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Natalie LennardPower Pilgrimage - Birth Scene from the Farm and Ina May Gaskin (Orange+Red)2020
2020
$2,796
$3,49520% Off
£2,118.78
£2,648.4720% Off
€2,441.65
€3,052.0620% Off
CA$3,954.32
CA$4,942.8920% Off
A$4,252.53
A$5,315.6720% Off
CHF 2,273.84
CHF 2,842.3020% Off
MX$51,284.36
MX$64,105.4520% Off
NOK 28,754.25
NOK 35,942.8120% Off
SEK 26,198.82
SEK 32,748.5320% Off
DKK 18,244.51
DKK 22,805.6320% Off
About the Item
In 1971, three hundred hippies set off from California in a convoy of 90 trucks and schoolbuses to find a new life. The pregnant women amongst them, out a desire to treat birth as a normal part of proceedings, passed around birth manuals and learnt to deliver each others' babies on the road.
It was the memory of the very first woman, calmly and tenderly birthing in the arms of her husband in the back of a bus on a pitstop, that was to change the lives of two watching women in particular: Ina May Gaskin and Pamela Hunt. Called in spontaneously to assist, and watching in wonder at the first natural birth they'd ever seen, that Ina May would describe decades later as an 'astonishing, wild beauty' that 'gave her something that has never left'.
Ten more babies were born along the way, till the Caravan arrived settled on 1700 acres of land in Summertown, Tennessee, where Ina May and her husband Stephen Gaskin founded The Farm, at the heart which was a fearless belief in the physiological normalcy of childbirth. Ina May began to recruit an army of likeminded midwives and spearhead a new subculture, publishing their stories in 1975 in Spiritual Midwifery. Now in its fourth edition, consumers to this day use the book to seek alternatives out of the hospital model.
In a tribute both to the legacy bequeathed by the first birthing woman on the Caravan, and to Ina May's advocacy of the imagery of crowning to demystify birth, this unprecedented visual re-telling of the 'wild beauty' on the school bus in 1971 suggests to an audience in 2020 how we might again seek out a culture of our own.
- Creator:
- Creation Year:2020
- Dimensions:Height: 35 in (88.9 cm)Width: 47 in (119.38 cm)
- More Editions Sizes:14x18.5 1 of 50Price: $45024x31 1 of 15Price: $3,49535x47 1 of 10Price: $6,25047x62 1 of 7Price: $9,995
- Medium:
- Movement Style:
- Period:
- Framing:Framing Options Available
- Condition:
- Gallery Location:Gilroy, CA
- Reference Number:1stDibs: LU129827591022
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“For the first time... I had been refused when offering chloroform... later I asked her why... shyly she turned from thw window that burst the first light of dawn and said: ‘It didn’t hurt. It wasn’t meant to, was it, doctor?’" A chance phrase by a woman in a hovel in Whitechapel in 1911, that childbirth wasn’t meant to be painful, led the young Dr Grantly Dick-Read to explore that in the absence of fear, the body's natural endorphins can replace the stress hormones that cause pain in childbirth. He went on to write the most influential book on childbirth of the last century, 'Childbirth Without Fear' in 1942, with the passage describing the encounter becoming famously enshrined in birth philosophy. “The window was broken, rain pouring in, the bed had no proper covering… the room was lit by one candle stuck in the top of a beer bottle on the mantelshelf, my patient covered in sacks… a neighbour had brought in a jug of water and a basin”. Dick-Read’s cinematic account for the first time is here visualised, re-enacted at Dennis Severs’ House, a ‘living museum’ of Victorian London. With inspiration from the composition of painting ‘The Doctor’ (1890) by Sir Luke Fildes...
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