Carla Sutera Sardo

Light Up I!

2022

Muntadas 6 Mai 1994, 1994 Photo silkscreen 33 x 13 1/2 inches (image) 43 3/16 x 31 1/8 inches (frame) Edition 37 of 75 Signed

"Arabesque (No42)" Photography 47 x 47 in Ed. of 15 by Yevgeniy Repiashenko Photography Year photo was taken: 2018 Unframed - ships in a tube This picture is a part of Spirit s...

Alain Pino’s new works continue his exploration on the intersection between identity and industrial design. In a hyper-capitalistic age, in which social media frenzy and the commodit...

Black and White Photography, Limited Edition Figurative Photograph Alain Pino’s new works continue his exploration on the intersection between identity and industrial design. In a h...

Tracey Emin My Bed (Hand signed by Tracey Emin), 2017 Photographic print (hand signed and dated in black marker) Boldly signed in black marker on the front This work is elegantly framed under UV plexiglass A very scarce collectible when hand signed My Bed is of the artist's personal favorites which she never ceases to publicly praise including at a talk at the Yale Center for British Art and at Cooper Union. In January 2026, The actual bed that this card depicts is back at the Tate Gallery with much fanfare. Measurements: Framed 12 inches vertical by 14.25 inches horizontal by 1.25 inches Photograph 5 inches vertical x 7 inches horizontal Original, unique hand signed photograph of the most important and iconic work created by beloved British artist Tracey Emin - who catapulted to international superstardom in 1999 with the installation at the Turner Prize exhibition at Tate Britain, of her 1998 "My Bed" - which had been on loan to the Tate for a decade by Charles Saatchi. Consisting of Emin’s bed, dirty underwear, cigarette butts, empty vodka bottles, and boxes of contraceptive pills, crumpled tissues, period-stained clothing, a pregnancy test, lubricant, and condoms surrounded her bed. The artwork was created after the artist spent four days in her bed on a bender recovering from a breakup. If there's one iconic piece that most represents Tracey Emin's oeuvre - this is it. “Back in the 90s, it was all about cool Britannia and the shock factor and now I hope, years later, people will finally see it as a portrait of a younger woman and how time affects all of us. I am still very proud of it and I am grateful that the right person bought it.” – Tracey Emin My Bed was first displayed at the Tate in 1999 when it was nominated for the Turner prize. The polarizing work caused such a media frenzy that it pushed the gallery’s visitor numbers up to a record high. It was bought the following year for £150,000 by Charles Saatchi, an avid collector of YBA art. The piece then went on display at the Saatchi Gallery, then at County Hall London, and Saatchi is also said to have displayed the bed in his own dining room. My Bed has now been installed as part of the newly rehung displays of the Tate’s permanent collection. Emin herself was very involved in how the work was to be presented, and it sits in a gallery alongside two Francis Bacon paintings...

This piece is an original artwork by Jason Chen titled "Indecision". It is made of archival pigment prints from the artist's photography that he cuts and weaves together by hand. The piece measures 16”h x 12”w and ships framed in the pictured 18.5”h x 15”w frame. In 2012, Jason Chen shifted his long-running focus on dry plate tintypes to a new process: photo weaving. Chen began using two separate images of the same person, then wove them together in a process exploring time, movement, process, and mutation. He has exhibited works in the series one by one over the years, but in Fragments, his 2015 solo exhibition at Paradigm Gallery, a full collection of these works were on display together for the first time. Bio // Jason Chen is originally from Guangzhou, China. He received his BFA in Animation from the University of Arts in 2008. Jason is a Philadelphia-based photographer specializing in Fashion, Editorial, and Alternative Process Photography...

No Title (No 11) Ballet Photography 47x47 in Ed. of 18 by Yevgeniy Repiashenko Photography Year photo was taken: 2017 Unframed - ships in a tube This picture is a part of Spiri...

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity to...

A bloomy view - Polaroid Photographic Print Framed by Pia Clodi The blue tones within her work should not be interpreted as coldness, as her works are full of fleeting moments withi...

Not one to shy away from human representation, Pia Clodi’s more portraiture-like works continually offer the sitter an air of anonymity, and as such the viewer has the opportunity to...