Framed Figurative Photography

Oil on canvas Canvas size: 8.5 x 12 inches Framed size: 13.75 x 17.25 inches Signed lower right

Isabelle van Zeijl is recognized for her mastery in creating striking self-portraits. She produces her images autonomously, taking on the roles of model, creator, object and subject ...

"Play with Me" (FRAMED) Photography 24" x 24" in Edition of 15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by t...

"BWM-S2" Photography 23" x 49" inch Edition 1/4 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist. Comes with COA issues by the art...

“Bad Bunny” (FRAMED) Photography 30" x 24" inch Edition 1/12 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag American Dreams - From "Playboy" series. The n...

In this artwork by renowned Belgian photographer Eric Ceccarini, he invited painter Marie Sulac to transpose a colorful universe on the body of the model. With bright yellow stripes,...

UNTITLED #3, 2021 Archival Pigment Print, Framed; white frame with antireflective glass; larger size - framing options available) 30 x 46 cm Edition of 10 + 2 AP Series: Tree Huggers...

"Butterfly 29" (FRAMED) Photography 40" x 40" in Edition 1/8 by Giuliano Bekor Title: Butterfly B29 Year: 2018 Print size: 40" x 40" Inch Framed size: 42" x 42" Inch Edition: 1/8 A...

"M14" Photography 40" x 40" inch Edition of 20 by Giuliano Bekor This Artwork is printed on a highest resolution fine art archival Kodak pearl pigment paper, Print mounted on dibon...

"Butterfly 22" Photography (FRAMED) 50" x 50" inch Edition 2/8 by Giuliano Bekor Title: Butterfly B22 Year: 2018 Print size: 50" x 50" Inch trim bleed Framed size: 52" x 52" Inch ...

Oil on canvas Canvas size: 18 x 12 inches Framed size: 23 x 16.75 inches Signed lower right

"Skull SKRT-LED Transparent RED" Photography 50"D Edition 3/8 by Giuliano Bekor From the SKULL series Title: Skull SKRT-LED RED Transparent Year: 2018 Print size: 48 Inches diamete...

"TIME TA25" (FRAMED) Photography 72" x 48" inch Edition 2/4 by Giuliano Bekor Original fine art photography by Giuliano Bekor Signed and numbered by the artist Title: Time TA25 Year: 2018 Print size: 72" x 48" Inches Artwork finished size: 73" x 49" Inches Limited edition 2 of 4 Artist proof: 2 Medium: The artwork is printed on the highest resolution museum-quality polished aluminum with a high-gloss finish. Infusing dyes directly into specially coated aluminum sheets The waterproof scratch-resistant surface hygienic and durable medium. Comes in a custom gallery-style floater frame in a semi-gloss silver-face finish. Comes with a heavy-duty wooden liner float mount hanger. This artwork comes with two customizable time zone clocks...

"LH14 Hermes 18" Photography 18"D Edition of 8 by Giuliano Bekor Edition OF 8 Year created 2018 Print size 18 Inches diameter Trim Bleed Artwork finish size 18 Inches diameter Med...

"Untitled Open" (FRAMED) Art photography 32" x 28" inch Edition 1/1 by Ben Cope From "If I could sleep, I wouldn’t" series Mixed Media Photo and Oils. Comes in gold frame. Ben...

"Coney Island Mist" is a black and white photograph. Edition of 10. 21.5 by 16.5 inches (framed) Mark Caceres is inspired by the work of Jeff Jacobson, Al...

Lorenzo Agius (b.1962) Ewan with gun 2012 digital C-Type print 48 x 60 in. / 30 x 40 in. / 20 x 24 in. signed and numbered printed later This work is available in the following size...

Lorenzo Agius (b.1962) Valentino with models 2007 digital C-Type print 48 x 60 in. / 30 x 40 in. / 20 x 24 in. signed and numbered printed later This work is available in the follow...

Lorenzo Agius (b.1962) Valentino with models 2007 digital C-Type print 48 x 60 in. / 30 x 40 in. / 20 x 24 in. signed and numbered printed later This work is available in the follow...

You have read about the extraordinary donut portraits by Candice CMC on social media world-wide and we are excited and proud to represent her work. I have included in this listing an...

"WB9" Photography (FRAMED) 62" x 42" inch Edition of 10 by Giuliano Bekor Print size 62x42 Inches Artwork finished size 64x44 Inches Limited edition of 10 Artist proof 2 Signed and numbered by the artist. Comes with COA issues by the artist. Medium This artwork printed on the highest resolution archival fine art 100% cotton rag velvet Somerset museum quality smooth surface heavyweight paper. It’s printed with a high saturation finish. Mounted on half inch thick dibond. Coated with a museum quality archival premier print shield with extra UV protection. Custom gallery style matte black finish Roma frame. WILD BELOW series Glowing projections of marine life flood the darkness of an aquatic underworld. Evoking the silence following a dive into the ocean, this series gives the viewer a sense of being submerged. Detailed projections create compositional magic on the bodies of human subjects; water droplets render movement and transmit light across the fluid landscape. ABOUT THE ARTIST Internationally recognized photographer, Giuliano Bekor, holds a portfolio that includes work from the realms of fashion, beauty, celebrity, advertising, and fine art. Giuliano’s photography has been featured in top publications around the globe, and his client list includes an endless file of beauty industry leaders, advertising agencies, celebrities, producers, and artists. With 30 years in the industry, Giuliano has perfected his craft to an exceptional level of expertise. Composed of light, color, space and form, Giuliano brings ideas conceptualized in his own imagination into reality throughout his work. Currently living between New York and Los Angeles, Giuliano is often on the move traveling for work and inspiration. Always the restless visionary, he ceases to continually express his fresh and nuanced style. For Giuliano Bekor, a photograph is an image that comes into being consciously, composed of light, color, space and form. Like a painter, he sketches, refining ideas through pen and pencil well before the shutter clicks. A camera is strictly a means to an end, a way of making a palpable visual record of an idea that gestates in his mind, gains shape by his hand, and resolves through his eye as it peers through the lens. His subject is the human body, almost always nude. These images delve into the splendor of the body - how it can express the inner meaning of who we are. Limbs, torsos, muscles and bones are exposed as though carved out of a supple, glowing stone that flexes and twists. Many of these photographs feature subjects posed with the eyes obscured, the face covered. If we look closely, Bekor says, we can see that the body is as much a window into the soul as the eyes. This is a gallery of the soul etched into the forms we assume in the physical world. Through exaggerated contrast between light and dark, smooth and textured, vaporous and tactile, Giuliano deliberately filters the extraneous. The camera captures the image, but for Bekor each exposure is a transformation - of himself, his subjects, and us. He is digging into uneasy turf, fraught with tension: masculine/feminine, heroic/cowardly, shameless/shameful, eternal/fleeting. The intensity of detail, the fiercely exquisite perfection of the bodies themselves, the unflinching, scrupulous engagement of the lens, negates all pretense of politeness. Confronted, we are summoned to look. So we must. And we do. And we experience the beautiful human forms we inhabit and the silent, eloquent language they speak. EXHIBITION HIGHLIGHTS Giuliano Bekor’s most recent fine art photography solo shows include: 2019 - March Lips The cool HeArt...

A photograph by Lawrence Schiller. “Barbra Streisand (in her hotel room)” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future." When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...

"Octopussy 07" Photography (FRAMED) 59" x 59" in Edition 2/10 by Giuliano Bekor Print size 59x59 Inches Artwork finished size 63x63 Inches Limited edi...

“And His Dark Secret Love” (FRAMED) Photography 30x20 in Ed. of 5 by Brian Ziff Signed and numbered by the artist “And His Dark Secret Love” (2016) Giclee (Archival Ink) Print on Ca...

“That Flies in the Night” (FRAMED) Photography 30x20 in Ed. of 5 by Brian Ziff Signed and numbered by the artist “That Flies in the Night” (2016) Giclee (Archival Ink) Print on Can...

“Of Crimson Joy” (FRAMED) Photography 20" x 30" in Edition of 1/5 by Brian Ziff Giclee (Archival Ink) Print on Canson Platine Fibre Rag Brian Ziff's "High Risk" series is part of ...

Lorenzo Agius (b.1962) Ewan with gun 2012 digital C-Type print 48 x 60 in. / 30 x 40 in. / 20 x 24 in. signed and numbered printed later This work is available in the following size...

Lorenzo Agius (b.1962) Jude and Ewan in Bed 2003 digital C-Type print 48 x 60 in. / 30 x 40 in. / 20 x 24 in. signed and numbered printed later This work is available in the following sizes (paper size): 20 x 24 in., edition of 25 + 2 AP, £3,960 (inc. 20% UK VAT) 30 x 40 in., edition of 25 + 2 AP, £5,880 (inc. 20% UK VAT) 48 x 60 in., edition of 15 + 2 AP, £8,640 (inc. 20% UK VAT) Provenance: Direct from the artist's studio Notes: All photographs are signed and numbered and accompanied by a certificate of authenticity signed by the photographer. Photographed in London, 2003, celebrating the Bafta awards and UK talent. Celebrity photographer, Lorenzo Agius, is renowned for his unique, intimate and often comical portraits of the 'stars'. The photographer shot to great prominence following his seminal images from the 1996 groundbreaking British film, Trainspotting. Agius has had a colourful affair with 'celebrity' over the past two decades. Expertly capturing the character and individuality of each of his sitters, Agius' images flaunt stylistic brilliance and bubble with personality. From Madonna to Margot Robbie, Agius' body of work portrays the varying and often polar characters of major icons. He tunes into the creativity of his subjects and successfully reflects the mood of the moment; the results are natural, accessible and in each case reflect the artist's eye for light, composition and a strong imagination for narrative. Whether it be celebrating British culture or capturing the sleek, Hollywood look, Agius' personality is intrinsic to his photographs; the mood is always light and refreshing and humour is ever present. Six of Agius' iconic works are part of the permanent collection at the National Portrait Gallery, London. The artist has been an Ambassador for Canon Cameras since 2008 and has exhibited at The Getty Gallery, London alongside other notable exhibitions in Moscow, Paris, Cannes and the UAE. Categories: Lorenzo Agius, Jude and Ewan in Bed, jude law...

Lorenzo Agius (b.1962) Valentino with models 2007 digital C-Type print 48 x 60 in. / 30 x 40 in. / 20 x 24 in. signed and numbered printed later This work is available in the follow...

Chris Smith (b.1937) Sparring silver gelatin fibre based print 20 x 30 in. / 34.5 x 48 in. / 46 x 66 in. signed and numbered printed later This work is available in the following si...

This is a black and white portrait of Marilyn Monroe with sparklers photographed by Lawrence Schiller in 1962. Edition 72/75 Lawrence Schiller only remembers the 60s in this way: Fa...

You Can't Say They Don't Love You Here in Dallas Mr. President, 1990 Chromogenic, 15 x 67 1/2 in. Edition 5/5 Embossed on mat recto - "Walker 1990 5/5" 7 images, numbers and title al...

"Flowers are an important source of inspiration for me.", says the artist of this series of work. "These blue Hydrangeas resonate calmness, balance and purifies our energy".

A photograph by Lawrence Schiller. “Barbra Streisand (photo session)” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Sch...

A photograph by Lawrence Schiller. “Robert Kennedy, San Diego” is a figurative photograph, vintage silver gelatin photograph in black and white by American artist Lawrence Schiller. The artwork is signed on the verso. Lawrence Schiller only remembers the 60s in this way: Fast. As in: Blur. Which is, for those who lived through it, as accurate a description as one is likely to find about the decade that began with optimism and ended in chaos. It was ten years of turmoil and exploration. And through this turbulent and tumultuous decade, it often seemed that whenever a headline-making news event occurred, Lawrence Schiller was there. Schiller was not just lucky to be in the right place at the right time; he was prescient. He was there to cover the event, to add to it, to help us see it, to aid its meaning and its depth. "It was a time in which things happened awfully fast," Schiller says of the decade. "It was a wild, wild period; an uncontrolled period. I don’t think you had any sense of perspective in the 60s. You had to wait and look back at it, because it was a period in which things were happening that had no rhyme or reason to it. But by the end of the ‘60s I had covered so many stories, had so many magazine covers, I had somehow become part of that decade’s history. And I already had my eye on the future." When Lawrence Schiller got the assignment from the French magazine, Paris Match to photograph Marilyn Monroe on the 20th Century Fox set of Something’s Got to Give, he thought nothing of it. It wasn’t to be a private, studio shoot. He wasn’t going to set up lights, create backgrounds, or use a tripod. Just another assignment, he figured. Monroe by then was firmly established as a figment in the imagination of most young men. The orphan Norma Jean had recreated herself as the blonde bombshell Marilyn Monroe. She’d appeared in twenty-nine films by the time Schiller photographed her in black and white and color in May, 1962. The world was unprepared for the moment when Marilyn jumped in the swimming pool in a flesh-colored bikini and came up out of the water au natural. She was all smiles and in her element: the sex goddess...

"A native of Los Angeles, California, Sean Lotman (b. California) grew up frequenting the movie theaters of southern California, dazzled by their stories, sets, and vivid colors. Ini...

"A native of Los Angeles, California, Sean Lotman (b. California) grew up frequenting the movie theaters of southern California, dazzled by their stories, ...

"A native of Los Angeles, California, Sean Lotman (b. California) grew up frequenting the movie theaters of southern California, dazzled by their stories, ...

"A native of Los Angeles, California, Sean Lotman (b. California) grew up frequenting the movie theaters of southern California, dazzled by their stories, ...

"A native of Los Angeles, California, Sean Lotman (b. California) grew up frequenting the movie theaters of southern California, dazzled by their stories, sets, and vivid colors. Ini...

Jim’s of Lambertville is proud to offer this artwork by: Charles Searles (1937-2004) He was born in Philadelphia, PA and received his fine art education at the Pennsylvania Academy of Fine Art (PAFA) from 1969-72. He also attended the University of Pennsylvania for liberal arts studies, where he worked in the labs beside the scientists and engineers creating technical illustrations for text books. His early paintings embraced the tumultuous 60's and also reflected his own family life and surroundings. Before graduating the PAFA, Searles received the Cresson Memorial Traveling Scholarship, and the following year, the Ware Memorial Traveling Scholarship. He was the first student to use these funds to travel to Africa. His travels in Africa marked his life and work forever -- the life, the rhythms, the patterns, and the energy. Searles returned to Philadelphia and began teaching at the Ile Ife Cultural Center. It was then that he began his "Dancer" Series. This series marked a change in his life, celebrating his new sense of renewal and the African experience. He was awarded his first mural commission at the William G. Green Federal Building. This work, entitled "Celebration" is still on view today. At that time, he was also hired as a drawing teacher at the (then) Philadelphia College of Art, where he remained a professor for over twenty years. In 1978, Searles moved to New York City. He found a large, raw space -- an old sewing factory -- on Broadway and Bleeker where he would remain for the rest of his life. He continued to commute to Philadelphia teaching part time. He met Kathleen Spicer, an art student, in 1983. They married in 1985. Together, they shared a wonderful, open, artistic, social, and creative experience. Searles gradually moved away from painting and into sculpture. His sculptures maintained the vibrant color and patterns from his paintings, but seemed to dance in three dimensions. These new works embodied a live sense of rhythm and energy -- trademarks that he maintained throughout his career, whether in wood, bronze, or aluminum. In his lifetime, Charles Searles participated in over 60 group shows, and 25 solo exhibitions. He was represented by the Sande Webster Gallery in Philadelphia for over 20 years. His paintings and sculptures can be found in innumerable public and private collections. Public commissions include the Delaware River Port Authority, the NYC Mass Transit Authority, the First District Plaza in Philadelphia, and the Amtrak station in Newark, NJ. He was the recipient of many awards, including ones from the Pollock-Krasner Foundation, the Adolph and Esther Gottleib Foundation, the Creative Arts Project Fellowship, and the National Endowment for the Arts. His wife of 23 years, Kathleen Spicer adds: "Charles was his work, and his work was him. Inseparable. Our lives were all about art. We lived each day as if it was a gift. To me, he was enchanted. His vision was clear -- he could envision something and make it come to life as easy as breathing. Genius. Charles made the world a better place. Charles speaks loud and clear." Bio courtesy of Kathleen Spicer (Searles) Selected Periodical Citations: Newhall, Edith, "Dual Celebration of Self-expression", Philadelphia Enquirer, May 2013 Fabbri, Anne, "A Farewell to Charles Searles", Art Matters, January 2005 Cornell University Review, August 2000 O'Neill, Denise I., "Black Experience Puts Soul Into the Heart of Christmas", Chicago Sun-Times, December 1996 Gleuck, Grace, Review, The New York Times, December 1996 McBride, Octavia, "An Artist Acclaimed", Philadelphia Tribune, April 1993 Fox, Catherine, "National Black Arts Festival Program Guide", The Atlanta Journal, July 1990 Wilson, William, "Black Artists in Tune with Ancestors", Los Angeles Times, January 1990 Jamusch, Ann, "Special Show-Legacy of Black Art", Dallas Times Herald, January 1990 Binkley, Barbara, "Colors, Bright and Bold", The Daily News, April 1986 Grafly, Dorothy, "Charles Searles at Neumans", ART in Focus, Summer 1978 Crittendon, Denise, "Back Home from Nigeria", The Michigan Chronicle, December 1977 Garrett, Bob, Art Section Review. Boston Sunday Herald, November 1975 Patry, Louise, "A Jubilee of Afro-American Art in Boston", New England Journal, December 1975 Wright, Charles, "Paint Art Racist", The Village Voice, April 1971 Nelson, Nells, "Black Artists Rise Above the Tempest", Philadelphia Daily News, April 1971 Canaday, John, "Black Artist on View in Two Exhibitions", The New York Times, February 1970 Collections: - Philadelphia Museum of Art - The Woodmere Art Museum - Smithsonian Institute of American Art - Pennsylvania Academy of the Fine Arts - LaSalle University Art Museum - Howard University Gallery of Art - Dallas Museum of Art - Delaware Valley Arts Alliance - Montclair Museum of Art - Afro-American Historical & Cultural Museum - Museum of Afro-American History - 35 + corporate collections - National & international private collections 75+ Group Exhibitions, Including: - Woodmere Art Museum - Pennsylvania Academy of the Fine Arts - Whitney Museum of American Art - Museum of American Art - Boston Museum of Fine Arts - Brooklyn Museum - Art Alliance - National Afro-American Museum - Liberty Museum - National Blacks Fine Arts Show - Institute of Contemporary Art - Ackland Arts Museum - Arnot Art Museum 30+ Solo Exhibitions, Including: - Philadelphia Museum of Art, Philadelphia PA - The State Museum of Pennsylvania, Harrisburg, PA - LaSalle University, Philadelphia, PA - Temple University, Philadelphia, PA - Montclair Art Museum, Montclair, NJ - Noyes Museum, Oceanville, NJ - Delaware Valley Arts Alliance, Narrowsburg, NY - North Carolina State University - Winston Salem State University, Winston Salem, NC - G.R. N’Namdi Gallery, New York, NY - Sande Webster Gallery, Philadelphia, PA - June Kelly Gallery, New York, NY - Noel Gallery, Charlotte, NC - Malcolm Brown...

Jim’s of Lambertville is proud to offer this artwork. Illustrated in "Charles Searles" 2013 exhibition catalog (La Salle University Art Museum/Tyler School of Art) Charles Searles (1937-2004) He was born in Philadelphia, PA and received his fine art education at the Pennsylvania Academy of Fine Art (PAFA) from 1969-72. He also attended the University of Pennsylvania for liberal arts studies, where he worked in the labs beside the scientists and engineers creating technical illustrations for text books. His early paintings embraced the tumultuous 60's and also reflected his own family life and surroundings. Before graduating the PAFA, Searles received the Cresson Memorial Traveling Scholarship, and the following year, the Ware Memorial Traveling Scholarship. He was the first student to use these funds to travel to Africa. His travels in Africa marked his life and work forever -- the life, the rhythms, the patterns, and the energy. Searles returned to Philadelphia and began teaching at the Ile Ife Cultural Center. It was then that he began his "Dancer" Series. This series marked a change in his life, celebrating his new sense of renewal and the African experience. He was awarded his first mural commission at the William G. Green Federal Building. This work, entitled "Celebration" is still on view today. At that time, he was also hired as a drawing teacher at the (then) Philadelphia College of Art, where he remained a professor for over twenty years. In 1978, Searles moved to New York City. He found a large, raw space -- an old sewing factory -- on Broadway and Bleeker where he would remain for the rest of his life. He continued to commute to Philadelphia teaching part time. He met Kathleen Spicer, an art student, in 1983. They married in 1985. Together, they shared a wonderful, open, artistic, social, and creative experience. Searles gradually moved away from painting and into sculpture. His sculptures maintained the vibrant color and patterns from his paintings, but seemed to dance in three dimensions. These new works embodied a live sense of rhythm and energy -- trademarks that he maintained throughout his career, whether in wood, bronze, or aluminum. In his lifetime, Charles Searles participated in over 60 group shows, and 25 solo exhibitions. He was represented by the Sande Webster Gallery in Philadelphia for over 20 years. His paintings and sculptures can be found in innumerable public and private collections. Public commissions include the Delaware River Port Authority, the NYC Mass Transit Authority, the First District Plaza in Philadelphia, and the Amtrak station in Newark, NJ. He was the recipient of many awards, including ones from the Pollock-Krasner Foundation, the Adolph and Esther Gottleib Foundation, the Creative Arts Project Fellowship, and the National Endowment for the Arts. His wife of 23 years, Kathleen Spicer adds: "Charles was his work, and his work was him. Inseparable. Our lives were all about art. We lived each day as if it was a gift. To me, he was enchanted. His vision was clear -- he could envision something and make it come to life as easy as breathing. Genius. Charles made the world a better place. Charles speaks loud and clear." Bio courtesy of Kathleen Spicer (Searles) Selected Periodical Citations: Newhall, Edith, "Dual Celebration of Self-expression", Philadelphia Enquirer, May 2013 Fabbri, Anne, "A Farewell to Charles Searles", Art Matters, January 2005 Cornell University Review, August 2000 O'Neill, Denise I., "Black Experience Puts Soul Into the Heart of Christmas", Chicago Sun-Times, December 1996 Gleuck, Grace, Review, The New York Times, December 1996 McBride, Octavia, "An Artist Acclaimed", Philadelphia Tribune, April 1993 Fox, Catherine, "National Black Arts Festival Program Guide", The Atlanta Journal, July 1990 Wilson, William, "Black Artists in Tune with Ancestors", Los Angeles Times, January 1990 Jamusch, Ann, "Special Show-Legacy of Black Art", Dallas Times Herald, January 1990 Binkley, Barbara, "Colors, Bright and Bold", The Daily News, April 1986 Grafly, Dorothy, "Charles Searles at Neumans", ART in Focus, Summer 1978 Crittendon, Denise, "Back Home from Nigeria", The Michigan Chronicle, December 1977 Garrett, Bob, Art Section Review. Boston Sunday Herald, November 1975 Patry, Louise, "A Jubilee of Afro-American Art in Boston", New England Journal, December 1975 Wright, Charles, "Paint Art Racist", The Village Voice, April 1971 Nelson, Nells, "Black Artists Rise Above the Tempest", Philadelphia Daily News, April 1971 Canaday, John, "Black Artist on View in Two Exhibitions", The New York Times, February 1970 Collections: - Philadelphia Museum of Art - The Woodmere Art Museum - Smithsonian Institute of American Art - Pennsylvania Academy of the Fine Arts - LaSalle University Art Museum - Howard University Gallery of Art - Dallas Museum of Art - Delaware Valley Arts Alliance - Montclair Museum of Art - Afro-American Historical & Cultural Museum - Museum of Afro-American History - 35 + corporate collections - National & international private collections 75+ Group Exhibitions, Including: - Woodmere Art Museum - Pennsylvania Academy of the Fine Arts - Whitney Museum of American Art - Museum of American Art - Boston Museum of Fine Arts - Brooklyn Museum - Art Alliance - National Afro-American Museum - Liberty Museum - National Blacks Fine Arts Show - Institute of Contemporary Art - Ackland Arts Museum - Arnot Art Museum 30+ Solo Exhibitions, Including: - Philadelphia Museum of Art, Philadelphia PA - The State Museum of Pennsylvania, Harrisburg, PA - LaSalle University, Philadelphia, PA - Temple University, Philadelphia, PA - Montclair Art Museum, Montclair, NJ - Noyes Museum, Oceanville, NJ - Delaware Valley Arts Alliance, Narrowsburg, NY - North Carolina State University - Winston Salem State University, Winston Salem, NC - G.R. N’Namdi Gallery, New York, NY - Sande Webster Gallery, Philadelphia, PA - June Kelly Gallery, New York, NY - Noel Gallery, Charlotte, NC - Malcolm Brown...

Ed. of 5, includes black frame with white mat. Vincent Ricardel is a photographic artist whose career has spanned the editorial, commercial and fine art worlds of photography. Throu...

48 x 60 inches Edition of 5 Chromogenic Print Framed Massimo Listri travels his native Italy and the world with his camera, photographing grand interior spaces both iconic and unexp...

Photogravure from the Tom Baril 'Manhattan' Portfolio. Edition of 75, signed by the artist on bottom right. Framing: acid free, archival framed, cotton rag mat. Glazing: Optium muse...

Hunter Barnes has documented his stay when joining the Tamkaliks Powwow in Wallowa, Oregon. This work is an artist proof, archival silver gelatin, handprinted by the artist and signed on verso. Directly acquired from the artist. The framing is 100% archival, with the use of only acid frame materials. Glazing, Optium non glare museum plexi. Hand finished wooden frame. Hunter Barnes is a documentary photographer whose work captures aspects of culture and communities ignored by the mainstream and often misrepresented in the modern American narrative. Hunter trained in photochemistry and traditional photographic techniques. At a young age, he began a nomadic life on the road. In his early twenties, Hunter self published his first book, Redneck Roundup, documenting the dying communities of the Old West. Other projects followed: four years spent with the Nez Perce tribe; months with a serpent handling congregation in the Appalachain mountains; bikers, lowriders, and street gangs...

This Oleg Dou work is a 63 x 47 inch digitally rendered C-print which has been face mounted on acrylic. It was printed in 2015, and is one of eight editions. This vignette of an idea...

From The Jon Gould Collection of Andy Warhol Photographs This work is not signed by the artist, however, each photo is unique and blind embossed “Andy Warhol” in the lower right co...

Ann Ray The Girls Who... Silver gelatin print Framed Dimensions: 22.13 x 17.13 inches (30 x 40 cm) Image Dimensions: 11.81 x 15.75 inches (30 x 40 cm) Edition 2/50

Paul Liebhardt Cow on Wall Photograph Framed Dimensions: 33 1/4 x 27 1/4 inches (84.5 x 69.2 cm) Image Dimensions: 21 x 14 1/4 inches (53.3 x 36.2 cm)

Roger Ballen Waif, from the series 'The Theatre of Apparitions', 2012 One sided Texflex Lightbox, Powder coated Ferro Black Lightbox 100 x 86 x 9 cm (39 3/8 x 33 7/8 x 3 1/2 in.) Edi...

Roger Ballen Divided Self, from the series 'The Theatre of Apparitions', 2007 One sided Texflex Lightbox, Powder coated Ferro Black Lightbox 100 x 100 x 9 cm (39 3/8 x 39 3/8 x 3 1/2...

French photographer Denis Darzacq chose HYPER supermarkets in Paris and Rouen as the setting for this series. There, brightly packaged and presented consumer goods provided a vivid a...

French photographer Denis Darzacq chose HYPER supermarkets in Paris and Rouen as the setting for this series. There, brightly packaged and presented consumer goods provided a vivid a...

Susan Sterner Mama ya se fue, 2009 Archival pigment print Framed Dimensions: 14 3/4 x 17 3/4 inches (37.5 x 45.1 cm) Image Dimensions: 7 x 10 inches (17.8 x 25.4 cm) Edition 1/10

Pigment ink on Fine Art Hahnemühle paper Edition 1/5 Hand-signed on the back by the artist “We are such stuff as dreams are made on, and our little life is rounded with a sleep.” Th...

Pigment ink on Fine Art Hahnemühle paper Edition 1/5 Hand-signed on the back by the artist “We are such stuff as dreams are made on, and our little life is rounded with a sleep.” Th...

Vibrant butterflies. Silver Highlight Chromogenic Photograph Face Mounted to Acrylic. No signature but certificate of authenticity from artist is provided. About the Artist: My art is a mix of media combining images, textures, vintage memorabilia...

Lorenzo Agius (b.1962) Ewan with gun 2012 digital C-Type print 48 x 60 in. / 30 x 40 in. / 20 x 24 in. signed and numbered printed later This work is available in the following size...

Caroline (Deep Sleep) (FRAMED) Photography 30"x40" in Ed. of 3 by Larsen Sotelo FRAMED Giclee (Archival Ink) print on 310G Platine Fibre Cotton Rag w/satin finish 40” X 30” inch ...