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Style: Assemblage
Huge Mural Photo Mosaic Collage Photograph Rolex Watch Aviator Feminist Art
By Vera Simons
Located in Surfside, FL
Large time lapse photographic collage on board, "Drift St. Louis and Beyond", signed, titled and dated Vera Simons 79 in five panels, overall: 19.75"h, 179.5"w, each panel can be hung separately.
This one shows her Rolex...
Category
1980s Assemblage Landscape Photography
Materials
Photographic Paper
Sports Wrist Watch Abstract Photo Mosaic Collage Aerial Landscape Photograph
By Vera Simons
Located in Surfside, FL
This one depicts a sports wristwatch over an aerial landscape and is untitled. it is signed and dated 1979.
SIMONS, Vera (1920 - 2012)
Vera Habrecht Simons, was a German/American av...
Category
1970s Assemblage Landscape Photography
Materials
Photographic Paper
Richard Klein, Expo 67, 2017, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Landscape Photography
Materials
Metal
Richard Klein, iHop II, 2018, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Landscape Photography
Materials
Metal
Wrist Watch Abstract Photo Mosaic Collage Aerial Photograph
By Vera Simons
Located in Surfside, FL
This one depicts a sports wristwatch over an aerial landscape and is titled Clock Garden. it is signed and dated 1979.
SIMONS, Vera (1920 - 2012)
Vera Habrecht Simons, was a German/...
Category
1970s Assemblage Landscape Photography
Materials
Photographic Paper
1970s Mona Lisa Photo Collage Photograph Pioneer Female Aviator Feminist Pop Art
By Vera Simons
Located in Surfside, FL
This one Mona Lisa, some with glasses drawn on, cut and torn newspaper, collage, assemblage and looks like a Guerrilla Girl ad in a pattern and decoration style. It is not signed or ...
Category
1970s Assemblage Landscape Photography
Materials
Mixed Media, Newsprint, Photographic Paper
Sports Watch Abstract Photo Mosaic Collage Aerial Photograph Feminist Aviator
By Vera Simons
Located in Surfside, FL
This one depicts a sports wristwatch over an aerial city or field landscape and is titled "Time Frame". It is signed and dated.
I believe it might be Amsterdam or London.
SIMONS, Ver...
Category
1970s Assemblage Landscape Photography
Materials
Photographic Paper
Sports Watch Abstract Photo Mosaic Collage Aerial Photograph Feminist Aviator
By Vera Simons
Located in Surfside, FL
This one depicts a sports wristwatch over an aerial city or field landscape and is titled "Time Frame". It is signed and dated.
I believe it might be Amsterdam or London.
SIMONS, Ver...
Category
1970s Assemblage Landscape Photography
Materials
Photographic Paper
Richard Klein, American Glassware, 2010-2024, Found and altered objects
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
American Glassware (2010-present) which is presented in a small, wall-mounted vitrine. American Glassware is composed of three glass objects: a “souvenir” Walden Pond ashtray made by me as a multiple; a real souvenir ashtray from the 1964-65 New York World’s Fair; and an authentic “Happy Face” drinking glass from the same era. They are all nestled in crumpled, vintage newspaper from 1967, and are presented together in a dilapidated cardboard box, as if they have been found in someone’s attic or basement. Once again, in a similar manner to the Glass House Ashtray, versions of his Walden Pond ashtray (Walden Pond Souvenir) have been injected into the collectable stream of tag sales and flea markets, creating a souvenir that never existed. The ashtray is screenprinted with an image of Thoreau’s cabin on Walden Pond as pictured on the title page of his book Walden, or Life in the Woods (1854). (The original illustration was created by Thoreau’s sister, Sophia.) Walden Pond Souvenir was originally produced for the 2010 exhibition Renovating Walden at the Tufts University Art Gallery in Medford, MA.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Landscape Photography
Materials
Metal
Richard Klein, Holiday Inn Nocturne, 2020, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Landscape Photography
Materials
Metal
Richard Klein, McDonalds (El Nino), 2024, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Landscape Photography
Materials
Metal
Richard Klein, Holiday Inn Beirut, 2017, Found and altered objects assemblage
Located in Darien, CT
In the mid 1990s Richard Klein started working with found glass objects, including bottles, drinking glasses, ashtrays, and eyeglasses. Initially, Klein rejected any object with commercial or advertising content, but in 2015 he became fascinated with the promotional content that was screen printed on ashtrays from the 1950s, 1960s and early 1970s. This period was before smoking was looked at as being primarily a negative habit, and iconic American businesses, including Howard Johnson’s, International House of Pancakes (iHop) and Holiday Inn, all produced promotional ashtrays printed with their graphic identity.
By the time Klein became interested in these objects, the businesses had either ceased to exist, or had changed their logos, and many of their signature buildings, which where examples of classic, “Pop” roadside architecture, has been torn down or repurposed. The artist wanted to connect the glass objects with the business’s sites that were still recognizable and spoke of their history, so he began researching where original buildings still stood.
Klein then embarked on a series of road trips to photograph these sites with the intention of combining the photographs with the promotional glass objects. This led him to as far south as Maryland and as far north as upstate New York from his home in Connecticut.
In the case of Holiday Inn, it wasn’t their buildings, but their iconic illuminated sign that appeared on ashtrays, so he sought out a standing example of the sign he could photograph.
As it turned out all had been removed years before from the hotels' properties and the only working example was indoors at the Henry Ford Museum in Dearborn, Michigan. He did, however, find out that there was one still standing, surprisingly, in Beruit, Lebanon. He found an image of it on the web and used it to make Holiday Inn (Beruit).
In 1973 Holiday Inn changed their tagline from “The Nations Innkeeper” to “The World’s Innkeeper” as they expanded overseas, including the Mideast. For the hotel chain it was bad timing: the disastrous Lebanese civil war began in 1975. In the war, the different Lebanese militias involved in the conflict, including the Nasserites, Christian Phalangists, and the Lebanese National Movement engaged in what came to be called “The Battle of the Hotels” where they each occupied a major high-rise hotel in central Beruit. The Phalangists commanded the Holiday Inn, which they used to fire with both light arms and heavier weapons at the militias in neighboring hotels.
Klein used the photo of the heavily damaged Holiday Inn sign as I thought it spoke in a curious, offhanded way about American cultural imperialism in juxtaposition with an ashtray that proclaimed Holiday Inn to be “The World’s Innkeeper.” In the work Holiday Inn (Nocturne) the artist utilized a found, 35mm slide of a Holiday Inn sign at night at an unknown location as the basis of the photograph in the work.
Richard Klein is a Connecticut-based artist, independent curator and writer. As an artist, he has exhibited widely, including the Neuberger Museum of Art at SUNY Purchase; Caren Golden Fine Art, New York; the John Michael Kohler Arts Center, Sheboygan, WI; Hales Gallery, London; Gavlak Gallery, Palm Beach, FL; deCordova Sculpture Park and Museum, Lincoln, MA; James Barron Art, Kent, CT; The Portland Institute of Contemporary Art (PICA), Portland, OR; Schoolhouse Gallery, Provincetown, MA; Stephan Stoyanov Gallery, NY; Katonah Museum of Art, Katonah, NY; Brattleboro Museum and Art Center, Brattleboro, VT; Ortega y Gasset Projects, Brooklyn, NY; Exhibit by Alberson Tulsa, OK; Incident Report/Flow Chart Foundation, Hudson, NY; ICEHOUSE Project Space, Sharon, CT; Kenise Barnes Fine Art in Kent, CT and with ODETTA Gallery at the Equity Gallery in New York City..
Reviews of his work have appeared in Two Coats of Paint, Whitehot Magazine, The New York Times, Sculpture Magazine, Art in America, and The New Yorker. In the summer of 2024 he will be the first Artist-In-Residence at Peck Ledge Light...
Category
2010s Assemblage Landscape Photography
Materials
Metal
Mauve Earth Shine Photo Mosaic Collage Photograph, Female Aviator Feminist Art
By Vera Simons
Located in Surfside, FL
SIMONS, Vera (1920 - 2012)
Vera Habrecht Simons, was a German/American aviation pioneer, aeronaut and photo collage artist. She played a very important role in balloon development...
Category
1980s Assemblage Landscape Photography
Materials
Photographic Paper
Film Strips Photo Mosaic Collage Photograph Pioneer Female Aviator Feminist Art
By Vera Simons
Located in Surfside, FL
This one depicts an abstract assemblage of film strip (still or movie film) edges in a pattern and decoration style. It is not signed or dated.
SIMONS, Vera (1920 - 2012)
Vera Habre...
Category
1980s Assemblage Landscape Photography
Materials
Photographic Paper
Wristwatch City Abstract Photo Mosaic Collage Aerial Photograph Feminist Aviator
By Vera Simons
Located in Surfside, FL
This one depicts a sports wristwatch over an aerial city landscape and is untitled. it is not signed.
I believe it might be Amsterdam or London.
SIMONS, Vera (1920 - 2012)
Vera Habre...
Category
1970s Assemblage Landscape Photography
Materials
Photographic Paper
Afternoon in Tuileries Paris Boats Painting Photo Collage Photograph Assemblage
By Vera Simons
Located in Surfside, FL
This one depicts a painting of a pond in the Tuileries garden in Paris france with little boats collaged on it surrounded by color photos of people sitting in the park with a gold le...
Category
1970s Assemblage Landscape Photography
Materials
Paint, Photographic Paper
Film Strips Photo Mosaic Collage Photograph, Female Aviator Feminist Art
By Vera Simons
Located in Surfside, FL
This one depicts an abstract assemblage of film strip (still or movie film) edges in a pattern and decoration style.
SIMONS, Vera (1920 - 2012)
Vera Habrecht Simons, was a German/Am...
Category
1980s Assemblage Landscape Photography
Materials
Photographic Paper
"La Pastorale"
Located in New York, NY
Christophe Pouget started his artistic career in 2008, when he created his first photographic assemblages. Focused on the affective relationship of time and space, his latest works a...
Category
2010s Assemblage Landscape Photography
Materials
Mosaic, Photographic Paper
Price Upon Request
Miami Vibes
Located in New York, NY
Christophe Pouget started his artistic career in 2008, when he created his first photographic assemblages. Focused on the affective relationship of time and space, his latest works a...
Category
2010s Assemblage Landscape Photography
Materials
Mosaic, Photographic Paper
Price Upon Request
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Located in Dallas, TX
Tokyo # 6 - Unique edition 6 of 9 - Hand painted Photographic print on Hahnemuhle paper, mounted on diabond, UV resin coated - 140x140x5 cm
ALBERTO SANCHEZ
Born 1971, Spain
Alberto...
Category
2010s Assemblage Landscape Photography
Materials
Epoxy Resin, Mixed Media, Acrylic, Photographic Paper, Digital
$2,990 Sale Price
35% Off
H 55.12 in W 55.12 in D 1.97 in
Wabi-Sabi (Sidewinder) - Polaroid, Contemporary, 21st Cenrury, Landscape, Color
Located in Morongo Valley, CA
Wabi-Sabi (Sidewinder) - 2007
40x40cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label,
Not mounted.
Artist Inventory No. 11165
Stefanie...
Category
Early 2000s Assemblage Landscape Photography
Materials
Archival Paper, Photographic Paper, C Print, Color, Polaroid
$603
H 15.75 in W 15.75 in D 0.04 in
Train Engine Folk Outsider Art Deco Assemblage Found Objects Contemporary Statue
Located in New York, NY
Train Engine Folk Outsider Art Deco Assemblage Found Objects Contemporary Statue
Actual Dimensions: 8.75 X 19.75 X 5.75 inches
Michael Riley (Mike Riley) (American, born 1957). A model train engine statue in mixed media. Metal, wood, and other elements. An Art Deco Moderne style design produced from found objects, including garden hose fitting, sliding door track, trombone instrument counter weights, flute instrument...
Category
2010s Assemblage Landscape Photography
Materials
Steel, Stainless Steel
$3,900
H 9 in W 20 in D 6 in
Pink sky from airplane
By Nan Goldin
Located in New York, NY
Nan Goldin
Pink sky from airplane
2000
Cibachrome
30 x 40 inches; 76 x 102 cm
Edition of 15
Signed, titled, dated, and numbered in ink (verso)
Available f...
Category
Early 2000s Assemblage Landscape Photography
Materials
Photographic Film, C Print
Conca Del Sogno
Located in New York, NY
Framed Photograph by Hallie Geller
30 × 40 in 76.2 × 101.6 cm
Edition of 10
Edition #5/10, #6/10, 8/10 available
Signed by Hallie Geller
Signed on reverse
Category
2010s Assemblage Landscape Photography
Materials
Photographic Paper
She need not move (Sidewinder) - Polaroid
Located in Morongo Valley, CA
She need not move (Sidewinder) - 2008
20x20cm,
Edition of 10,
Archival C-Print, based on the Polaroid.
Certificate and Signature label.
Artist Inventory #3298
Not mounted.
St...
Category
Early 2000s Assemblage Landscape Photography
Materials
Photographic Film, Archival Paper, C Print, Color, Polaroid
She Disappeared into Complete Silence (AD6754) - monochromatic desert photograph
By Mona Kuhn
Located in San Francisco, CA
In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction.
She turns to a highly austere and restrained reductionist geometry and distilled formal purity, connecting the interior to the exterior, the visible to the hidden. These reflections cause one to linger, as they merge to create a dynamic equilibrium of tension, spaces and rythms.
AD6754 (She Disappeared into Complete Silence)
45" x 60" / 114cm x 152cm
edition of 8 + 2AP
30" x 40" / 76cm x 102cm
edition of 8 + 2AP
limited edition photograph printed under artist supervision + accompanied by signed artist certificate:
artist signature labels are 8x10 in size
signed, editioned, dated and titled by the artist, and stamped for authenticity
label
__________________
About the artist
Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art.
For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia.
Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena.
Mona Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Stanley/Barker Editions published Kuhn's Bushes and Succulents (2018) with a debut at Musee Jeu de Paume in Paris in 2019. Thames & Hudson published a career retrospective titled Works. Kuhn's most recent publication Kings Road with Steidl accompanies a multi-dimensional museum exhibition in Germany and the US.
Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, the Los Angeles County Museum of Art, The Hammer Museum, the Perez Art Museum in Miami, the Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris, The Whitechapel Gallery and Royal Academy of Arts in London, Musée de l’Elysée in Switzerland, Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Australian Centre for Photography and Taipei Fine Arts Museum in Taiwan.
Mona Kuhn currently lives and works in Los Angeles.
__________________
Solo Exhibitions
2024
Mona Kuhn: Between Modernism and Surrealism, Houk Gallery, New York, NY
2023
Mona Kuhn: Kings Road, Galerie XII, Paris, France
Mona Kuhn: Kings Road, Kunsthaus-Göttingen, Germany
Mona Kuhn: Kings Road, Jackson Fine Art...
Category
21st Century and Contemporary Assemblage Landscape Photography
Materials
Photographic Film, Photographic Paper, Silver Gelatin
$15,000
H 45 in W 60 in D 0.3 in
McLean, VA, December 4 1978
Located in New York, NY
Joel Sternfeld
McLean, VA, December 4 1978
dye transfer print, printed 1981
signed, titled and dated verso in ink
15.25 x 19.5 inches
16 x 20 inch sheet
Category
1970s Assemblage Landscape Photography
Materials
Photographic Paper
She Disappeared into Complete Silence (AD6301) - large scale abstract photograph
By Mona Kuhn
Located in San Francisco, CA
In the series 'She Disappeared into Complete Silence' (2014) Mona Kuhn takes a new direction into abstraction.
She turns to a highly austere and restrained reductionist geometry and distilled formal purity, connecting the interior to the exterior, the visible to the hidden. These reflections cause one to linger, as they merge to create a dynamic equilibrium of tension, spaces and rythms.
AD16301 (She Disappeared into Complete Silence)
60" x 45" / 152cm x 114cm
edition of 8 + 2AP
40" x 30" / 102cm x 76cm
edition of 8 + 2AP
limited edition photograph is printed under artist supervision and accompanied by signed artist certificate:
artist signature labels are 8x10 in size
signed, editioned, dated and titled by the artist, and stamped for authenticity
label
__________________
About the artist
Acclaimed for her contemporary depictions, Kuhn is considered a leading artist in the world of figurative discourse. Throughout a career spanning more than twenty years, the underlying theme of her work is her reflection on humanity’s longing for spiritual connection and solidarity. As she solidified her photographic style, Kuhn created a notable approach to the nude by developing friendships with her subjects, and employing a range of playful visual strategies that use natural light and minimalist settings to evoke a sublime sense of comfort between the human figure and its environment. Her work is natural, restful, and a reinterpretation of the nude in the canon of contemporary art.
For the past two decades, the Los-Angeles based artist's works have been shown steadily, revealing an astonishing consistency in technique, of subject and of purpose. In 2001, Kuhn’s photographs were first seen by an influential audience during the exhibition at Charles Cowles Gallery in Chelsea, New York. Kuhn’s distinct aesthetic has propelled her as one of the most collectible contemporary art photographers—her work is in private and public collections worldwide and she is represented by galleries across the United States, Europe and Asia.
Kuhn was born in São Paulo, Brazil, in 1969, of German descent. In 1989, Kuhn moved to the US and earned her BA from The Ohio State University, before furthering her studies at the San Francisco Art Institute. She is currently an independent scholar at The Getty Research Institute in Los Angeles. Occasionally, Mona teaches at UCLA and the Art Center College of Design in Pasadena.
Mona Kuhn’s first monograph, Photographs, was debuted by Steidl in 2004; followed by Evidence (2007), Native (2010), Bordeaux Series (2011), Private (2014), and She Disappeared into Complete Silence (2018/19). In addition, Kuhn's monograph titled Bushes and Succulents has been published by Stanley/Barker Editions, with a debut at Jeu de Paume in Paris, in 2019. A stunning career retrospective of Mona Kuhn's works has been published by Thames & Hudson, Spring 2021. Kuhn's forthcoming publication Kings Road, will be published and released by Steid this Fall 2021.
Mona Kuhn’s work is in private and public collections worldwide, including The J. Paul Getty Museum, Los Angeles County Museum of Art, The Hammer Museum, Perez Art Museum Miami, Museum of Fine Arts, Houston, and the Kiyosato Museum in Japan. Kuhn's work has been exhibited at The Louvre Museum and Le Bal in Paris; The Whitechapel Gallery and Royal Academy of Arts in London; Musée de l’Elysée in Switzerland; Leopold Museum in Vienna Austria, The Polygon Gallery in Vancouver Canada, Taipei Fine Arts Museum in Taiwan and Australian Centre for Photography. Mona Kuhn lives and works in Los Angeles.
__________________
Solo Exhibitions
2021
Mona Kuhn: Works, Edwynn Houk Gallery, New York
Mona Kuhn: Works, Flowers Gallery, London
Mona Kuhn: Works, Galerie XII, Los Angeles + Paris + Shanghai
Mona Kuhn: 835 Kings Road, Art, Design and Architecture Museum, Santa Barbara
2020
Still Light, Jardin du Bra'haus, Montée du Château, Clervaux, Luxembourg
Mona Kuhn: Early Depictions, Flowers Gallery, London
Mona Kuhn: Intimate, UP Gallery, Taipei, Taiwan
2019
Bushes and Succulents, Euqinom Gallery, San Francisco
Mona Kuhn: She Disappeared, Jackson Fine Art, Atlanta
Mona Kuhn: Experimental, Fruit Factory, Durham Triangle, North Carolina
2018
Mona Kuhn: New Works, Part II, Galerie Catherine Hug, Paris, France
2017
Mona Kuhn: The First Chapter, Euqinom Projects, San Francisco, California
2016
Mona Kuhn: New Works, Galerie Catherine Hug, Paris, France
Acido Dorado, Galeria Pilar Serra, Madrid, Spain
Mona Kuhn: New Works, Euqinom Gallery, San Francisco, California
2015
Private, Ravestijn Gallery, Amsterdam, The Netherlands
Private, Galerie Ernst Hilger, Vienna, Austria
2014
Acido Dorado, Edwynn Houk Gallery, New York
Acido Dorado, Flowers Gallery, London, UK
Private, Jackson Fine Art, Atlanta, Georgia
2012
Bordeaux Series, Galerie Particuliere, Paris, France
Native, Galeria Pilar Serra, Madrid, Spain
Bordeaux Series, Jackson Fine Art, Atlanta, Georgia
Bordeaux, Flowers Gallery, New York
Native, Brancolini Grimaldi, Florence, Italy
2011
Bordeaux, Flowers Gallery, London, UK
2010
Native, Flowers Gallery, London, UK
Native, Flowers Gallery, New York
2009
Native, M+B Gallery, Los Angeles, California
Native, Jackson Fine Art, Atlanta, Georgia
2008
Evidence, Jarach Gallery, Venice, Italy
2007
Evidence, Scott Nichols Gallery, San Francisco, California
Evidence, Charles Cowles Gallery, New York
Mona Kuhn, Estiarte Gallery, Madrid, Spain
Evidence, Jackson Fine Art, Atlanta, Georgia
Less Than Innocent, M+B Gallery, Los Angeles, California
2005
Mona Kuhn – Recent Color Work, Charles Cowles Gallery, New York
Mona Kuhn-Close, Jackson Fine Art, Atlanta, Georgia
Unbounded Youth, Fahey/Klein Gallery, Los Angeles, California
2004
Mona Kuhn-Color, Camerawork, Berlin, Germany
New Work, G. Gibson Gallery, Seattle, Washington
Corporeal Space, Galerie F5.6, Munique, Germany
Mona Kuhn - Color Photographs, Scott Nichols Gallery, San Francisco, California
Still Memory, PhotoEye...
Category
21st Century and Contemporary Assemblage Landscape Photography
Materials
Photographic Film, Photographic Paper, Silver Gelatin
$15,000
H 60 in W 45 in D 0.3 in
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SIMONS, Vera (1920 - 2012)
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Assemblage landscape photography for sale on 1stDibs.
Find a wide variety of authentic Assemblage landscape photography available for sale on 1stDibs. Works in this style were very popular during the 21st Century and Contemporary, but contemporary artists have continued to produce works inspired by this movement. Many Pop art paintings were created by popular artists on 1stDibs, including Vera Simons, and Hubert Blanz. Frequently made by artists working with Paper, and Photographic Paper and other materials, all of these pieces for sale are unique and have attracted attention over the years. Not every interior allows for large Assemblage landscape photography, so small editions measuring 19.69 inches across are also available. Prices for landscape photography made by famous or emerging artists can differ depending on medium, time period and other attributes. On 1stDibs, the price for these items starts at $1,000 and tops out at $11,500, while the average work sells for $2,200.
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