Parish Kohanim

Tranquility

Parish Kohanim has been intimately involved with professional photography for over 25 years. Parish, who is a renowned commercial photographer, is now devoting his efforts towards hi...

Joyce Tenneson is an accomplished American photographer best known for her mystical and sensual photographs of the female form. At once haunting, enigmatic, and evocative of dreams a...

Hand printed Archival Pigment Print Available in larger sizes, please inquire Ships from Switzerland or Italy (EU) Born in Switzerland, Shari Yantra Marcacci is a visual artist. Her work explores themes of loss, trauma, intimacy and self-discovery with a focus on personal storytelling centered around self and family. Her background in dance and filmmaking informs her directorial and documentary skills giving her a sensitivity and insight into universal human traits, their characters and psychology. Shari has worked, wearing different hats in the realm of film and theater. Her work as been shown in the official selection of various film festivals, has received several awards and has been released theatrically. Some of these festivals include the Sundance Film Festival 2011 and a nomination for the Independent Spirit Awards 2012. Her work has been exhibited in several group and juried exhibitions at institutions such as The Center of Fine Art Photography, Fort Collins, Colorado, the Los Angeles Center of Photography, the Dark Room Gallery and PhotoPlace Gallery, Vermont, the Houston Center for Photography, Think Tank Gallery, Los Angeles, the Black Box Gallery, Portland, Oregon, Netanya Artists Association, Israel, Alta Vista Arts...

These images are available as hand-pulled polymer photogravures, made with bone black and warm sepia inks on Hahnemühle Copperplate paper. Edition of 109 7 x 9 photopolymer gravure Signed numbered and dated by the artist. The photographs and poem that evolved into this series of photographs and the accompanying book “Yesterday” were made during the summer of 2020. Although much of the country was in the midst of the Covid 19 pandemic, on this remote island off the coast of Maine, we still felt free from much of the toll that Covid was taking. Able to spend time outside, in nature, we had the illusion of safety, of normalcy almost, whilst at the same time being painfully aware of how the virus was increasingly touching everyone's lives. By then we all knew of people who had died, or become ill and we were managing the stress of futures shifting and plans that had been derailed, fearing what would come with the change of the seasons. That summer represented a pause in time, a moment where life could feel normal, when we were still holding on to a world of yesterdays. Maine-based photographic artist and writer Sal Taylor Kydd uses various photographic media in a personal narrative that explores themes around memory and belonging; combining her poetry with alternative processes of photography and object-making. Taylor Kydd’s fine art photographs have been exhibited throughout the country and internationally, including Barcelona, San Miguel De Allende, Portland, Boston and Los Angeles; and she has been featured in numerous publications, including Shots Magazine, Don’t Take Pictures Magazine, Lenscratch, Diffusion Annual and The Hand magazine. She has self-published a number of books combining her poetry with her photographs. Her books are in private and museum collections throughout the country including The Getty Museum, Bowdoin College, The Peabody Essex Museum and the Maine Women Writer’s Collection at the University of New England. Taylor Kydd’s latest book “Yesterday”, produced by Datz Press, is a limited edition book of poems and photographs that explores our sense of loss around the pandemic of 2020. Taylor Kydd is also a veteran workshop leader and educator and has led workshops and conducted portfolio reviews throughout the country and internationally with Maine Media, Santa Fe Workshops, Palm Beach Photography...