Larry Humphrey

Mauve Toned Photograph of Freidman s Grocery in Miami Beach

2000 s

Shipping should be around $100 Signed, Dated, number Lower left recto, unframed, 3/15 other size available, printed later Mitchell Funk is a pioneer of " Color Photography" In 1970 h...

Dazzling colors express the fun and exciting night light of the famous tropical beach resort Signed dated lower right, numbered on lr recto. 3/15 printed later, unframed. other siz...

Chromogenic print Printed on Hahnemühle Fine Art paper 40 × 60 in 101.6 × 152.4 cm Other size available. - 29 x 43 Ed: 3/15 Dazzling colors express the fun and exciting night li...

The Chrysler Building's spire is captured rising from behind a skyscraper on Third Avenue in New York City. It is framed perfectly within the upper left-hand quadrant of the picture ...

The close-up of the Art Deco spire of the Chrysler Building is depicted majestically rising into a mood sepia sky. Looking at this work is an uplifting experience. It not only pleas...

Street Photographer Mitchell Funk captures the vitality and energy of New York City's classic Art Deco skyscraper, The Chrysler Building. It glows in pink, magenta, and crimson on ...

Veteran Photographer Mitchell Funk creates a vibrantly expressive image of Miami Beach's Ocean Drive. The blur color and punchy red sky and bleeding Art Deco Neon signs are the visu...

Airstream trailer outside of 29 Palms (Sidewinder) - 2005 50x48cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and Certificate. A...

THIS PIECE IS AVAILABLE FRAMED. Please reach out to the gallery for additional information. ABOUT THIS ARTIST: Desert born and raised, fashion photographer Natasha Wilson has had ...

Listing includes free shipping for unframed prints in the continental U.S. and a 14 day return policy. Jim Krantz Epic Western No. 38, 2020 40 x 60 inch chromogenic print Edition 5 of 7 Krantz occupies a unique place in the history of contemporary art for his imagery blending western landscape photography with the figure of the cowboy as depicted and romanticized in American popular culture. The technical underpinning of his work was established when he studied with Ansel Adams and Paul Caponigro, but perhaps more importantly, Krantz’s work reflects a dictum that he learned from Adams: “Technical proficiency leads to artistic freedom.” His range and versatility are his forte, working with ease in demanding and ever-changing conditions. If Krantz’s work looks familiar, it is not surprising. Krantz, had been documenting the cinematic vistas of the American West for 20 years on commercial assignments and these much published images caught the eye of appropriation artist, Richard Prince, known for re-photographing advertisements and presenting the resulting images in a new “conceptual” context. Prince’s most famous series is his large scale reproductions of the cowboy images...