Lori Grinker

Untitled (Mike Tyson enters the ring. . .)

1985/2022

Untitled (Victory) Mike Tyson after the Conroy Nelson TKO (Matt Baranksi, corner man, right), Latham, NY. Nov. 22, 1985 Signed and numbered, verso Gelatin...

Untitled (WBA Championship) Mike Tyson in the ring for the “Bonecrusher” Smith WBA Championship bout, Las Vegas Hilton, March 3, 1987 Signed and numbered, verso Archival pigment pr...

Untitled (After the Fight) Mike Tyson after he knocked out Conroy Nelson in 30 seconds, Latham, NY. Nov. 22, 1985 Signed and numbered, verso Gelatin silver print 11 x 14 inches (E...

Lori Grinker's Mike Tyson Portfolio (Edition 5/10) All 10 prints were produced in 2016 and signed by Mike Tyson and Lori Grinker. The portfolio presentat...

Edition of 25 Signed and numbered by Al Satterwhite Paper size: 16 x 20 in. AVAILABLE SIZES: 11 x 14 in., Edition of 25 16 x 20 in., Edition of 25 24 x 36 in., Edition of 25 36 x 54...

Mike Tyson after the Holyfield vs. Tyson match, 1997 — Limited Edition Print by Michael Brennan A group of wary police officers is photographed trying to restrain Mike Tyson after the boxer bit off part of rival Evander Holyfield’s ear during a boxing match at the MGM Grand Hotel...

Muhammad Ali (Point Left) by Al Satterwhite is a black and white portrait of the famous boxer in the boxing ring. Muhammad dramatically points to the left with an intense look on his...

In a captivating new collection, Alex Guofeng Cao dazzles audiences with his unique twist on instantly recognizable images. Inspired by history and pop culture, Cao manipulates one iconic image to create another in his extraordinary large-scale works. From a distance, the pieces appear to be a singular image but as the viewer approaches closer, you find each work is a masterfully crafted compilation of minute detailed images layered next to one another, creating a mesmerizing and hypnotic optical illusion. Cao meticulously places each smaller image to form a dynamic gradient from dark to light which tricks the eye into seeing one image. This expertise in contrast is exemplified in all of his works, from striking black and white pieces to stunning explorations in high-definition color. He cleverly mirrors this visual contrast in his subject matter by subverting the main image and creating a dialogue between the macrocosm and microcosm. Take the piece, Ali vs Armstrong; here we see the iconic image of Muhammed Ali’s victory composed of thousands of tiny portraits of Neil Armstrong. Cao seamlessly ties together two astronomical events from the ‘60s: Ali’s incredible career and the moon landing...