Gregory Crewdson

Untitled (Production Still from Beneath the Roses )

2005

Ektacolor print mounted to museum board (Edition of 20) Signed in pencil, verso 30 x 40 inches, sheet 25.625 x 38.125 inches, image This photograph is offered by ClampArt, located in New York City. Philip-Lorca diCorcia...

Rabbits 2009 Signed and numbered, verso Archival pigment print 8 x 10 inches, sheet (Edition of 15) $1050.00 This work is offered by ClampArt in New York City.

Archival pigment print Signed and numbered, verso 30 x 36 inches 40 x 48 inches 48 x 60 inches (Total edition of 15) This artwork is offered by ClampArt, located in New York City. ...

From a portfolio of ten gelatin silver prints from original Meatyard negatives (1959-71) Printed April 1974 Edition of 130 Credit stamp, verso 6.5 x 7 inches, image 15 x 12 inches, mount This photograph is offered by ClampArt, located in New York City. “Madelyn Meatyard was an indulgent model. The role her husband usually chose for her was that of mother, posing with one or more of her three children. Here, he stations her before an arched window. The pious atmosphere created by this framing is contradicted by Madelyn’s everyday dress and by the dilapidated Venetian blinds behind her. Unlike a traditional religious icon, this Madonna gazes sternly into space, while her small child stands facing the maternal loins from which she sprang. Many photographers prior to Meatyard—such as Alfred Stieglitz, Edwards Weston and Harry Callahan—had produced series based on their beguiling wives.” —Judith Keller, Ralph Eugene Meatyard (London: Phaidon Press Limited, 2002), pp. 86-87 An optician by trade, Ralph Eugene Meatyard was a self-described “dedicated amateur” photographer. He pursued his own vision to produce an exquisitely enigmatic, widely admired body of work. Meatyard began taking photographs in 1950, roaming the backwoods and towns in Kentucky, experimenting with framing, multiple exposures, and blurring to produce haunting, abstracted images of natural and manmade environments. In the late 1950s, he began incorporating monstrous, oversized latex masks...

Untitled (Ray of Light) By Gerhard Richter 2001 Numbered in pencil, signed, and marked as a proof Signed 'Gregory Crewdson' (on a paper label affixed to the reverse) Digital col...

A colour coupler print by Gregory Crewdson executed sometime between 1992-1997. Matte opening is 36 × 45 inches and the photograph is 1/4 inch larger on each side. Overall frame size...

Early Morning, limited edition photograph, signed, archival pigment ink print A self-taught model maker and photographer, Tuschman painstakingly crafted miniature sets...

Working Morning, limited edition photograph, signed, archival pigment ink “Once Upon A Time In Kazimierz is a novella told in staged photographs. It portrays an episode in the life...