Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 5

Charlie Ahearn
Debbie Harry Rapture 1981 photograph by Charlie Ahearn (Fab 5 Lee Quinones)

printed later

$1,000List Price

You May Also Like

Alfred Hitchcock - Pop Art, Photograph in Pink and Blue from the 1960s
Located in New York, NY
Limited edition of 10. Printed on Hahnemuhle German Etching 310g Archival Paper. Dated and signed with the certificate of authenticity. This photograph portraying American movie director Alfred Hitchcock was created by Enzo Ragazzini in the early 60s, making him a pioneer of Por-Art and a precursor of the photographic creations done through color separation and solarization, like Andy Warhol’s Marylin...
Category

1960s Pop Art Figurative Photography

Materials

Archival Paper, Giclée

Blue Swimming Pool AP 5/20 - Iconic 1970s Photograph Behind Beverly Hills Hotel
By Marco Pittori
Located in Los Angeles, CA
Marco Pittori creates vibrant artworks that pay homage to the mesmerizing images of Brad Elterman and the mythic culture of 1970s Hollywood. By using lic...
Category

21st Century and Contemporary Pop Art Color Photography

Materials

Mixed Media, Archival Paper, Digital

“Unified Front” (FRAMED) Photography 24" x 36" inch Edition of 7 by Brian Ziff
By Brian Ziff
Located in Culver City, CA
“Unified Front” (FRAMED) Photography 24" x 36" inch Edition of 7 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Signed and numbered by the artist Comes with C...
Category

21st Century and Contemporary Contemporary Figurative Photography

Materials

Archival Ink, Rag Paper, Giclée

“Inside Out 2” (FRAMED) Photography 24" x 36" inch Edition of 7 by Brian Ziff
By Brian Ziff
Located in Culver City, CA
Inside Out 2” (FRAMED) Photography 24" x 36" inch Edition of 7 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Signed and numbere...
Category

21st Century and Contemporary Surrealist Figurative Photography

Materials

Archival Ink, Rag Paper, Giclée

The Messenger
By Phil Marco
Located in New York, NY
Face Mounted Plexi. Aluminum braced archival print. Mysterious subject matter. ABOUT THE ARTIST Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.” “I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.” Martin Scorsese. Phil’s work is represented in MOMA, The Museum of the Moving Image, and The George Eastman Museum of Photography. His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...
Category

2010s Conceptual Figurative Photography

Materials

Giclée

The Messenger
$8,500
H 40 in W 60 in
By the Sea Ltd Ed 1/25
By Phil Marco
Located in New York, NY
Ltd Ed 1/25. Face mounted Plexi. Aluminum Braced. Archival Print. Female form at the seashore, made to appear part fish. ABOUT THE ARTIST Marco studied fine art at Pratt Institute and the Art Students League in New York. New York Times photography critic Gene Thornton called Marco “a Minimalist, whose images are sensual, whimsical, often surreal, always strong, and deceptively simple.” “I’ve had the pleasure of working with Phil Marco on a number of my films. Phil is a man of extraordinary talents. It seems that his passion is to take an everyday object or event, and show it in an entirely new and exciting way.” Martin Scorsese. Phil’s work is represented in MOMA, The Museum of the Moving Image, and The George Eastman Museum of Photography. His first photographs were studies for his paintings, before he launched a career in print advertising. He eventually became a Director / DP for film and television for a vast base of national and international clients with his wife Patricia as Partner and Producer. In the 1980’s and 90’s Phil was the go to person for Special Effects in Television and Cinema, also best known for his graphic conceptual still lives, and his consummate mastery of lighting, and design. He’s won many awards for his work, including numerous Cannes Lions, Cleo’s, a Grammy for his print work on the legendary “Tommy the Who...
Category

2010s Conceptual Figurative Photography

Materials

Giclée

Palm Trees Turn Purple - Miami Beach
By Robert Funk
Located in Miami, FL
Trees Turn Purple - Miami Beach Shot with a Hi-res 36 megapixel camera which yields beautiful detail. The true color is most accurate in the 1st image when you expand it to the lar...
Category

2010s American Modern Figurative Photography

Materials

Inkjet

"Untitled 1" (Mustang) Photography 24 x 32 in Edition 2/7 by Larsen Sotelo
By Larsen Sotelo
Located in Culver City, CA
"Untitled 1" (Mustang) Photography 24 x 32 in Edition 2/7 by Larsen Sotelo Untitled 1 From the Mustang series Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin f...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Ink, Rag Paper, Giclée

“Bait and Tackle 2” Photography 24" x 36" inch Edition 1/7 by Brian Ziff
By Brian Ziff
Located in Culver City, CA
“Bait and Tackle 2” Photography 24" x 36" inch Edition 1/7 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Signed and numbered by the artist Comes with COA si...
Category

21st Century and Contemporary Surrealist Figurative Photography

Materials

Archival Ink, Rag Paper, Giclée

"An Ending a Beginning" Photography 35" x 25" in Edition of 15 by Larsen Sotelo
By Larsen Sotelo
Located in Culver City, CA
"An Ending a Beginning" Photography 35" x 25" in Edition of 15 by Larsen Sotelo Not framed. Ships in a tube Signed and numbered by the artist. Comes with COA issued by the artist. ...
Category

21st Century and Contemporary Modern Color Photography

Materials

Archival Ink, Rag Paper, Giclée

More From This Seller

View All
Grand Master Flash, Debbie Harry Fab 5 Freddy photograph, Charlie Ahearn 1981
By Charlie Ahearn
Located in NEW YORK, NY
Grand Master Flash, Debbie Harry, Fab 5 Freddy, Chris Stein, & Tracy Wormworth captured by Charlie Ahearn of Wild Style; New York, NY 1981: A seminal late 1970s/early 1980s art/music scene photograph included as part of the exhibition: 'New York, New Music 1980-86': Museum of the City of New York (2021). Medium: Archival Inkjet Print. Overall dimensions: 16 x 22 inches (Image size: 13 x 20 inches). Hand signed & numbered on the verso, from a limited edition of 10. Excellent overall condition. Obtained directly from artist. Artist Bio: Charlie Ahearn, best known as the director of the classic hip-hop film Wild Style (1982), arrived in New York in 1973 to attend the Whitney Museum of American Art Independent Study Program. Later he was joined by his twin brother, John Ahearn, and they became part of the artists' group Colab (aka Collaborative Projects, Inc). Ahearn showed his early films in an abandoned Time Square massage parlour that Colab had taken over on the corner of 7th Avenue and 41st Street (where Ahearn also lived from 1981 to 1993). Colab's 1981 art...
Category

1980s Pop Art Figurative Photography

Materials

Inkjet

Debbie Harry Rapture 1981 photograph by Charlie Ahearn (Fab 5 Lee Quinones)
By Charlie Ahearn
Located in NEW YORK, NY
Charlie Ahearn, "Rapture" (in motion) 1981: A rare historic Debbie Harry, Fab 5 Freddy & Lee Quinones photograph captured by Wild Style director Charlie Ahearn on the set of Blondie's "Rapture". Medium: Archival Inkjet Print on heavy-weight paper. Overall dimensions: 16 x 22 inches ( approx image size: 13 x 19 inches). Hand signed & numbered on the verso, from a limited edition of 10. Excellent overall condition. Provenance: Obtained directly from artist. Literature/References: Writing the Future: Basquiat and the Hip-Hop Generation (MFA Boston). 'New York, New Music 1980-86': Museum of the City of New York (2021). More on Rapture: The music video made its U.S. television debut on Solid Gold on January 31, 1981, and became the first rap video ever broadcast on MTV. Set in the East Village, much of the video is a one-take scene of Debbie Harry dancing down the street, passing by graffiti artists, Uncle Sam, an American Indian, child ballet dancer, and a goat. Fab Five Freddy...
Category

1980s Pop Art Figurative Photography

Materials

Inkjet

Bob Marley photograph Detroit 1978 by Leni Sinclair
By Leni Sinclair
Located in NEW YORK, NY
Bobby Marley Photograph by Leni Sinclair: Reggae icon, Bob Marley, 1978 by legendary Detroit photographer Leni Sinclair: 2016's Kresge Foundation's Eminent Artist. Photographed by S...
Category

1970s Pop Art Color Photography

Materials

Inkjet

BASQUIAT photographs: set of 3 works (Nicholas Taylor Basquiat photograph)
By Nicholas Taylor
Located in NEW YORK, NY
Jean-Michel Basquiat New York 1979: A set of 3 rare, early Jean-Michel Basquiat photographs by Basquiat Gray bandmate, Nicholas Taylor of Gray. A ...
Category

1980s Pop Art Portrait Photography

Materials

Archival Ink, Inkjet

BASQUIAT Dancing at The Mudd Club, 1979 (Basquiat Boom For Real photograph)
By Nicholas Taylor
Located in NEW YORK, NY
'Jean Michel Basquiat Dancing at The Mudd Club', New York City, 1979: This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat. Archival inkjet print on 310gsm fiber based paper. 11 x 14 inches (including borders). Hand signed & numbered from an edition of 50. Provenance: Obtained directly from artist. Shipped flat using protective materials. Lot 180 gallery is an authorized dealer rep of Nick Taylor. Taylor’s insightful photographs of a young Basquiat have been featured in numerous world renown publications, exhibits and documentaries surrounding Basquiat, among these: "How Music Powered Basquiat," The New York Times, 9/22/17 Sotheby's "Untitled, 1982;" catalog, May, 2017 Artnet, 9/18/17: Debunking Basquiat’s Myths The Mudd Club: Richard Boch, 2017 Jean-Michel Basquiat: 1981, The Studio of the Street; Diego Cortez King for a Decade: Jean Michel Basquiat; Taka Kawachi Exhibits: Basquiat: Boom For Real, The Barbican, London, 2017/2018. More on Nicholas Taylor: Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the No Wave band “Gray” before Taylor launched a successful career as a DJ famous for track-looping. His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat." Circa 1981, Basquiat payed homage to Taylor by incorporating "Nick Taylor" and "DJ High Priest" (a title anointed him by Basquiat) into two separate drawings. While everyone else in the downtown tries to take credit, it was in fact Taylor who first introduced Jean-Michel to Madonna - at the Mudd Club - the very place this one of a kind image was captured. More on The Mudd Club: In the 1970s New York City, uptown had the glitz of Studio 54 and downtown had the Mudd Club: a legendary, downtown art scene venue known for pushing the boundaries of nightlife. The space became a natural collision of fashion, art, music, and literature. And the list of guests who walked through the front door reflected that scene: musicians like Grace Jones, Madonna, David Bowie, Mick Jagger, Debbie Harry, Fab Five Freddy, Marianne Faithfull, The Ramones, The Talking Heads, and Nico; fashion luminaries such as, Anna Sui, Betsey Johnson, and Gia Carangi...
Category

1980s Pop Art Black and White Photography

Materials

Inkjet

BASQUIAT Dancing at The Mudd Club, 1979 (Basquiat Mudd Club Boom for Real)
By Nicholas Taylor
Located in NEW YORK, NY
'Jean Michel Basquiat Dancing at The Mudd Club', New York City, 1979: This rare Basquiat photograph was taken from Nicholas Taylor’s well-documented portfolio exploring his friendship with Jean-Michel Basquiat - a friendship which began when both collaborated on the historic New York No Wave band, “GRAY” in the late 1970s; before the two briefly lived together in the East Village. Selections from Taylor's portfolio were most notably exhibited as part of the Basquiat retrospective at London's Barbican in 2017 and have been featured in numerous noteworthy publications on Basquiat. Archival inkjet print. 18 x 24 inches (including borders). Hand signed & numbered from an edition of 10. Provenance: Nick Taylor. Shipped flat using protective materials. Sold unframed. Lot 180 gallery is an authorized dealer rep of Nick Taylor. Taylor’s insightful photographs of a young Basquiat have been featured in numerous world renown publications, exhibits and documentaries surrounding Basquiat, among these: "How Music Powered Basquiat," The New York Times, 9/22/17 Sotheby's "Untitled, 1982;" catalog, May, 2017 Artnet, 9/18/17: Debunking Basquiat’s Myths The Mudd Club: Richard Boch, 2017 Jean-Michel Basquiat: 1981, The Studio of the Street; Diego Cortez King for a Decade: Jean Michel Basquiat; Taka Kawachi Recent Exhibitions featuring Taylor's work: Basquiat: Boom For Real, The Barbican, London, 2017/2018. New York, New Music 1980-86: Museum of the City of New York (2021). Nicholas Taylor: Further Background: Nicholas Taylor (American, b. 1953) is a renowned photographer and musician. Taylor moved to New York in 1977 to pursue a career as a photographer and it was through the vibrant New York art scene that he came to know the young artist, Jean-Michel Basquiat. It was, in fact, his intimate portfolio of photographs documenting his friendship with Basquiat that rocketed Taylor to fame. The two would collaborate in the No Wave band “Gray” before Taylor launched a successful career as a DJ famous for track-looping. His track “Suicide Mode” would later be used in the soundtrack for Julian Schnabel’s 1996 film “Basquiat." Circa 1981, Basquiat payed homage to Taylor by incorporating "Nick Taylor" and "DJ High Priest" (a title anointed him by Basquiat) into two separate drawings. While everyone else in the downtown tries to take credit, it was in fact Taylor who first introduced Jean-Michel to Madonna - at the Mudd Club - the very place this one of a kind image was captured. More on The Mudd Club: In the 1970s New York City, uptown had the glitz of Studio 54 and downtown had the Mudd Club: a legendary, downtown art scene venue known for pushing the boundaries of nightlife. The space became a natural collision of fashion, art, music, and literature. And the list of guests who walked through the front door reflected that scene: musicians like Grace Jones, Madonna, David Bowie, Mick Jagger, Debbie Harry, Fab Five Freddy, Marianne Faithfull, The Ramones, The Talking Heads, and Nico; fashion luminaries such as, Anna Sui, Betsey Johnson, and Gia Carangi...
Category

1980s Pop Art Black and White Photography

Materials

Inkjet

Still Thinking About These?

All Recently Viewed