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Old days Photo - Mountain - Vintage photo - mid-20th Century

mid-20th Century

Mountain view is a color vintage photo, realized in 1930s. Good conditions and aged. It belongs to a historical and nostalgic album includin...

Old Days  - Historical Photo is a vintage black and white photograph realized in the Early 20th Century. Good conditions.

"Impressions of the High Sierras", a Lithobrome Photograph by Sigismund Blumann (American, 1872-1956). Signed "Sigismund Blumann" lower right. Titled "Impressions of the High Sierras" and signed "Sigismund Blumann" on verso. Unframed. Image size, 10.25"H x 13.25"W. Sigismund Blumann (1872–1956) (figure 1) was a prominent tastemaker in Californian photography during the 1920s and 1930s. Based in the San Francisco Bay Area for his entire career, he edited magazines, wrote books, and made creative photographs. From 1924 to 1933 Blumann edited Camera Craft, the leading West Coast photographic monthly. Subsequently he established his own periodical, Photo Art Monthly, which he published until 1940. In these two magazines — for over fifteen years — Blumann found a large audience of mainstream pictorial photographers. In addition, he wrote five instructional books on photography...

Edward Ranney is an internationally recognized photographer who has photographed the natural and man-altered landscape for over forty years. The Andean coastal desert of southern Peru is particularly known for the geoglyphs created by the Nazca culture around 500 AD. The image shown is selected from The Lines, the monograph published by the Yale University Art Gallery in 2014. In contrast to the aerial viewpoint favored by contemporary photographers in the depicting these glyphs, Ranney’s photographs, made between 1985 and 2009, are made on ground level using a 5x7 large format camera. The physical contact with the desert spaces transformed by Nazca cultural traditions gives us an immediate sense of the challenging natural world in which the Nazca flourished. More importantly, when viewed from the ground, they glyphs – or lines – transform a harsh environment into an understandable, even intimate, cultural space. Born in 1942, educated at Yale University, internationally recognized landscape photographer Edward Ranney is the recipient of numerous awards and grants including NEA grants (1974 and 1982), a Guggenheim Memorial Fellowship (1977), and Fulbright Fellowships (1964 and 1993). His work is represented in public and private collections alike including The Museum of Modern Art, New York and San Francisco, The Museum of Fine Arts, Santa Fe and Houston, the Victoria and Albert Museum, London, and The Art Institute of Chicago. His photographic monographs...