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Portrait of Yves Montand - Photo - 1960s

1960s

Yves Montand - Vintage Photo is an original vintage black and white photograph realized in the 1970s. Good conditions.

The Arrival of Yves Montand is a vintage black and white photograph realized in the 1960s. Good conditions.

Leonard Bernstein, August 25, 1918 – October 14, 1990 was an American conductor, composer, pianist, music educator, author, and humanitarian. Considered to be one of the most importa...

This photo shows the French singer Gilbert Bécaud during a concert in East Berlin in 1964. In the image, Bécaud is captured in a dramatic moment, standing on stage and reaching upwards with his right arm, his fingers forming a sharp, expressive gesture. He is dressed in a dark suit, accentuated by a white shirt cuff. His face is turned upwards, seemingly caught in an intense emotional performance. The stark contrast of his figure against the deep black background highlights the emotional energy of the moment, which was characteristic of Bécaud's passionate and dynamic stage presence. Known for his exuberant and engaging performances, Bécaud, often referred to as "Monsieur 100.000 Volts" due to his electrifying stage persona, was immensely popular in the 1960s, and this concert in East Berlin would have been a rare cultural exchange during the Cold War era. His concerts were often marked by his powerful voice and the high emotional intensity of his performances, which captivated audiences across the world. The print is new, Highest Quality on Hahnemühle FineArt Baryta. More sizes up to 150x150 cm available on request. About Tassilo Leher: Born in the dark years of World War II, Tassilo Leher became an icon of photographic art in divided Germany. As the son of war correspondent Karl Leher, whose lens captured moments of contemporary history, he was born in 1940 in the heart of Berlin. He shared not only the studio in the picturesque Prenzlauer Berg with his father, but also the mysterious world of the darkroom. While Karl Leher, an early riser, made use of the morning hours, Tassilo found his creative flow only by midday, often working late into the night. His camera knew no bounds: from the dazzling stars of East German show business like Phudys, Karat, Hildegard Kneef, Manfred Krug, Bubi Scholz, to international greats such as Dean Reed, Karel Gott, Jiri Korn, and Costa Cordalis – all found themselves in front of his lens. The Friedrichstadt-Palast and numerous film sets became his stages, where he played with light and shadow to perfectly frame famous...