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Lovers - Photo - 1970s

1970s

Friends is a black and white vintage photo, realized in 1970s. Good conditions and aged. It belongs to a historical and nostalgic album including historical moments, places, famili...

Photo of Marina Malfatti  is a vintage black and white photograph realized in the 1970s. Good conditions.

Fausto Leali is a vintage black and white photograph realized in the 1980s, it is from a series of vintage photographs of the music, cinema, and art of Italy with celebrities of the ...

Looks - Vintage Photograph is a black and white photograph realized in the 1960s. Good conditions.

From Wikipedia: Woodstock was a music festival held between August 15–18, 1969, which attracted an audience of more than 400,000. Billed as "An Aquarian Exposition: 3 Days of Peace & Music", it was held at Max Yasgur's 600-acre dairy farm near White Lake in Bethel, New York, 43 miles (70 km) southwest of Woodstock. Over the sometimes rainy weekend, 32 acts performed outdoors. It is widely regarded as a pivotal moment in popular music history, as well as the definitive nexus for the larger counterculture generation. Rolling Stone listed it as number 19 of the 50 Moments That Changed the History of Rock and Roll. The event was captured in the Academy Award-winning 1970 documentary film Woodstock, an accompanying soundtrack album, and Joni Mitchell's song "Woodstock", which commemorated the event and became a major hit for both Crosby, Stills, Nash & Young and Matthews Southern Comfort...

From Wikipedia: Woodstock was a music festival held between August 15–18, 1969, which attracted an audience of more than 400,000. Billed as "An Aquarian Exposition: 3 Days of Peace & Music", it was held at Max Yasgur's 600-acre dairy farm near White Lake in Bethel, New York, 43 miles (70 km) southwest of Woodstock. Over the sometimes rainy weekend, 32 acts performed outdoors. It is widely regarded as a pivotal moment in popular music history, as well as the definitive nexus for the larger counterculture generation. Rolling Stone listed it as number 19 of the 50 Moments That Changed the History of Rock and Roll. The event was captured in the Academy Award-winning 1970 documentary film Woodstock, an accompanying soundtrack album, and Joni Mitchell's song "Woodstock", which commemorated the event and became a major hit for both Crosby, Stills, Nash & Young and Matthews Southern Comfort...

Family 20x30cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Medium format Negative. Signed on back with Certificate. Not mounted.

Listing is for UNFRAMED print. Inquire within for framing. Edition of 25. If the exhibition piece is sold or the customer orders a different print size, the photograph is produced upon purchase. Please allow two weeks for production. Shipping time depends on method of shipping. Price is subject to availability. The Robin Rice Gallery reserves the right to adjust this price depending on the current edition of the photograph. Ted Adams’ first solo show at the Robin Rice Gallery juxtaposes surrealism with the documentary art form. What differentiates Mr. Adams’ work from traditional photojournalism is his keen eye for capturing the irony in the events that unfold before our eyes. It is the found objects in everyday life to which Adams is most attuned. He creates a subtle mood and visual mystery that conveys meaning not only from the image itself but also through imagining what exists just beyond the frame. "I see photography as a way of cropping the world—selectively taking things out of context—which often results in stripping the meaning out of the original subject matter, or at least making the image open to interpretation. It’s the opposite of traditional photojournalism whose intention is to create ‘narrative’ and context rather than discard them." While he has exhibited artistic photography in a variety of genres, in the past five years he turned his artistic eye inward to reflect a more autobiographical tone. While some people compare his work to that of Robert Frank, Adams finds himself more and more influenced by Larry Clark whose career was built on pictures drawn from his own life and drug-addled friends rather than a specific documentary mission. The unique presentation of this collection of twenty-three silver gelatin prints enhances the voyeuristic sensibility of Mr. Adams’ work. Each photograph is jewel box in size, measuring 4" x 6" to invite the viewer in to make an intimate appraisal. The craftsmanship of the wide, dark wood frames hearkens back to late 19th-century Shaker design—yet the aesthetic is boldly contemporary, providing a strong backdrop to draw the viewer’s gaze directly to the subject matter. This artisanship extends to the printing where Adams exhibits his skills in traditional darkroom processes. He shoots mostly with Leica and Nikon 35mm film cameras...