Unknown

Derby Spectator Giant Oversize Limited Edition

1923

Gelatin silver print 10 x 8 in. Auriga - Verlag Stamp on paper attached to verso.

Gelatin silver print, 6 7/8 x 4 3/4 in. Title & artist label, Freundeskreis/Ernst Fuhrmann

Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlie...

Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlie...

Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of N...

Amodaj created the Hoop and Ball series of photographs in June 2010 with dancer and author Shawnrey Notto. The photographs were based on an earlier series of drawings Nenad made of Notto wearing parts of the deconstructed wedding dress during his figure drawing study in Michael Markowitz’s 23rd Street studio in San Francisco. The hoop skirt serves as an augmentation device, a skeletal extension meant to alter the visual perception of the human form. To realize the full associative power of the hoop, Amodaj created a counter-shape to the hoop, a white sphere (the Ball) made from plaster strips, to match the cloth texture and placed it in a dynamic relationship with his model. Notto improvised the poses from Nenad’s drawings in constant slow motion. The whole project was done in two 3-hour sessions with no rehearsals and no replays. The minimalistic setting, uniform lighting, and central vantage point shift perception from a trivial reality to a metaphysical one. The intent was to induce the spectator to spontaneously alternate between the three aspects: the human form, the symbolic function of the skirt, and the geometry of the cone and sphere. The spontaneity of dynamic poses and the imperfections of a handheld camera balance this sparse imagery. The exhibition presents a selection of 15 photographs from a project collection of over a hundred. Most of the series are gelatin-silver prints from a 35 mm film, with a few exceptions for large-scale digital color prints. Amodaj was influenced by the work of Bernd and Hilla Becher's typologies of industrial buildings and František Drtikol’s nudes. In the spirit of Becher’s “typologies,” Amodaj’s Hoop and Ball series of photographs explores endless mutations of the hoop skirt architecture, a clothing item with a curios geometric form that can be classified as a “flexible cone.” It is a form that appears both in nature and in artifice: flowers, bells, horns, nuclear power plants...

Edition of 15 Signed, dated and numbered. Series: Suburbia Bill Owens was born and raised in California. After volunteering in the Peace Corps he picked up photography and began his...

Mary Illen Ft. Worth, TX by John Stryker is a 10 x 8 inch silver gelatin print. This photograph is signed in ink on print recto and titled in pencil on print verso. This photograph features a cowgirl riding a light colored horse, resting at a river. The horse reaches down to the water for a drink, while the woman looks down lovingly at the horse. John Stryker was born in Rockford, Illinois, September 1, 1883. He is most remembered for his body of photographs he took of the "Olympic of Western sport"*- the Rodeo. During his lifetime he crossed America, working rodeos as an announcer, a producer, promoter and sometimes a rider. He invented the chute that the animals come out of and he developed new ways of photographing action during an event. Dramatic shots were taken from the ground, propping his camera on the toe of his right boot right next to a bucking bronco. Some historians believe that John Stryker was directly responsible for the growth and sophistication of the sport. His negatives are in the collection of the University of Texas at Permian Basin, Odessa. His photographs have been exhibited during his lifetime at the Buffalo Bill Museum in Cody, Wyoming, and the Amon Carter Museum in Ft. Worth, Texas. His photographs have been published widely including Life, Look, The Cattleman, The Western Horseman, and The Quarter Horse Journal. In 1977, The Rodeo of John Addison Stryker...

Edward Quigley Crowd Scene, 1931 Vintage gelatin silver print Artist's stamp on the back of the photograph Frame Included Frame bears labels from: Joel Soroka Gallery, Co Ota House, CA Measurements: Frame: 13 x 11.25 x 0.5 inch Photograph: 4.5 x 3.5 inches About Edward Quigley: Edward Quigley was a leading American modernist who became known in the 1930s for his experimental photographic work with light. Quigley acquired his first camera at age twelve, joined the Photographic Society of Philadelphia in1929, and opened his own studio a year later. He supported himself with innovative advertising and editorial work published regularly in magazines such as U.S. Camera and Photographie, while winning prizes in numerous salons for his experimental light abstractions, captured with the aid of prisms and lenses to startling affect. Today, photographs by Edward Quigley are housed in the permanent collections of The San Francisco Museum of Modern Art, The Museum of Fine Arts, Boston, The Cleveland Museum of Art, and the Philadelphia Museum of Art. Biography Courtesy Robert Koch Gallery

'Marlon Brando & Vivien Leigh Smoking On-Set' Marlon Brando and Vivien Leigh smoking cigarettes on the set of 'A Streetcar Named Desire,' 1951....