Edie Winograde

“Western states 2” Color Landscape Photograph, River Rocks

2020

This photograph captures an atmospheric misty sky in a soft blue grey, with undertones of pink coming from the sun, just beyond the clouds. There is just a hint of the edge of the m...

A deep blue sky with amber clouds reflect the red rock tones in this western landscape photograph. Edie Winograde captures an ambient feel to this landscape and relates the idea of ...

16"x24" photograph, edition of 5 (dye sublimated print on aluminum) signed on reverse The beauty of Zoe Wetherall's work is in the structured geometry...

This limited edition photograph captures the beauty in the destructive force of nature. Light streaming through smoke, creates a painterly effect in this dramatic composition of dar...

‘Rock in Creek' by Mike Grandmaison Sioux Narrows, Ontario. Canada I like the simplicity of this scene – just a rock surrounded by colorful water from the nearby autumn-colored ...

In this series the artist found that the rocks were so round that they looked like prehistoric holes, each one telling a story and reflecting a bit of her soul. Mauricio Velez's pho...

1981, Chromogenic Print. It is supposed to be signed lower right recto but has not been examined out of frame. Provenance: Bernice Steinbaum Gallery, New York; ARCO Chemical Company, Newtown Square, PA. Sonja Bullaty (October 17, 1923 - October 5, 2000) was a Jewish American photographer. Bullaty is known for her "lyrical composition" and strong use of color during her fifty-year collaboration with her husband, Angelo Lomeo. Bullaty and Lomeo's photographs appeared in LIFE, Time and Audubon magazines and journal.They have both exhibited at the Metropolitan Museum of Art, the International Center of Photography, the George Eastman House, UMPRUM Museum in Prague, in the Nikon House galleries and other venues. Bullaty was born in Prague to a Jewish banking family. Her family gave her a camera when she turned fourteen. Since Bullaty had been forced to leave school at the time, the camera was a "consolation gift." When Bullaty was eighteen, she was deported by the Nazis to Poland, where she was kept in the Lodz ghetto, and then later taken to Auschwitz and Gross-Rosen concentration camps. During a death march near Dresden, she and a friend successfully hid in a barn and were able to escape and return to Prague. When she got back to her home city, she discovered that no one else in her family had survived the Holocaust. Bullaty, "her head shaved," saw and answered an advertisement to be the helper to Czech photographer, Josef Sudek. As his assistant, she mixed chemicals for the darkroom, organized his negatives and learned from his sense of composition.[1] Sudek called her his "apprentice-martyr." Sudek's work often focused on the Czech landscape and windows, such as in the series The Windows of My Studio (1940-1954). Bullaty also photographed windows, but unlike Sudek, who photographed his own windows looking out, Bullaty photographed windows looking into buildings. Bullaty published a book, Sudek (1978), about her mentor, and it was the first publication of his work in the West. Bullaty found work with a photographer on her third day in New York. Also in 1947, she met Angelo Lomeo. They were brought together when she was inquiring about a darkroom in a building he managed. Lomeo was intrigued by Bullaty's accent and went to see her. They started photographing together a year later, traveling and sharing resources; during their time together, they became close. Bullaty and Lomeo were married in 1951. Later, when she was married, she and her husband would visit Sudek and bring him photography supplies. They visited him in Czechoslovakia "almost yearly." In 1971, she helped mount an exhibition of Sudek's work in New York. As photographers, Bullaty and Lomeo started using studio cameras...

In this series the artist found that the rocks were so round that they looked like prehistoric holes, each one telling a story and reflecting a bit of her soul. Mauricio Velez's pho...