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Old days Photo - Mother and Child - Vintage Photo - Mid-20th Century

Mid-20th Century

Mother and Child is a black and white photograph of a painting realized by A. Von Mayden in the 1930s. Good conditions with slight foxing. Included a Passepartout:46 x 35 cm

Old days Photo - Mother and Child is a black and white vintage photo, realized in the early 20th century. Good conditions and aged. It belongs to a historical and Nostalgic album i...

The Old Days  Photo - Girl and Child is a black and white vintage photo, realized in the early 20th century.  It belongs to historical album including historical moment, royal famil...

Portrait of Mother and Child is a  vintage photo, realized in the Early 20th Century . The artwork is a well-balanced composition.

Beautiful b/w photo depicting a little Peruvian girl

Sepia ink and watercolor study of a mother holding a child against a backdrop of a town bridge by Bernard Labbe (French mid 20th century) original sepia ink and watercolor on paper i...

The implied act of opening the boxes, releases the energy of the occupants, allowing them to take flight. The people and objects confined within, through the simple act of unfolding,...

Listing includes framing with UV plexiglas, free shipping and a 14 day return policy. Lora Webb Nichols Mary and Maude Platt, 1912 15 x 15 inch gelatin silver print Image Size: 10.75 x 11 inches frame size 18 x 18 x 2 inches Edition of 15 Lora Webb Nichols was born in 1883 and grew up in the small mining town of Encampment, Wyoming. At the age of 16 Lora received her first camera and from that moment and for the next few decades she produced work that is both stunning in its singular voice and revealing in the world it opens up for us. At first Nichols photographed her family, friends, and the landscape around Encampment, but when the town experienced a copper mining boom Nichols expanded her scope to become a photographer for hire shooting portraits and industrial photographs. When the boom collapsed, Nichols took the risk of opening her own business in Encampment - The Rocky Mountain Studio - which opened in 1925. The studio ran for ten years, accumulating 24,000 negatives that illustrate the lives and environment of the people living in and around the town while creating a distinctive and surprising body of work. If one was to attempt an analogy – Nichols’ pictures fit somewhere between Lartigue and Lange - joyful and generous while objectively intimate. In particular what seems to distinguish Nichols’ work is the way she sees the world from a female perspective. As Vince Aletti...