. The narrative was often that the bad guys were the train owners for having the wealth in the first place; maybe they had disposable moral fibre as well. It was a dog-eat-dog world. No more was this better articulated than in the classic 1969 Western buddy film Butch Cassidy and the Sundance Kid starring Paul Newman and Robert Redford. The film - which was loosely based on fact - cemented both actors at the top of the Hollywood A-list, not just because of their acting, but because the public found affection for their characters and their affable, wise cracking roles. It was as if they played the good...
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