Framed Photography

Girl down the Road (The Last Picture Show) - 2006 Edition of 10, 58x57cm. Analog C-Print, hand-printed by the artist on Archive Fuji Chrystal Paper, based on the Polaroid. Artist...

An original silver gelatin black and white photograph by Associated Press Photo. The USS Roosevelt aircraft carriers on the Hudson River, New York, during Navy Day in 1945. Features...

Edition 15, framed Chromaluxe The famous Chanel No. 5 perfum. A man with x-ray vision, NICK VEASEY creates art that shows what it is really like inside. Nick’s work with radiograph...

Underwater photograph of a gorgeous girl with dark hair in red dress. Original print on aluminum plate with solid black backboard. The artwork needs no additional framing: it can be...

Aspen Farmhouse, photograph from Richard Heeps' series, A View of the Fens from the Car with Wings. Richard visits this abandoned building in The Fens capturing it as the landscape a...

Ed. 2/12, includes black frame. Guadalupe Laiz is an international artist, photographer and explorer born and raised in Argentina. Guadalupe’s main focus for the past ten years has ...

Te veo… I see you. Matanzas 2005. Sparshatt's black-and-white portrait captures the essence of a weathered, elderly man, his face a tapestry of deep wrinkles that tell stories of a...

Drawing her inspiration from the grand masters of photography – Avedon, Lindbergh, Newton, or Toscani, amongst others – Cécile Plaisance uses lenticular printing to allow the viewer ...

Brainpower I, Untitled I, and Untitled II (Triptych) 2018 by Juan Lamarca From the Horse Series Fine Art Cotton Paper Overall size: Image size: 16.5 in H x 36 in W Frame size: 17.7 ...

Tinted Window, rain falls on a car window on a South African open road, landscape photograph from Richard Heeps series, The New Lantern. Richard Heeps' work takes you on a journey, t...

Bitter Campari Sign, Italian Typography street photography from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a specia...

Elektronik, pop art from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal past and...

_ _ ADA, Italian street photography from Richard Heeps series, 'A Short History of Milan' which began in November 2018 for a special project at the Affor...

Lorenzo Agius (b.1962) Madonna and the Monocle 2005 digital C-Type print 60 x 48 in. / 40 x 30 in. / 24 x 20 in. signed and numbered printed later This wo...

Peter Lik photograph signed and numbered “into the mist”. In good condition measures 38x30

Heidler & Heeps Vinyl Collection 'LTD. ED. Vinyl Ochre Pink'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesm...

Raphael Macek Music, 2020 Afresco series Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. ...

Heidler & Heeps Vinyl Collection 'Made in France Blue'. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerisin...

Signed large scale original photograph of the Mediterranean marble quarries in Carrara, Italy, iconic material source of classic Italian art and architecture, captured with a large f...

40 x 60 inches Edition of 5 Archival Pigment Print MOUNTED AND FRAMED Ask us for framing options

#00134 Scirpus cyperinus, Unique photogram, gum bichromate, framed This image is a unique photogram and is printed using Rives BFK, gouache, gum arabic, kitakata and ink. Pricing...

Chris Smith (b.1937) Mug Shot 1971 silver gelatin fibre based print 20 x 30 in. / 34.5 x 48 in. / 46 x 66 in. signed and numbered printed later This work is available in the followi...

Chris Smith (b.1937) Mug Shot 1971 silver gelatin fibre based print 20 x 30 in. / 34.5 x 48 in. / 46 x 66 in. signed and numbered printed later This work is available in the followi...

Chris Smith (b.1937) Hard at the Gym 1971 silver gelatin fibre based print 20 x 30 in. / 34.5 x 48 in. / 46 x 66 in. signed and numbered printed later This work is available in the ...

Large-scale photograph from the Equine Beauty series. The legendary and complex relationship between humans and horses is an enduring one. The horse’s distinctive blend of grace and...

Fun pop art typography, a total 'Sign Porn' fix, captured on an American road trip in Nevada. This artwork features in Richard Heeps' sold out book 'Man's Ruin' and an edition of thi...

Lorenzo Agius (b.1962) Cate Blanchett 2009 digital C-Type print 60 x 48 in. / 40 x 30 in. / 24 x 20 in. signed and numbered printed later This work is ...

Streams of light illuminate a dilapidated Cuban car in an old building in central Havana. This captivating photograph depicts an atmospheric scene of an aged garage, imbued with nost...

Alyson Belcher's Final Season is a photographic meditation on the fragility and quiet resilience of life, shaped by personal experiences of loss and the witnessing of loved ones in d...

Joan Didion in front of her Daytona Yellow Stingray Corvette, 1968, Time magazine TIME commissioned this portrait of author Joan Didion photographed...

All Rights Reserved (Seafoam), from the Heidler & Heeps Vinyl Collection. Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have coll...

Leaving (Sidewinder), triptych - 2005, Edition 2/5, 38x37cm each, (installed with gaps 38x125cm). 3 Analog C-Prints, hand-printed by the artist on Fuji Crystal Archive Paper, bas...

Listing includes framing with UV plexiglas (a $1,500 value) and a 14-day return policy. Shipping charged at a discounted rate worldwide via white glove delivery service. Please inquire if you would like to purchase an unframed print for a reduced rate. Available for local pick up at our Los Angeles gallery. Jim Krantz Epic Western III, 2019 40 x 68 inch chromogenic print Edition 5 of 5 Signed on signature label. Artist Biography - Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions. If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images...

Artwork # 1 on 5 sold in perfect condition Limited Edition of 5 + 2 AP This is a Minimalist framing & presentation of the artwork : The Fine Art print on Baryta paper is mounted o...

David Douglas Duncan: 1916-2018. Well listed photographer who had rare access to Picasso. He took numerous photos of the master at work, and at pl...

The steady gaze of Inchoy and her child. John uses simple natural light and builds primitive makeshift studios from locally acquired white sheets! The suffuse light allows him to ca...

1962 Gelatin silver print. Vintage. 11 5/8 x 9 3/4 in (296 × 246 mm); archivally matted and framed. The dark areas with some oxidation mirroring (only discernible in counterlight), t...

Albert WATSON (*1942, Scotland) Mick Jagger/Leopard, 1992 C-print 61 × 50.8 cm (24 × 20 in.) Edition of 5, plus 1 AP Signed Albert Watson was born 1942 in Edinburgh, Scotland. He c...

Artwork #1 / 5 sold in perfect condition printed on baryta heavyweight paper & framed (black metal border) From the collection called "Art 2014", format 30x42 cm. SERIES OF 5 PRINTS...

"Rothko on the Savannah: 14-3" Is a beautiful original edited photography print, done on archival photo canvas. Daniel J. Kaufman (b. New York City, May 4th, 1949) Childhood in Grea...

This series of photographs were taken for a European calendar. The idea was to create postcards with several countries on different continents, in the images the artist decided to cl...

Every evening on Frenchmen Street in New Orleans groups of young men, the Young Fellaz, create a wall of beautiful noise. Playing their battered brass for all they are worth... a rau...

ICES Pink Lemonade, bold pop art street photography from Richard Heeps' series, On-Sea. Created as an ode to Richard's childhood visits to his grandparents living on the Sussex coas...

Artwork sold in perfect condition - Off-Print # 1 from the portfolio Roma (Coffret Prestige # 4) This image was captured on film (1977) The selected negative was printed on Baryta ...

Back in the spring of 2025, Robin Rice visited the studio of John Dolan and Michele O’Hana, and she experienced a lightbulb moment. She imagined a family collaboration. The result is...

A moment of joy on the dance floor at the Festival Acadiens et Creoles in 2019 in Lafayette, Louisiana. A senior Southern Gentleman combines strength and tenderness to give his danc...

Seafront Shelters, are a typical of the British Seaside, they are part of a Seaside Towns identity, with nods to various architectural heritage. Photograph from Richard Heeps', On-Se...

Small Breasts (Strange Love) - 2003, Edition 1/5, 60x80cm each, installed with gaps 127x80cm, 2 Analog C-Prints, hand-printed by the artist, printed on Fuji Archive Paper, based ...

Seafront Shelters, are a typical of the British Seaside, they are part of a Seaside Towns identity, with nods to various architectural heritage. Photograph from Richard Heeps', On-Se...

Lorenzo Agius (b.1962) Jake Gyllenhaal 2001 digital C-Type print 60 x 48 in. / 40 x 30 in. / 24 x 20 in. signed and numbered printed later This work i...

90 Minutes A Side, pop art from the Heidler & Heeps Tape Collection The Heidler & Heeps collaborations are creative representations of Natasha Heidler and Richard Heeps’, personal p...

Stars and Stripes Sam, photograph from Richard Heeps' On-Sea series. The historic Uncle Sam is brought to life in this surreal street photography with the Kodak film border. This ar...

Dreams of a moment… James Sparshatt’s photographs of music and dance capture the emotion and intensity of people lost in the rhythm of the moment. The work is available as silver g...

"Asparagus Sticks, Study 2, Hokkaido, Japan" is a limited edition, silver gelatin print. The photograph is signed and numbered and comes matted to 20x16" Michael Kenna is a master ...

Nikolai Nikolaevich Galakhov “Meadow” (1979) oil on board. In good condition. Measures 32x19

Michael Mardikes Boy with Mirror (Thomas Hart Benton Plate #26) Year: 1956, 2021 Pigment Ink on Archival Paper Photograph Image Size: 19x13.5 in Paper Size: 22x17 in Edition: Unique Monogrammed by hand Label signed and numbered by Estate Representative COA provided by Authorizing Body Additional COA provided by representing Gallery Ref.: 924802-909 Image included in the exhibition An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton at the Kansas City Public Library (November 20, 2021-May 15, 2022) One night in late 2020, as Nick Vedros was leaving the home of his Aunt Myrt and Uncle Michael Mardikes, his aunt suddenly asked him, “What are we going to do with all the negatives?” The noted Kansas City photographer was not sure what his 89-year-old aunt was talking about, until she handed him a notebook filled with more than 1000 negatives chronicling Thomas Hart Benton at home and in his studio. They had been filed away for almost seven decades. This startling discovery was the inspiration for the exhibition, “An Artist at Home in America: Michael Mardikes’ Photographs of Thomas Hart Benton” on view at the Kansas City Public Library Central Library. The exhibition is a must-see, not just for fans of Thomas Hart Benton but for devotees of exemplary photojournalism. Of the 1,080 photographs Mardikes took, only four had been published in an article he wrote for “This Month in Kansas City” magazine in 1966. The others were never printed, nor was their existence common knowledge. Although Vedros had been aware of his uncle’s assignment with Benton, he was stunned to discover that so much additional material existed. Vedros, who decided at age 12 to become a photographer himself after seeing his uncle’s work, was determined to organize an exhibition, and was especially interested in doing it as quickly as possible given his uncle’s advanced age and increasing frailty. Collaborating with Dan White, a photographer, master printer and friend since their time together at the University of Missouri journalism school, they selected 34 images to be printed and framed, researching the details with Steve Sitton, the director of the Thomas Hart Benton Home and Studio Historic Site. Michael Mardikes had had a brief career as a commercial photographer before going on to work in management at the Ford Motor Company and later at UMKC. He made the acquaintance of Benton through Eugene Pyle, a former student of Benton’s and Mardikes’ photography instructor at the Art Institute. In 1955, Benton asked Mardikes to photograph him; Mardikes visited Benton 35 to 40 times, over a period of a few months in late 1955 and early 1956. Sitton told Vedros that not only was Mardikes’ amount of access incredible, but that the resulting body of work was unmatched. As the project progressed, Benton became focused on a mural commission for the River Club in 1956. Henry Adams, preeminent Benton scholar and former curator at The Nelson-Atkins Museum of Art, provided some context for this particular work: “The commission to paint ‘Traders at Westport Landing’ came at a low point in Benton’s career, 1956, and initiated the late phase of Benton’s mural paintings. It was the first of a series of murals depicting the exploration and settlement of the west, which culminated in the Truman Library mural, which was completed in 1962. All these murals feature trading and friendly contact with the Indians, rather than conflict, and are arresting in their bright color and meticulous rendering of carefully researched detail. The River Club, which commissioned ‘Traders at Westport Landing,’ overlooks the Missouri River and has a panoramic view very similar to the one in Benton’s painting.” This group of black and white photos not only documents the artist’s working process but also reveals other aspects of his daily life: one memorable image reveals Rita Benton massaging her husband’s stiff shoulders after a long day in his studio. Other images show members of the River Club board visiting Benton’s studio to check on the progress of the mural. One charming image captures a candid moment of Rita Benton and Myrt Mardikes as they collaborated in the Benton kitchen making chicken kapama for their husbands. Nan Chisholm Nan Chisholm is an art consultant and appraiser of 19th- and 20th-century paintings. After a long association with Sotheby’s, she founded her own business in 2003. She has appeared as a fine art appraiser...

Boats Sailing At Sunset, Santa Cruz - Color Photograph Color photograph of sailboats at sunset in front of the Breakwater Lighthouse in Santa Cruz, California by John F. Hunter (American). The viewer looks out towards the ocean as multiple colorful sailboats sail...

Utopian Foyer from Richard Heeps series A Short History of Milan, which began as a special project for the 2018 Affordable Art Fair Milan. It was well received and the artwork has be...

Unique Piece Original Polaroid Framed and Passepartout Evocative, sensual and voluptuous, Marc Lagrange's work celebrates beauty and pleasure. With a predilection for nudes and port...

Blue abstract photograph from Richard Heeps' series Trading Paint. Richard Heeps has a history of photographing Drag Racing in the UK, America and Europe. Trading Paint is a term tha...