Brian Buckley

Calypso

2016

2022 Signed and numbered, verso Cyanotype print toned with ammonia and tannic acid (Edition of 5) 9.5 x 7 inches (24.1 x 17.8 cm), image 12.25 x 9.75 inches (31.1 x 24.8 cm), fra...

Wet photogram with ferric ammonium citrate, potassium ferricyanide, and suspended watercolor pigment (Unique) This piece is offered by ClampArt, located in New York City. Brian Buc...

Signed, titled, and dated in pencil, verso Wet photogram with ferric ammonium citrate, potassium ferricyanide, and suspended watercolor pigment (Unique) This work is offered by Cla...

Wet photogram with ferric ammonium citrate, potassium ferricyanide, and suspended watercolor pigment (Unique) This piece is offered by ClampArt, located in New York City. Brian Buc...

Unique

Archival Pigment Print Edition of 25 Frame size: 26.5 x 23 inches This photograph is a digital reproduction of an original 8 x 10" polaroid that was manipulated by hand. Add...

Archival Pigment Print Edition of 25 Print size: 19 H x 14 W inches Frame size: 26 H x 22 W inches Matted and framed in a beautiful tiger wood frame...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist. The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...