George Platt Lynes

Orpheus #11 - Balanchine Ballet with Francisco Moncion and Nicholas Magallanes

1950

George Platt Lynes was lauded as one the world’s top commercial photographers in the first half of the 20th century, known for his portraits of important cultural figures, surreal fashion shoots and innovative use of lighting and evocative sets. However, in an era when homosexuality was considered a crime, Lynes had to keep secret his best work: erotic nude photographs of men.

Born in 1907 in New Jersey, Lynes attended the Berkshire School in Sheffield, Massachusetts, graduating in 1925. In his youth, Lynes had dreamed of becoming a writer. He published a literary journal and opened a bookstore, both of which were unsuccessful. When he inherited a trove of photographic equipment from a friend, Lynes turned his focus toward a career in photography.

Self-taught, Lynes proved to be a gifted talent behind the camera. His preternatural understanding of the interplay between light, shadow and form garnered critical acclaim. In 1932, Lynes had his first solo exhibition, at Leggett Gallery, followed by a two-artist show with photographer Walker Evans at Julien Levy Gallery. By 1933, Lynes became a central figure in New York photography, whose stylized technique was sought by magazines such as Harper’s Bazaar, Town Country and Vogue. 

In 1935, the American Ballet Company (now the New York City Ballet) commissioned Lynes to photograph their principal dancers and performances, leading to Lynes’s appointment as the company’s primary photographer for the next 20 years. 

While Lynes enjoyed immense success as a fashion and commercial photographer from the 1930s to the 1950s, he was secretly photographing male nudes — a subject considered highly taboo at the time. Fearing criminal reprisal, Lynes hid the photos and his sexual orientation from the public, sharing his work with a few select friends. Among them was Dr. Alfred Kinsey, founder of the Kinsey Institute, who, in the late 1940s, was researching human sexuality. Enthralled by Lynes’s figurative, black and white photos of the male form, Kinsey purchased more than 600 prints and several hundred negatives at the risk of prosecution.

After he was diagnosed with lung cancer, in 1955, Lynes destroyed many of his negatives and prints. However, he entrusted a sizeable volume of his male nudes to the Kinsey Institute, which today holds the largest collection of Lynes’s works, second only to the Lynes estate. In 2019, an exhibition of images culled from the Kinsey collection, “Sensual/Sexual/Social: The Photography of George Platt Lynes,” was held at the Indianapolis Museum of Art at Newfields. 

Long after his death, Lynes’s legacy has shaped the evolution of sexual and gender norms. His works are highly sought by galleries and collectors of modern and contemporary photography.

On 1stDibs, discover a range of George Platt Lynes photography.