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Medium: Photographic Paper
Artist: Stefanie Schneider
Untitled (Into the Sun) - Contemporary, Polaroid, Photography
Located in Morongo Valley, CA
Untitled (Into the Sun) - 2001
48x47cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory No. 1302.
N...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled (Into the Sun) - Contemporary, Polaroid, Photography
Located in Morongo Valley, CA
Untitled (Into the Sun) - 2001
48x47cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory No. 1304.
N...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled (Into the Sun) - Contemporary, Polaroid, Photography
Located in Morongo Valley, CA
Untitled (Into the Sun) - 2001
48x47cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inventory No. 1328.
N...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
For What I’ve Lost (The Girl...) - including the book
A Half Forgotten Dream
Located in Morongo Valley, CA
For What I’ve Lost (The Girl Behind the White Picket Fence) - 2013
Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by S...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Into the Sun (Stranger than Paradise)
Located in Morongo Valley, CA
Into the Sun (Stranger than Paradise) - 2008
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Invent...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Palm Springs E-Type (Californication) - Polaroid, Jaguar, vintage, contemporary
Located in Morongo Valley, CA
Palm Springs E-Type (Californication) - 2021
20x20cm.
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Certificate and Signature label.
Artist Invento...
Category
1990s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Leaving (Strange Love)
Located in Morongo Valley, CA
Leaving (Strange Love) - 2005
20x30cm, Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on a 35mm film.
Signature label and certificate.
Not mounted.
Stefanie Schneid...
Category
2010s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, Black and White, C Print, Polaroid
Leaving (Strange Love)
Located in Morongo Valley, CA
Leaving (Strange Love) - 2005
20x30cm, Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on a 35mm film.
Signature label and certificate.
Not mounted.
Stefanie Schneid...
Category
2010s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, Black and White, C Print, Polaroid
Palm Springs Palm Trees (Californication) - Polaroid
Located in Morongo Valley, CA
Palm Springs Palm Trees (Californication) - 2021
50x50cm.
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on a Polaroid.
Certificate and Signature label.
Artist Inventory Number 23820.
Not mounted.
Schneider harnesses the unpredictable chemical mutations of expired Polaroid film, where bursts of color erupt across the surface, destabilizing the photograph's traditional allegiance to reality. These vivid distortions draw her characters into ethereal, trance-like dreamscapes. Like fleeting sequences from a vintage road movie, Schneider’s images shimmer with a transitory quality, dissolving before any definitive conclusions can be drawn. Their ephemeral essence is conveyed through subtle gestures and enigmatic motives. Refusing to yield to the constraints of reality, Schneider’s work keeps alive a delicate interplay of dream, desire, fact, and fiction, blurring the boundaries between them with poetic ambiguity.
Stefanie Schneider’s work echoes the heart of American art, channeling the cinematic nostalgia of Ed Ruscha’s roadscapes, the stark sensuality of Georgia O’Keeffe’s deserts, and the haunting solitude of Edward Hopper’s paintings...
Category
1990s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Spartan Trailers (American Depression) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
Airstream Trailers (American Depression) - 2017
20x24cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Invent...
Category
2010s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Riviera (Malibu)
Located in Morongo Valley, CA
Riviera (Malibu) - 2004
50x50cm.
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Artist inventory Number 668.
Not mounted.
Stefanie Schneider’s w...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Burning Car (Stay) 20x20cm - 21st Century, Polaroid, Contemporary, Color
Located in Morongo Valley, CA
A piece of art from the movie 'Stay' by Stefanie Schneider
Stefanie created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc Forster. S...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Silence (Deconstructivism) - Contemporary, Expired Polaroid
Located in Morongo Valley, CA
The Silence (Deconstructivism) - 2020
- about the narrative potential of images.
20x20cm,
Edition of 10,
Archival C-Print, based on the Polaroid,
Artist Inventory 1903.
Signatur...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Blue Cadillac (29 Palms, CA) - Polaroid, Cadillac, Vintage, 20th Century, Color
Located in Morongo Valley, CA
Blue Cadillac (29 Palms, CA) - 1999
68x90cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid,
Certificate and Signature label.
Artist Inventory #607....
Category
20th Century Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled Sequence (Stranger than Paradise) - Polaroid, Landscape Photography
Located in Morongo Valley, CA
Untitled (Cowboys and Angels), 2005
50x39cm, Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
artist Inventory No. 2779.
Not mounted.
M...
Category
2010s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Fountain (Suburbia) analog - 21st Century, Contemporary, Polaroid, Color
Located in Morongo Valley, CA
Fountain (Suburbia) - 2004
60x80cm,
Edition of 5,
analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper,
matte surface, based on the Polaroid.
Signature Label...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
12121 Amboy Road (California Badlands) - Contemporary, Polaroid, Landscape
Located in Morongo Valley, CA
12121 Amboy Road (California Badlands) - 2010
20x24cm,
Edition of 10,
Archival C-Print, based on a Polaroid.
Certificate and Signature label.
Artist Inventory No. 10914.
Not mount...
Category
2010s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Peacocks in Love (Stay) - Polaroid, 21st Century
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay', featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie Sc...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Vacant (California Badlands) - Contemporary, 21st Century, Polaroid, Landscape
Located in Morongo Valley, CA
Vacant (California Badlands) - 2010
20x24cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory No. 10952.
Not mounted.
Ste...
Category
2010s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Rosegarden #01 (Suburbia), diptych - 21st Century, Contemporary, Color, Polaroid
Located in Morongo Valley, CA
Rosegarden #01 (Suburbia), diptych - 2004
20x24cm each, 20x52cm installed.
Edition of 10,
Archival C-Print, matte surface, based on the Polaroid,
Signature Label and Certificate,...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Venice II (Stranger than Paradise) - analog, vintage print
Located in Morongo Valley, CA
Venice II (Stranger than Paradise) - 1999
43x59cm,
Edition of 3/5.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Signature Label and Certificate.
Artist Invent...
Category
1990s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Nadia running (Stranger than Paradise) - analog, vintage print
Located in Morongo Valley, CA
Venice from the Sea (Stranger than Paradise) - 1998
43x59cm,
Edition of 5.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Signature Label and Certificate.
Artis...
Category
1990s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Big Blue (Californication) - Polaroid, Contemporary, Color
Located in Morongo Valley, CA
The Big Blue (Californication) - 2019
78x77cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory Num...
Category
2010s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
I wie Ikarus (Zuma Beach) - triptych - analog vitage prints, mounted
Located in Morongo Valley, CA
I wie Ikarus (Zuma Beach) -
Edition 1/10,
43x49cm each, installed with gaps (depending on installation) 80x240cm,
3 analog C-Prints, hand-printed by the artist, based on the 3 Po...
Category
1990s Contemporary Photographic Paper Landscape Photography
Materials
Metal
Crossfire (Californication) - Polaroid, Contemporary, Color
Located in Morongo Valley, CA
Crossfire (Californication) - 2019
50x50cm, sold out Lumas Edition of 150,
available Artist Proof 4/5, 5/5.
Archival C-Print, based on the Polaroid.
Certificate and Signature lab...
Category
2010s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
In between Time (Strange Love) - Polaroid, New York, Empire State, Color
Located in Morongo Valley, CA
In between Time (Strange Love) - 2005
20x20cm, Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No. ...
Category
2010s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Desert Living (California Dreaming) - Contemporary, 21st Century, Polaroid
Located in Morongo Valley, CA
Desert Living (California Dreaming) - 2017
40x48cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Invento...
Category
2010s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Manhattan (Stay) - Contemporary, Abstract, Landscape, Polaroid, expired
Located in Morongo Valley, CA
A piece of art from the movie 'Stay' by Stefanie Schneider
Stefanie Schneider created the art for both main actors Naomi Watts and Ryan Gosling in the movie 'Stay' directed by Marc ...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Desert Living (California Dreaming) - Contemporary, 21st Century, Polaroid
Located in Morongo Valley, CA
Desert Living (California Dreaming) - 2017
20x24m,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventor...
Category
2010s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Coney Island (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Gasoline, Contemporary, 21st Century, Polaroid, Figurative, Photograph, triptych
Located in Morongo Valley, CA
Gasoline I (Stranger than Paradise) - 1999
3 pieces, each 120x120cm plus 10 cm in between each print together 120x380cm,
Edition 1/5 (only Edition 1 and 2 are still available)
Anal...
Category
1990s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Mindscreen 12 - Contemporary, 21st Century, Polaroid, Figurative, Color
Located in Morongo Valley, CA
Mindscreen 12 - 1999
126x126cm with white frame,
Edition of 5.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Signature label and Certificate.
artist Inventory...
Category
1990s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
A Dream Play (Strange Love) - Polaroid, New York
Located in Morongo Valley, CA
A Dream Play (Strange Love) - 2005
20x20cm, Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and certificate.
Artist Inventory No. 612...
Category
2010s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
29 Palms, CA - Analog, mounted, Polaroid, 20th Century, Contemporary, Landscape
Located in Morongo Valley, CA
29 Palms, CA - 1999
58x56cm,
Edition of 10,
analog C-Print, hand-printed by the Artist based on the Polaroid.
artist inventory number: 636.04.
Mounted on Aluminum with matte UV-...
Category
1990s Contemporary Photographic Paper Landscape Photography
Materials
Metal
Earthquake (Deconstructivism) - Contemporary, Expired Polaroid
Located in Morongo Valley, CA
Earthquake (Deconstructivism) - 2015
- about the narrative potential of images.
20x20cm,
Edition of 10,
digital C-Print, based on the Polaroid,
Artist Inventory 4599
Signature l...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Renée
s Dream (Days of Heaven), no 6 - Contemporary, Polaroid, Horse, Women
Located in Morongo Valley, CA
'Renée's Dream' no. 6 (Days of Heaven) - 2005
18 x 24 cm,
Lumas Edition 99/100.
Archival C-Print, based on the Polaroid
Artist inventory 8085.
Signature Label and certificate.
Not ...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
North Star Trail - including the book
A Half Forgotten Dream
Located in Morongo Valley, CA
North Star Trail (The Girl Behind the White Picket Fence) - 2013
Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Sna...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Back in Time (Stranger than Paradise)
Located in Morongo Valley, CA
Back in Time (Stranger than Paradise) - 2008
40x40cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Signature label and Certificate.
Artist Inven...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Coney Island Beach Life (Stay) - Polaroid, 21st Century, Contemporary, Color
Located in Morongo Valley, CA
Stefanie Schneider's work was used for Marc Forster's movie 'Stay'. Featuring Ewan McGregor, Naomi Watts and Ryan Gosling. Naomi and Ryan were both portraying artists and Stefanie's ...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Dusk (Deconstructivism) - Contemporary, Expired Polaroid
Located in Morongo Valley, CA
Dusk (Deconstructivism) - 2015
- about the narrative potential of images.
40x48cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signatur...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Untitled (Zuma Beach) - analog, vintage print
Located in Morongo Valley, CA
Untitled (Zuma Beach) - 1997
43x59cm,
Edition of 4/5.
Analog C-Print, hand-printed by the artist, based on the Polaroid.
Signed on back and Certificate.
Artist Inventory # 111.04.
...
Category
1990s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Facing Trains (Stranger than Paradise) - Landscape, Polaroid, analog
Located in Morongo Valley, CA
Facing Trains (Stranger than Paradise) - 1999
30x40cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 328.
Signatu...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Atomized (Californication) - Polaroid, Contemporary, Color
Located in Morongo Valley, CA
Atomized (Californication) - 2019
78x77cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory Number ...
Category
2010s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Desert Playground (Oxana
s 30th Birthday)
Located in Morongo Valley, CA
Desert Playground (Oxana's 30th Birthday) - part of the 29 Palms, CA project - 2007
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid. ...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Wonder Valley Ways (Sidewinder) - Polaroid, Contemporary, 21st Century, Landscap
Located in Morongo Valley, CA
Wonder Valley Ways (Sidewinder) - 2005
60x77cm,
Edition of 10,
Archival C-Print, based on the 12 Polaroids,
Not mounted.
Signature label and Certificate.
Artist inventory Number ...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Photographic Paper, C Print, Color, Polaroid
Palm Springs Palm Trees XI (Californication) - Polaroid, Contemporary, Color
Located in Morongo Valley, CA
Palm Springs Palm Trees XI (Californication) - 2019
40x40cm,
Edition of 10, plus two artist Proofs.
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Ar...
Category
2010s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Bates Motel I - Contemporary, Neon, Urban, expired, Polaroid, analog
Located in Morongo Valley, CA
Bates Motel I (The Last Picture Show) - 2005,
78x76cm,
Edition of 5 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signature label and Certificate.
Arti...
Category
2010s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Farmer and his Wife (American Depression)
Located in Morongo Valley, CA
The Farmer and his Wife (American Depression) - 2004
48x46 cm,
edition of 10 plus two Artist Proofs.
Archival C-Print based on the Polaroid.
Signature label and Certificate.
Art...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Leaving Town (Sidewinder)
Located in Morongo Valley, CA
Leaving Town (Sidewinder) - 2005
80x78cm,
Edition of 10, plus 2 Artist Proofs,
Analog C-Print, hand-printed by the artist, based on the original Polaroid.
Certificate and Signat...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Other Desert Cities (Sidewinder)
Located in Morongo Valley, CA
Other Desert Cities (Sidewinder) - 2005
80x130cm.
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the 13 original Polaroids.
Signature label and Certificate.
Ar...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
On the Road (Till Death Do Us Part)- including the book
A Half Forgotten Dream
Located in Morongo Valley, CA
On the Road (Till Death Do Us Part) - 2005
Including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 192 pages, hardcover, published by Snap Collective, 2024.
...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Oh Darling! (Oxana
s 30th Birthday) - expired Polaroid photography
Located in Morongo Valley, CA
Oh Darling! (Oxana's 30th Birthday) - 2005
20x24cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Signature label and Certificate.
Arti...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Indian Summer VI (The Last Picture Show)
Located in Morongo Valley, CA
Indian Summer VI (The Last Picture Show) - 2005
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print print, based on the Polaroid,
Certificate and Signature label
Artis...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Indian Summer V (The Last Picture Show)
Located in Morongo Valley, CA
Indian Summer V (The Last Picture Show) - 2005
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print print, based on the Polaroid,
Certificate and Signature label
Artist...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Indian Summer IV (The Last Picture Show)
Located in Morongo Valley, CA
Indian Summer III (The Last Picture Show) - 2005
20x20cm,
Edition of 10, plus 2 Artist Proofs.
Archival C-Print print, based on the Polaroid,
Certificate and Signature label
Artist Inventory No 18549.
Not mounted.
Stefanie Schneider's scintillating situations take place in the American West. Situated on the verge of an elusive super-reality, her photographic sequences provide the ambience for loosely woven story lines and a cast of phantasmic characters.
Schneider works with the chemical mutations of expired Polaroid film stock. Chemical explosions of color spreading across the surfaces undermine the photograph's commitment to reality and induce her characters into trance-like dream scapes. Like flickering sequences of old road movies Schneider's images seem to evaporate before conclusions can be made - their ephemeral reality manifesting in subtle gestures and mysterious motives. Schneider's images refuse to succumb to reality, they keep alive the confusions of dream, desire, fact, and fiction.
Stefanie Schneider received her MFA in Communication Design at the Folkwang Schule Essen, Germany. Her work has been shown at the Museum for Photography, Braunschweig, Museum für Kommunikation, Berlin, the Institut für Neue Medien, Frankfurt, the Nassauischer Kunstverein, Wiesbaden, Kunstverein Bielefeld, Museum für Moderne Kunst Passau, Les Rencontres d'Arles, Foto -Triennale Esslingen., Bombay Beach Biennale 2018 / 2019.
“It was Stefanie Schneider, who inspired me to start the company THE IMPOSSIBLE PROJECT after seeing her work, which seems to achieve the possible from the impossible, creating the finest of art out of the most basic of mediums and materials. Indeed, after that one day, I was so impressed with her photography that I realized Polaroid film could not be allowed to disappear. Being at the precise moment in time where the world was about to lose Polaroid, I seized the moment and have put all my efforts and passion into saving Polaroid film. For that, I thank Stefanie Schneider almost exclusively, who played a bigger role than anyone in saving this American symbol of photography.” –Florian Kaps, March 8th 2010 (“Doc” Dr. Florian Kaps, founder of “The Impossible Project”)
What makes Stefanie Schneider’s work so unique is that it’s immediately recognizable. Perfect ‘wabi-sabi’ in appearance and content. Dream like, colorful with depth and vision. From start to finish, a truly self made artist with a distinctively female perspective.
Exhibitions Selected (selected)
2018
Participation Bombay Beach Biennale, Bombay Beach, USA (G) March
Available to All, Rough Play Projects - Site Specific, Joshou Tree, USA (G) curated by Deborah Martin with Adam Berg, Doron Gazit, Kellan Barnebey, Chris Sanchez, Aili Schmelzt
2017
BLICKFELD Analoge Fotografie, Kommunale Galerie Steglitz-Zehlendorf (G) (catalog), (upcoming)
Rosegallery, Bergamot Station, Santa Monica (G)
Magie des Moments, Kunstverein Bad Homburg Artlantis, Bad Homburg (G)
2016
Instantdreams, Instantdreams Gallery, Berlin
(S)
2015
Desert Voices, De Re Gallery, Los Angeles (G) with Pamela Littky
The Ballery in Heat, The Ballery, Berlin (G)
Blue Nudes, De Re Gallery, Los Angeles (G)
2014
Summer Show, Galerie Catherine et André Hug, Paris, France (G)
6 Finalists, Saatchi Gallery London (G)
Instantdreams, De Re Gallery, Los Angeles (S)
Grand Opening, De Re Gallery, Los Angeles (G) with Banksy, Andy Warhol, Alison Bignon, Sophie Dickens, Victor Gingembre and others
2013
Heather's Dream, Short, nominated for the German Short Film Award 2013 (Deutscher Kurzfilmpreis)
Images
For Images (Artists fir Tichy), GASK - Gallery of the Central Bohemian Region, Kutná Hora, Czech Republic, (G) with Richard Prince, Nan Golding, Shirana Shahbazi, Sophie Calle, Martin Kippenberger, Arnulf Rainer, Thomas Ruff, Katharina Grosse, Jonathan Meese & others (catalog)
The Girl behind the White Picket Fence, Galerie Catherine et André Hug, Paris, France (S)
Heather's Dream, Short, German Competition Short Film Festival Oberhausen
Multimedia Presentation with Artist Stefanie Schneider, Palms Springs Art Museum, Annenberg Theater
The Polaroid Years: Instant Photography and Experimentation, The Frances Lehman Loeb Art Center, Poughkeepsie, NY, (G) with Ansel Adams, Bruce Charlesworth...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Blue Sky Palm Trees (Sidewinder) - including the book
A Half Forgotten Dream
Located in Morongo Valley, CA
Blue Sky Palm Trees (Sidewinder) - 2005
including Stefanie Schneider's new monograph "A Half Forgotten Dream" signed. 196 pages, hardcover, published by snap Collective, 2024.
20x...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Xtreme (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Xtreme (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the Polaroid photograph.
Artist inventory Number 909.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Into Eternity (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Into Eternity (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 893.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Sudden Urge (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
Sudden Urge (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 809.
Signature label and Certificate.
Not mounted.
For sale is a piece from the Wastelands series.
Reality with the Tequila:
Stefanie Schneider’s Fertile Wasteland
by James Scarborough
“How much more than enough
for you for I for both of us darling?”
(E. E. Cummings)
Until he met her, his destiny was his own. Petty and inconsequential but still his own. He was cocksure and free, young and unaccountable, with dark hair and aquiline features. His expression was always pensive, a little troubled, but not of a maniacal sort. He was more bored than anything else. With a heart capable of violence.
Until she met him, she was pretty but unappreciated. Her soul had registered no seismic activity. Dustbowl weary, she’d yet to see better days. A languorous body, a sweet face with eyes that could be kind if so inclined.
Until she met him, she had not been inclined.
It began when he met her. She was struck in an instant by his ennui. The sum of their meeting was greater than the imbroglios and chicaneries of their respective existences. He was struck by the blank slate look in her eyes. They walked, detached and focused on the immediate, obscenely unaware of pending change across a terrain of mountainous desert, their eyes downcast and world-weary, unable to account for the buoyant feeling in her heart. His hard-guy shtick went from potentiality to ruse. The gun was not a weapon but a prop, a way to pass time. Neither saw the dark clouds massing on the horizon.
They found themselves alone in the expanses of time, unaware of the calamity that percolated even as they posed like school kids for the pictures. Happiness brimmed in that wild terrain. Maybe things were beginning to look up.
That’s when the shooting started…
Stefanie Schneider assumes that our experience of lived reality (buying groceries, having a relationship with someone, driving a car) does not correspond to the actual nature of lived reality itself, that what we think of as reality is more like a margarita without the tequila.
Stefanie Schneider’s reality is reality with the tequila. She does not abolish concepts that orient us, cause and effect, time, plot, and storyline, she just plays with them. She invites us to play with them, too. She offers us a hybrid reality, more amorphous than that with a conventional subject, verb, and predicate. Open-ended, this hybrid reality does not resolve itself. It frustrates anyone with pedestrian expectations but once we inebriate those expectations away, her work exhilarates us and even the hangover is good. An exploration of how she undermines our expectation of what we assume to be our lived reality, the reasons why she under- mines our expectations, and the end result, as posited in this book, will show how she bursts open our apparatus of perception and acknowledges life’s fluidity, its density, its complexity. Its beauty.
She undermines expectations of our experience of reality with odd, other-worldly images and with startling and unexpected compressions and expansions of time and narrative sequence. The landscape seems familiar enough, scenes from the Old West: broad panoramic vistas with rolling hills dotted with trees and chaparral, dusty prairies with trees and shrubs and craggy rocks, close-up shots of trees. But they’re not familiar. These mis-en-scenes radiate an unsettling Picasso Blue Period glow or the intense celestial blue of the cafe skies that Van Gogh painted in the south of France. Yellow starbursts punctuate images as if seen through the viewfinder of a flying saucer. At the same time, objects appear both vintage and futuristic, the landscape of a post-apocalyptic world.
Landscapes change seemingly at random as do the seasons. Stefanie Schneider offers no indication of how time flows here, except that it conceivably turns in on itself and then goes its merry way. Time is a river whose source is a deep murky spring which blusters about with an occasional swirling eddy.
That Stefanie Schneider thwarts an easy reading is obvious but why does she do this? Since she will not countenance anything linear, logical, or sequential, and because she does not relish anything concrete and specific, she has to roil things up a bit. Nor does she seem comfortable with a book of images that is settled, discrete, and accountable. Instead she wants to create a panoply of anxious moments...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
The Man (Wastelands) - Contemporary, Analog, Polaroid, Color
Located in Morongo Valley, CA
The Man (Wastelands) - 2003
20x20cm,
Edition of 10 plus 2 Artist Proofs.
Archival C-Print, based on the original Polaroid.
Artist inventory Number 22884.
Signature label and Cer...
Category
Early 2000s Contemporary Photographic Paper Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
Photographic Paper landscape photography for sale on 1stDibs.
Find a wide variety of authentic Photographic Paper landscape photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add landscape photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, green, orange and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Stefanie Schneider, David Burdeny, Richard Heeps, and Mitchell Funk. Frequently made by artists working in the Contemporary, Modern, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Photographic Paper landscape photography, so small editions measuring 0.4 inches across are also available
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