David Halliday

Corn Crib

1998

Chromogenic print Signed, dated, and numbered, l.r. This photograph is offered by ClampArt, located in New York City. Megan Cump writes: My photographs fuse performative elements w...

Toned gelatin silver print Signed and numbered in pencil, verso 15 x 15 inches (Edition of 10) 30 x 30 inches (Edition of 3) From the series, "American Homes" This artwork is offered by ClampArt, located in New York City. Please note that prices increase as editions sell. Ion Zupcu writes: “The houses showcased in this series illustrate the spirit and evolution of common houses found throughout North American neighborhoods from the past four centuries. They represent a range of homes from Folk Houses to McMansions. The development of these styles is a reflection of our ever-changing taste and sensibility. "The photographs in ‘American Homes’ are the result of my passion and investigation for architecture, structure, and light. My experience with three-dimensional forms has created a fluid transition into a deeper understanding of the history and design of American homes. "Through a collaborative process, architectural models were carefully selected, designed, and constructed for these photographs with architect Tagore Hernandez. During the iterative processing beginning with detailed models, I became aware that what captivated me the most about domestic homes was their outline and form. Initial detail models were stripped down, recreated, and presented in a way that allowed their sculptural forms to emerge. "All the houses are put on the stage before the public. These houses are not landmarks, they are icons of the places in which we sleep, eat, and raise our families. I have lived with my wife and daughter in a Shed Modern home for the past seven years in Upstate New York.” Ion Zupcu first explored his interest in photography by working in a studio in Romania when he was a young man. A few years later, after getting married and having his first child, Zupcu found himself spending long hours caring for his daughter. With a desire to continue pursuing his interest in photography, he began shooting still-life compositions at home with vases and flowers. It was during this time that he also began researching the work of early 20th-century Modernist photographers in depth, which ultimately influenced his aesthetic a great deal. In 1991 Zupcu moved to New York City to start a new life for himself. His first job was driving a yellow taxi...

Toned gelatin silver print Signed and numbered in pencil, verso 15 x 15 inches (Edition of 10) 30 x 30 inches (Edition of 3) From the series, "American Homes" This artwork is offe...

Toned gelatin silver print Signed and numbered in pencil, verso 15 x 15 inches (Edition of 10) 30 x 30 inches (Edition of 3) From the series, "American Homes" This artwork is offe...

Edition of 10 Signed, titled, dated and numbered From the series Huts Sepia toned gelatin silver print

available unframed, signed on reverse by the artist, edition of 5 From the series: "The Hundred Acre Wood" This photograph depicts a scene created completely out of paper, the artist lights the white paper to create organic colors and a realistic sense of luminosity to the landscapes he is depicting. This piece narrates a scenario in which early morning light illuminates a grain elevator...

Signed lower right, numbered 8/100 lower left. Label on verso with title- Barn- Bushnell Farm, Saybrook CT 2013, printed 2014. The old weathered barn on...

9.25 x 12 inches (sheet), 8.75 x 12 inches (block) Linoleum block print on laid paper Framed 16 x 18.88 in Signed to lower margin