Jill Greenberg

160502 Painting 344

2020

2020 Signed on label, verso Ultrachrome ink on paper 77 x 58 inches Contact gallery for price. This work is offered by ClampArt in New York City.

2020 Signed on label, verso Ultrachrome ink on paper 77 x 58 inches Contact gallery for price. This work is offered by Clamp Art in New York City.

Ultrachrome ink on canvas Signed on label, verso This artwork is offered by ClampArt, located in New York City. Well known for her daring and experimental photographic portraits, Ji...

Ultrachrome ink on canvas Signed on label, verso This artwork is offered by ClampArt, located in New York City. Well known for her daring and experimental photographic portraits, Ji...

#2 from the Edition of 5 Signed and numbered Unframed With Certificate The artistic search of the author stems from the three dualisms of reality and abstraction, objectivity and p...

Calvert’s current paintings investigate the relationship between digital media and the reception and perception of images, and utilizes diverse technologies such as fresco, 3D modeling, AI and data manipulation through code. She is especially interested in the evolution of pictorial space. Today we view our screens and the world they occupy as a shallowly layered space of overlapping desktop windows. The picture plane has tilted up again from the flatbed to float in front of our eyes. Calvert’s paintings in turn depict an intermediate space, where the verticality of the still life paintings cohabitate with these digital panes. Dutch floral still life paintings encapsulate multiple concerns. Their subjects were botanical fantasies, emblems of an economic mirage that has contemporary corollaries. Most important to Calvert’s pictorial concerns, they depict ephemeral things in shallow and diagrammatic space - they are all foreground. They contain an abundance of visual information in overwhelming density, creating an allover resolution; a visual field that is equivalent to digital noise. By making painterly interventions into reproductions, Calvert attempts to dissolve the layer between the resolution of the source image and abstraction of the painted mark. ⎯⎯⎯⎯⎯ Tiffany Calvert has exhibited her work in the US and abroad including Lawrimore Project in Seattle, E.TAY Gallery in New York, the Speed Museum in Louisville and Cadogan Contemporary in London. Residencies include the Djerassi Resident Artists Program, I-Park, and ArtOmi International Arts Center where she received a Geraldine R. Dodge Fellowship. Calvert has received grants from the Great Meadows Foundation and the Pollock-Krasner Foundation. Her work was recently profiled by critic John Yau in the online journal Hyperallergic. Her curatorial projects include “Some Abstraction Occurs” at 65GRAND Gallery in Chicago and “Magic” at Mercer College (featuring work by Chris Martin, Karla Knight...

Conversations is an acrylic on canvas painting by Robert Standish, signed, titled and dated verso. The art is 40 x 30 inches canvas size and 41.25 x 31.25 inches framed. Framed in a ...

Interested in communicating ideas of history, place and nature in her painting practice, Jennifer Wolf utilizes natural dyes and minerals to feature a historically significant palett...