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Size: Small
Untitled (Nr. 0402) Photography 18" x 24" Edition 2/20 by Ben Cope
Located in Culver City, CA
Untitled (Nr. 0402) Photography 18" x 24" Edition 2/20 by Ben Cope Signed and numbered by the artist. Comes with COA issued by the artist. Unframed - ships rolled in a tube Ben Co...
Category

21st Century and Contemporary Contemporary Landscape Photography

Materials

Archival Pigment

"Beech Trees, Fernbank Forest, Atlanta, Georgia X 16" - Abstract Landscape
Located in Atlanta, GA
"Beech Trees, Fernbank Forest, Atlanta, Georgia X 16" is an abstract photograph with hues of pink and brown. Peter Essick is a photographer, author, speak...
Category

2010s Abstract Abstract Photography

Materials

Archival Pigment

The Flooded Forest - Black and White - Landscape Photography - Eliot Porter
Located in Atlanta, GA
'The Flooded Forest' is a black and white landscape photograph taken near the Chattahoochee River. Additional sizes are available. This listing is for an unframed print, edition 1/10...
Category

2010s Contemporary Landscape Photography

Materials

Paper, Archival Pigment

River Abstract - Black and White - Landscape Photography - Eliot Porter
Located in Atlanta, GA
'River Abstract' is a black and white landscape photograph taken near the Chattahoochee River. Additional sizes are available. This listing is for an unframed print, edition 1/10. Richard Skoonberg is inspired by the work of Eliot Porter...
Category

2010s Contemporary Landscape Photography

Materials

Paper, Archival Pigment

Rising Water - Black and White - Landscape Photography - Eliot Porter
Located in Atlanta, GA
'Rising Water' is a black and white landscape photograph taken near the Chattahoochee River. Additional sizes are available. This listing is for an unframed print, edition 1/10. Richard Skoonberg is inspired by the work of Eliot Porter...
Category

2010s Contemporary Landscape Photography

Materials

Paper, Archival Pigment

Greater Roadrunners - Limited Edition Color Photograph, Woman Artist, Birds
Located in Denton, TX
Greater Roadrunners by Cheryl Medow is a limited edition color photograph, featuring two roadrunners amidst a hazy landscape. The sand filled terrain with desert shrubs leads back to mountains in the distance. The two birds are alert, perhaps looking for their next meal or watching for approaching predators. Greater Roadrunners is listed as a 21 x 24 inch archival pigment print, with the image size measuring 16 x 20 inches. This size is available in an edition of 10. This photograph is signed and numbered in pencil, and blind stamp on print margin. It is also signed, titled, dated, and print type in pencil on print verso. Available in multiple sizes with varying edition sizes. *Frame not included Santa Barbara art photographer Cheryl Medow creates images that entice the viewer to enter her world, both real and imagined. Cheryl Medow's background in the arts is diverse, but interconnected. Medow studied ceramics at the famed Chouinard Institute and received a BA in Art from UCLA, concentrating on life drawing with charcoal and pastels. Continuing her art education, she studied printmaking at Hand Graphics in Santa Fe, New Mexico. With a wealth of materials and techniques, Medow layers her photographs and weaves them together to create visual narratives. There have been numerous articles written about her work. Avian Alchemy by Becca Cudmore was published by Audubon News/Culture on June 5, 2015, Proof. National Geographic - An Altered Reality by Becky Harlan...
Category

2010s Contemporary Landscape Photography

Materials

Archival Pigment

Snowmass Gathering, Colorado, Estate Edition, Mid-Century Modern Photograph
Located in Los Angeles, CA
This late 1960s portrait photograph, captured by society photographer Slim Aarons, features two women, wearing brightly-coloured skiwear, stand in the foreground of a group of people...
Category

1960s Realist Landscape Photography

Materials

Lambda

Oxen in the Rain, Portugal, Barcellos (1952)
Located in Lenox, MA
Ormond Gigli Gelatin Silver Print Printed by artist 17.75" x 20.5" Unique: $4725 Provenance: Printed by the artist, from the artist's studio Signature: Signed en verso ORMOND GIGLI Born New York City, 1925 Ormond Gigli became famous early on during the 1950s for his photographs of theatre, celebrities, dance, exotic persons & places. His work appeared prominently on covers & editorial pages of LIFE, TIME, PARIS MATCH, SATURDAY EVENING POST, COLLIERS, and other major international publications. Gigli's groundbreaking portraits include Sophia Loren (at age 21), Anita Ekberg, Marcel Duchamp, John F. Kennedy, Halston, Gina Lollobrigida, Diana Vreeland, Giancarlo Giannini...
Category

Mid-20th Century Black and White Photography

Materials

Silver Gelatin

"Untitled (Nr. 0457)" Landscape Photography 18" x 24" in Ed. 5/20 by Ben Cope
Located in Culver City, CA
"Untitled (Nr. 0457)" Landscape Photography 18" x 24" in Ed. 5/20 by Ben Cope Unframed - ships rolled in a tube Signed and numbered by the artist. Comes with COA issued by the arti...
Category

21st Century and Contemporary Contemporary Still-life Photography

Materials

Archival Pigment

Balloon over Cappadocia- Landscape Photograph
Located in Miami, FL
H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 1960s, sharing time at his log home...
Category

Early 2000s Landscape Photography

Materials

Archival Paper, Archival Pigment

"Untitled (Nr. 7933)" Back White Photography 18 x 24 in Ed. 1/20 by Rowan Daly
Located in Culver City, CA
"Untitled (Nr. 7933)" Back & White Photography 18 x 24 in Ed. 1/20 by Rowan Daly Signed and numbered by the artist Comes with COA issued by the artist Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the Grid Off the Grid is the culmination of a six-year photographic journey through Baja, Mexico. Ben Cope and Rowan Daly began their travels in 2014, working their way through the towns of la Salinas, Baja Mar, and Cantamar, down through Ensanada and la Bufadora. This series of photographs depicts the pair’s adventures and explorations. Off the Grid documents the textures, people, and places visited during this incredible journey. Ben Cope is a Los Angeles based portrait artist with a BFA in ceramic sculpture and photography from Columbus State University. He maintains a successful career with a diverse portfolio including fashion, editorial, celebrity portraiture and advertising. He is widely known for his celebrity and fashion portraiture, which has been published internationally in publications such as Harper’s Bazaar, Elle, GQ, The Work Magazine, Fucking Young, and l’Officiel, and has shot international campaigns for such clients as Adidas, L’Oréal, Paul Mitchell, and Vidal Sassoon. He has photographed Selena Gomez, Jennifer Lopez, David Lynch, Alex Rodriguez...
Category

21st Century and Contemporary Contemporary Landscape Photography

Materials

Archival Pigment

"Untitled (Nr. 1035)" Black White Photography 18 x 24 in Ed. of 20 by Ben Cope
Located in Culver City, CA
"Untitled (Nr. 1035)" Black & White Photography 18 x 24 in Ed. of 20 by Ben Cope Signed and numbered by the artist. Comes with COA issued by the artist. Unframed - ships rolled in a...
Category

21st Century and Contemporary Contemporary Black and White Photography

Materials

Archival Pigment

"Untitled (Nr. 0289)" Landscape Photography 18" x 24" Edition of 20 by Ben Cope
Located in Culver City, CA
"Untitled (Nr. 0289)" Landscape Photography 18" x 24" Edition of 20 by Ben Cope Signed and numbered by the artist. Unframed - ships rolled in a tube Ben Cope + Rowan Daly Off the...
Category

21st Century and Contemporary Contemporary Landscape Photography

Materials

Archival Pigment

Untitled (Nr. 0025) Photography 18" x 24" Edition of 20 by Ben Cope
Located in Culver City, CA
Untitled (Nr. 0025) Photography 18" x 24" Edition of 20 by Ben Cope Signed and numbered by the artist. Comes with COA issued by the artist. Unframed - ships rolled in a tube Ben C...
Category

21st Century and Contemporary Contemporary Landscape Photography

Materials

Archival Pigment

"Red Maple #1, Atlanta, GA" landscape photography - Ray Metzker
Located in Atlanta, GA
"Red Maple #1, Atlanta, GA" is a nocturne photograph of an urban tree featuring hues of green, yellow and purple. This listing is for a framed print. Additional unframed sizes are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker...
Category

2010s Contemporary Landscape Photography

Materials

Archival Pigment

"Dead Tree American Hornbeam, Atlanta, GA" landscape photography - Ray Metzker
Located in Atlanta, GA
"Dead Tree and American Hornbeam, Atlanta, GA" is a nocturne photograph of an urban tree featuring hues of green, blue and orange. This listing is for a framed print. Additional sizes are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker...
Category

2010s Contemporary Landscape Photography

Materials

Archival Pigment

The Water Carriers, 1921
Located in Los Angeles, CA
Edward S. Curtis The Water Carriers 1921 Photogravure Print 18 x 22 inches Vintage large format Curtis Portfolio Photogravure, Portfolio 12, Plate ...
Category

Early 20th Century Other Art Style Landscape Photography

Materials

Photogravure

Finding the Universe in Oaxaca, Red Band in the Universe
Located in San Francisco, CA
Gary Goldberg Finding the Universe in Oaxaca, Red Band in the Universe, 2018 Archival pigmented print 19 x 13 in Edition of 10 Gary Goldberg has been photographing the unique qualit...
Category

21st Century and Contemporary Abstract Landscape Photography

Materials

Archival Pigment

Helmeted Guineafowls
Located in Denton, TX
Edition of 10 Signed and numbered in pencil, and blind stamp on print margin by Cheryl Medow Signed, titled, dated, and print type in pencil on print verso by Cheryl Medow Paper size...
Category

2010s Contemporary Landscape Photography

Materials

Archival Pigment

"Post Oak #2, Atlanta, GA" landscape photography - Ray Metzker
Located in Atlanta, GA
"Post Oak #2, Atlanta, GA " is a nocturne photograph of an urban tree featuring hues of green, red, yellow and blue. This listing is for a framed print. Additional unframed sizes are available. Peter Essick is inspired by the work of Walker Evans, Ray Metzker...
Category

2010s Contemporary Landscape Photography

Materials

Archival Pigment

The River Calls - Black and White - Landscape Photography - Eliot Porter
Located in Atlanta, GA
'The River Calls' is a black and white landscape photograph taken near the Chattahoochee River. Additional sizes are available. This listing is for an unframed print, edition 1/10. ...
Category

2010s Contemporary Landscape Photography

Materials

Paper, Archival Pigment

River Bottom Near Santa Elena, Big Bend by Jack Ridley, 2012, Photography
Located in Denton, TX
River Bottom Near Santa Elena, Big Bend by Jack Ridley is a black and white archival pigment print. The image size is 16 x 20 inches and the paper size is 20 x 24 inches. This photograph features a detailed grassy landscape with foothills in the background. This photograph is signed and titled in pencil on print margin by the artist. The negative date and print date are written in pencil on print verso, as well as the artist stamp in black ink. "At least twice a year, Ridley ventures to Big Bend with his 8 x...
Category

21st Century and Contemporary Contemporary Landscape Photography

Materials

Archival Pigment

Bougainevillea Window- Landscape Photograph
Located in Miami, FL
H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 1960s, sharing time at his log home...
Category

2010s Landscape Photography

Materials

Archival Paper, Archival Pigment

Bodega Bay at Dusk, Original Landscape Photograph, 2017
Located in Boston, MA
Bodega Bay at Dusk, Original Landscape Photograph, 2017 19" x 10", California Landscape Photography Artist Commentary: After a portra...
Category

21st Century and Contemporary Landscape Photography

Materials

Photographic Paper

Secretarybirds by Cheryl Medow, 2020, Archival Pigment Print, Photography
Located in Denton, TX
Secretarybirds by Cheryl Medow is a 16 x 20 inch archival pigment print, with the sheet size measuring 21 x 26 inches. Available in an edition of 10. This photograph is signed and numbered in pencil, and blind stamp on print margin. It is also signed, titled, dated, and print type in pencil on print verso. This image is available in multiple sizes. Secretarybirds by Cheryl Medow depicts two large secretary birds in a green grassy field, dominating the landscape. A herd of zebras is seen in the background, with one looking over its shoulder at the towering birds. Santa Barbara art photographer Cheryl Medow creates images that entice the viewer to enter her world, both real and imagined. Cheryl Medow's background in the arts is diverse, but interconnected. Medow studied ceramics at the famed Chouinard Institute and received a BA in Art from UCLA, concentrating on life drawing with charcoal and pastels. Continuing her art education, she studied printmaking at Hand Graphics in Santa Fe, New Mexico. With a wealth of materials and techniques, Medow layers her photographs and weaves them together to create visual narratives. There have been numerous articles written about her work. Avian Alchemy by Becca Cudmore was published by Audubon News/Culture on June 5, 2015, Proof. National Geographic - An Altered Reality by Becky Harlan along with National Geographics Sunday Stills, Sunday, July 12, 2015 and an article in Inspire Adobe Photoshop For The Birds by Alyssa Coppelman in August. In 2016, Medow was included in the SLIDESHOW Night at the Annenberg Space for Photography in Century City, California. She received the Juror's Award at PhotoPlace Gallery in Middlebury Vermont for Great Blue Heron With Chicks Revisited and her print will be exhibited from March 23 through April 22 and White Ibis With Fish will be part of the Online Gallery Annex at PhotoPlace. Medow was a finalist in the 89th Annual International Competition at The Print Center in Philadelphia given the Olcott Family Award. She is also a finalist at the LensCulture Earth Awards 2015. In 2015, Medow's images were exhibited at The G2 Gallery in Venice, CA and at Flock: Birds On The Brink / Ganna Walksa Lotusland, curated by Nancy Gifford...
Category

2010s Contemporary Landscape Photography

Materials

Archival Pigment

Buffalo Bayou
Located in Denton, TX
Edition of 25 Titled, dated and numbered in black ink on print margin. Paper size: 16 x 20 in. Image size: 11 1/2 x 16 3/4 in.
Category

1980s Contemporary Landscape Photography

Materials

C Print

Buffalo Bayou
Buffalo Bayou
$1,000 Sale Price
33% Off
"Walking Line in New Mexico" - Figurative Landscape Photography - Goldsworthy
Located in Atlanta, GA
"Walking Line in New Mexico" is a figurative landscape photograph with hues blue, red, and brown. Born in Philadelphia, Andrew Herzog is a multi-disciplinary artist and designer currently working in New York City. Herzog creates a variety of works that explore the relationship between the viewer and the artist with themes of accessibility and prioritized sight, often taking the form of photographs, books, films, site-specific sculptures and interactive performances, objects and drawings. Herzog defines “prioritized sight” as how we choose, consciously or unconsciously, the things we see; what we engage or empathize with; and what we understand or misinterpret, with varying degrees of implication. Herzog received an MA in Graphic Design from the Savannah College of Art and Design. He was the co-founder and partner at the design and technology studio HAWRAF, and led projects at the Google Creative Lab focusing on AI, creative tools and accessibility. Also, Herzog is adjunct professor at the School of Visual Arts in New York. Herzog has lectured and exhibited works at the A4 Art Museum, Chengdu, Sichuan, China; The Franklin Institute, Philadelphia, PA; Q21 MuseumsQuartier Wien, Vienna, Austria; and The National Museum of Art of Romania; among others. Andrew Herzog is inspired by the work of Andy Goldsworthy, Olafur Eliason, and Francis Alÿs...
Category

2010s Contemporary Figurative Photography

Materials

Inkjet

HAC Brummett Lawyer, Dickens, Texas, from On The Plains
Located in Denton, TX
Edition of 25 Signed and numbered by Peter Brown. On The Plains (1999) Available in additional sizes, limited to a single edition of 25 prints: 16 x 20 in. $2300 20 x 24 in. $2900 28 x 35 in. $4600 32 x 40 in. $5800 36 x 45 in. $6300 Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University...
Category

1980s Contemporary Landscape Photography

Materials

Inkjet

"We Are Particles (part 1)" Photography 16" x 20" in Ed. of 36 by Rob Woodcox
Located in Culver City, CA
"We Are Particles (part 1)" Photography 16" x 20" in Ed. of 36 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2019 ABOUT Rob Woodcox Rob Woodcox is a fine art ...
Category

21st Century and Contemporary Contemporary Landscape Prints

Materials

Archival Paper

Portal - Black and White - Landscape Photography - Eliot Porter
Located in Atlanta, GA
'Portal,' is a black and white landscape photograph taken near the Chattahoochee River. Additional sizes are available. This listing is for an unframed print, edition 1/10. Richard Skoonberg is inspired by the work of Eliot Porter...
Category

2010s Contemporary Landscape Photography

Materials

Paper, Archival Pigment

"Statue of Liberty" a limited edition from Coney Island, 1974
Located in New York, NY
18"x24" limited edition historic photograph, edition 1/5. This photograph depicts ... Phillip Buehler is a New York based photographer who documents the deterioration and remnants o...
Category

2010s Contemporary Landscape Photography

Materials

Photographic Paper

"Evolution Of Jump" Photography 20" x 20" inch Ed. 1/36 by Rob Woodcox
Located in Culver City, CA
"Evolution Of Jump" Photography 20" x 20" inch Ed. 1/36 by Rob Woodcox Hahnemuhle Torchon Matte FineArt Paper (archival) 2018 COA issued by the artist ABOUT Rob Woodcox...
Category

21st Century and Contemporary Contemporary Landscape Photography

Materials

Archival Paper

"Inception" Black White Photography 24" x 24" in Ed. 2/15 by Olha Stepanian
Located in Culver City, CA
"Inception" Black & White Photography 24" x 24" in Ed. 2/15 by Olha Stepanian Printed on Epson Professional Paper Signed and numbered by the artist Comes with COA issued by the arti...
Category

21st Century and Contemporary Surrealist Black and White Photography

Materials

Photographic Paper

The Bodyguards - Signed limited edition contemporary print, Black white, Actress
Located in Sant Cugat del Vallès, Barcelona
' The Bodyguards ' - Signed limited edition archival pigment print - Edition of 5 Cannes Film Festival 2016, France This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and lignin-free paper, Museum quality paper for highest age resistance and a popular alternative to analogue baryta paper). The inks used are also known for their longevity. Signed + numbered by artist with certificate of authenticity. Archival pigment print available sizes : 40 x 27 cm / 15,75 x 10,63 in - Edition of 10 60 x 40 cm / 23,62 x 15,75 in. - Edition of 5 Laurent Campus...
Category

2010s Contemporary Black and White Photography

Materials

Archival Paper, Black and White, Giclée, Pigment, Archival Pigment

"Construction Site (Roof), Stone Mountain, Georgia X 36" - Composite Photography
Located in Atlanta, GA
"Construction Site (roof), Stone Mountain, Georgia X 36" is a composite photograph featuring hues of golden yellow, grey and blue. Peter Essick is inspired by the work of Walker Evan...
Category

2010s Contemporary Abstract Photography

Materials

Archival Pigment

Horses - Signed limited edition animal print, Black white photo, Contemporary
Located in Sant Cugat del Vallès, Barcelona
Horses -Fine Art Limited edition archival pigment print - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm , Acid-free and...
Category

1990s Contemporary Black and White Photography

Materials

Photographic Film, Archival Paper, Black and White, Giclée, Pigment, Arc...

"Construction Site, Atlanta, Georgia X 36" - Composite Image Photography Cubism
Located in Atlanta, GA
"Construction Site, Atlanta, Georgia X 36" is an abstract photograph with several hues of grey. Peter Essick is a photographer, author, speaker, instructor, and drone pilot who spec...
Category

2010s Abstract Abstract Photography

Materials

Archival Pigment

"Walking Line in the Valley in Crimora" - Landscape Photography - Goldsworthy
Located in Atlanta, GA
"Walking Line in the Valley in Crimora" is a figurative landscape photograph with hues blue, red, and brown. Born in Philadelphia, Andrew Herzog is a multi-disciplinary artist and designer currently working in New York City. Herzog creates a variety of works that explore the relationship between the viewer and the artist with themes of accessibility and prioritized sight, often taking the form of photographs, books, films, site-specific sculptures and interactive performances, objects and drawings. Herzog defines “prioritized sight” as how we choose, consciously or unconsciously, the things we see; what we engage or empathize with; and what we understand or misinterpret, with varying degrees of implication. Herzog received an MA in Graphic Design from the Savannah College of Art and Design. He was the co-founder and partner at the design and technology studio HAWRAF, and led projects at the Google Creative Lab focusing on AI, creative tools and accessibility. Also, Herzog is adjunct professor at the School of Visual Arts in New York. Herzog has lectured and exhibited works at the A4 Art Museum, Chengdu, Sichuan, China; The Franklin Institute, Philadelphia, PA; Q21 MuseumsQuartier Wien, Vienna, Austria; and The National Museum of Art of Romania; among others. Andrew Herzog is inspired by the work of Andy Goldsworthy, Olafur Eliason...
Category

2010s Contemporary Figurative Photography

Materials

Inkjet

West Texas: Ocotillo in Bloom, Mule Ears Peaks, Big Bend National Park
Located in Denton, TX
West Texas: Ocotillo in Bloom, Mule Ears Peaks, Big Bend National Park by Peter Brown is listed 13 1/2 x 20 inch archival pigment print, with the paper size as 18 x 22 inches. This photograph is signed and numbered in black ink on print margin by Peter Brown. This size is available in an edition of 25, with more sizes available. This photograph is from Peter Brown series, Hometown Texas. West Texas: Ocotillo in Bloom by Peter Brown depicts a desert landscape lit by the setting sun, with the Mule Ears Peaks at Big Bend National Park in the background. Peter Brown attended Stanford University (BA English, MFA Photography) and has taught in the art departments at Rice and at Stanford. He has exhibited and published his work widely. His photographic awards include the Dorothea Lange – Paul Taylor Prize (with Kent Haruf) from the Duke Center for Documentary Studies; an Alfred Eisenstaedt Award for a photo-essay published in DoubleTake; an Imogen Cunningham Award for his portfolio Seasons of Light; a graduate fellowship from the Carnegie Foundation; an Artist’s Fellowship from the National Endowment for the Arts; an Artist’s Grant from the Cultural Arts Council of Houston and a publication grant from the Graham Foundation. His book On the Plains won the Fred Whitehead Award from the Texas Institute of Letters. He presently is photographing the Llano Estacado of Texas and New Mexico under a grant from the Southwest Collection at Texas Tech University and the central high plains in a collaboration with the novelist Kent Haruf. His book with Haruf, West of Last Chance, will be published by W.W. Norton in January 2008. His photographs are in many public, private, university and corporate collections, including those of the Museum of Fine Arts and the Menil Collection in Houston, the Museum of Modern Art in New York, the San Francisco Museum of Modern Art, the Los Angles County Museum of Art and the J. Paul Getty Museum in Los Angeles, the Amon Carter Museum in Fort Worth, the Santa Barbara Museum of Art, the Stanford University Museum of Art, the Rice University Collection, The Humanities Research Center at the University of Texas Austin, the Sheldon Museum at the University of Nebraska, the Spencer Museum at the University of Kansas, the Snipe Museum at Notre Dame, and the University of Kentucky Museum of Art, among many others. His work has been exhibited in one man and group shows in museums and galleries in this country and abroad. Among others: The Museum of Modern Art in New York; The Museum of Fine Arts and the Contemporary Arts Museum in Houston; The San Francisco Museum of Modern Art; The Amon Carter Museum in Fort Worth and the Los Angeles County Museum of Art. His first book Seasons of Light, consisted of photographs of interior scenes with Brown’s short prose pieces, and was published with an afterword and poetry by Denise Levertov by Rice University Press in 1988. It was excerpted in American Photographer. His second, On The Plains, dealt with the open landscape and small towns of the western plains. Published with an introduction by Kathleen Norris by W.W. Norton, On the Plains was excerpted in DoubleTake, LIFE, The New Yorker, Aperture and Texas Monthly. His forthcoming book West of Last Chance, will be excerpted in Harpers, Texas Monthly and 5280. His work has also appeared in Dwell, House and Garden, Landscape Architecture, Duke, Stanford, Popular Photography, American Photographer, FotoMetro, Southwest Art, American Cowboy and other magazines - as well as on the covers of books by Annie Proulx, Jane Smiley...
Category

21st Century and Contemporary Contemporary Color Photography

Materials

Archival Pigment

3 Trees-Signed limited edition nature print, Black white photo, Misty tree Field
Located in Sant Cugat del Vallès, Barcelona
3 Trees - Signed limited edition archival pigment print, France - Edition of 5 This image was captured on film in 1996. The negative was scanned creating a digital file which wa...
Category

1990s Contemporary Landscape Photography

Materials

Archival Paper, Archival Pigment, Black and White, Photographic Film, Pi...

La Défense 1- Signed limited edition cityscape print, Contemporary architecture
Located in Sant Cugat del Vallès, Barcelona
La Défense 1 - Signed limited edition archival pigment print, 2004 - Edition of 5 Paris, France This print that is being offered is a high-quality Archival Pigment print whi...
Category

Early 2000s Contemporary Black and White Photography

Materials

Archival Paper, Archival Pigment, Black and White, Giclée, Pigment

La Défense 2- Signed limited edition architecture print, Black white cityscape
Located in Sant Cugat del Vallès, Barcelona
La Défense 2 - Signed limited edition archival pigment print, 2004 - Edition of 5 This is an Archival Pigment print on fiber based paper ( Hahnemühle Photo Rag® Baryta 315 gsm...
Category

Early 2000s Contemporary Black and White Photography

Materials

Archival Paper, Archival Pigment, Black and White, Giclée, Pigment, Phot...

Haystacks- Landscape Photograph
Located in Miami, FL
H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 1960s, sharing time at his log home...
Category

2010s Landscape Photography

Materials

Archival Paper, Archival Pigment

Cloud Revelation- Landscape Photograph
Located in Miami, FL
H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 1960s, sharing time at his log home...
Category

2010s Landscape Photography

Materials

Archival Paper, Archival Pigment

Golden Cabin- Landscape Photograph
Located in Miami, FL
H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 1960s, sharing time at his log home...
Category

2010s Landscape Photography

Materials

Archival Paper, Archival Pigment

Blue Ridge Parkway Pullover- Landscape Photograph
Located in Miami, FL
H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 1960s, sharing time at his log home...
Category

2010s Landscape Photography

Materials

Archival Paper, Archival Pigment

Surf’s Up II- Landscape Photograph
Located in Miami, FL
H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 1960s, sharing time at his log home...
Category

Early 2000s Landscape Photography

Materials

Archival Paper, Archival Pigment

Gazebo, Reflection Pond I- Landscape Photograph
Located in Miami, FL
H-Allen Benowitz is a self-taught photographer, born and raised in Brooklyn, NY, and a graduate from the Interboro Institute of Business in Manhattan, migrated to Miami, FL in the 1960s, sharing time at his log home...
Category

2010s Landscape Photography

Materials

Archival Paper, Archival Pigment

Sunset over the Central Park Reservoir
Located in Boston, MA
Artist Commentary: One of my favorite shots from New York City. As a child I never spent much time exploring central park. It has now become one of my favorite places to spend time...
Category

21st Century and Contemporary Landscape Photography

Materials

Photographic Paper

"Blue-winged Warbler"
Located in New York, NY
22" x 17" edition of 7 + 2 AP $1,400 unframed 36" x 24" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category

2010s Contemporary Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

"Clark s Nutcracker"
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category

2010s Contemporary Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

"Sandhill Crane"
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category

2010s Contemporary Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

"Tri-colored Heron"
Located in New York, NY
22" x 17" edition of 7 + 2 AP $1,400 unframed 36" x 24" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category

2010s Contemporary Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

"Pine Siskin"
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category

2010s Contemporary Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

"Pine Siskin"
$1,120 Sale Price
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"White-throated Sparrow"
Located in New York, NY
17" x 22" edition of 7 + 2 AP $1,400 unframed 24" x 36" edition of 7 + 2 AP $2,800 unframed Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I photograph paper cutouts (from appropriated online images) of climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images are meant to disrupt the casual gaze, disarming the expectations of nature photography, leaving viewers disturbed and curious. Divergence of Birds (2017-current) A large-scale, long-term, multimedia conceptual project about the threat of species extinction on birds in North America . My current climate project, Divergence of Birds, takes inspiration from two texts: The Audubon Society’s “Birds and Climate Change Report” which projects that, by 2080, climate change will affect the range of habitat of over half of North American birds; and Phillip K. Dick’s 1968 novel, “Do Androids Dream of Electric Sheep?” where electric versions of once-commonplace animals are so realistic that they fool even veterinarians. Divergence of Birds addresses the prospect that, one day, only simulacra of climate-impacted animals will be left. Combining the documentary style of my previous climate project, The Witness Tree, with my earlier narrative fictional approach, I’m photographing paper cutouts (from appropriated online photos) of the nearly 400 climate-threatened birds. I place the cutouts within the birds’ current habitats so that they look real, but upon inspection, reveal themselves to be photos within photos—the gaze within the gaze upon nature—as actual birds recede into marginal zones of survival. The images disrupt the casual gaze, disarming expectations of nature photography leaving viewers disturbed and questioning. Audiences will then be invited, through interactive workshops, to participate in climate activism. The full project when completed will include over 400 photos representing the climate-threatened birds, video, soundscape, "memento mori" images in vintage photo cases...
Category

2010s Contemporary Landscape Photography

Materials

Archival Ink, Archival Paper, Archival Pigment

Knot - Photography, Digital C Print
Located in London, GB
Armin Amirian Knot, 2017 Archival Digital C Print 28.12 x 50 cm 11 1/8 x 19 3/4 in Edition of 7 plus 1 AP (#4/7)
Category

2010s Contemporary Color Photography

Materials

C Print, Digital

Hong Kong Skyline at Night, Original Cityscape Photography, 2017
Located in Boston, MA
Hong Kong Skyline at Night, Original Cityscape Photography, 2017 19" x 10" Artist Commentary: Hong Kong must be experienced to be believed. Growing ...
Category

21st Century and Contemporary Landscape Photography

Materials

Photographic Paper

Borneo 7: urban city architecture landscape in dark night, Southeast Asia
Located in Bryn Mawr, PA
This photograph is from among Vincent Dixon's series created in Borneo, Myanmar, Paris, Pushkar, Los Angeles, New York, London, Miami, Berlin, Buenos Aires, Milan, Barcelona, Madrid,...
Category

2010s Realist Color Photography

Materials

Photographic Paper, Archival Pigment

Borneo 3: photograph of urban city architecture with graffiti, Southeast Asia
Located in Bryn Mawr, PA
This photograph is from among Vincent Dixon's series created in Borneo, Myanmar, Paris, Pushkar, Los Angeles, New York, London, Miami, Berlin, Buenos Aires, Milan, Barcelona, Madrid,...
Category

2010s Realist Color Photography

Materials

Photographic Paper, Archival Pigment

Blue Mosque, Mazar I Sharif, Afghanistan, 1991 - Steve McCurry
Located in London, GB
Blue Mosque, Mazar I Sharif, Afghanistan, 1991 - Steve McCurry Signed and numbered on photographer's edition label on reverse Digital c-type print 20 x 24 inches Edition of 60 ...
Category

1990s Photography

Materials

C Print

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