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Mitchell FunkArt Deco Paris - Place du Trocadéro Statues " Slave to Love"1997
1997
$7,000
£5,340.83
€6,080.11
CA$9,838.58
A$10,814.99
CHF 5,677.82
MX$128,598.05
NOK 72,916.11
SEK 66,418.70
DKK 45,428.18
About the Item
Reminiscent of the dreamy elegance of a bygone era, Mitchell Funk transforms a tourist location into the quintessence of timeless Paris chic. To achieve this the photographer had to rid the Trocadero of toursits. Next came choosing the right camera angle and lighting the scene dramatically. The photo recalls Brian Ferry's "Slave to Love" video.
Signed dated and numbered 4/15 lower right recto, other sizes available, unframed, printed later. Printed on Hahnemühle Fine Art paper
Mitchell Funk is a pioneer of " Color Photography" In 1970 he participated in one the first " Color Photography" shows at a major museum. Brooklyn Museum, show "Images en Couleur" . 1971 Included he was included in the visionary book "Frontiers of Photography" Time-Life. Color ! American Photography Transformed. Amon Carter Museum. He has had more than 50 Photography Magazine Covers and has had covers on Newsweek, Fortune, New York Magazine and Life Magazine among others.
- Creator:Mitchell Funk (1950, American)
- Creation Year:1997
- Dimensions:Height: 60 in (152.4 cm)Width: 40 in (101.6 cm)
- Medium:
- Movement Style:
- Period:
- Condition:
- Gallery Location:Miami, FL
- Reference Number:1stDibs: LU38539026142
Mitchell Funk
Mitchell Funk is a pioneer of color photography. In 1970, he participated in one of the first color photography shows at the Brooklyn Museum titled “Images en Couleur." In 1971, he was included in the visionary books Frontiers of Photography and Color (Life Library of Photography), both published by Time-Life. He has done more than 50 photography magazine covers, including covers for Newsweek and Life.

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Reminiscent of the dreamy elegance of a bygone era, Mitchell Funk transforms a tourist location into the quintessence of timeless Paris chic. To achieve this the photographer had to rid the Trocadero of toursits. Next came choosing the right camera angle and lighting the scene dramatically. The photo recalls Brian Ferry...
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