C Print Photography

Gospel (Sidewinder) - 2005 38x48cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print based on the Polaroid. Signature label and Certificate. Artist Inventory No. 3067. No...

Jung LEE (*1972, South Korea) How Could You Do This To Me?, 2011 C-Type Print, Diasec 136 x 170 cm (53 1/2 x 66 7/8 in.) Edition of 5, plus 2 AP – Biography Jung Lee is a Korean a...

RISAKU SUZUKI (*1963, Japan) Water Mirror 17, WM-788, 787 (diptych) 2017 Chromogenic print (2x) Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 2/5 Framed ‘Water Mirror’i...

Cash Register, detail photograph from Richard Heeps' commission to document the Preston Hall Museum in Stockton-on-Tees. This artwork is a limited edition of 25 gloss photographic ...

Catfight (29 Palms, CA) - 1999 20x20cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid, Signature label and Certificate. Artist inventory Number 8...

Relaxing At Lake Tahoe (1959) Limited Edition Estate Stamped (Photo By Slim Aarons) California, 1959 A group of people relaxing by a pool near Lake Tahoe. Additional Informatio...

Stunning museum quality fine art print of Chrissy Teigen by photographer Markus Klinko from a collection of contemporary nudes by the celebrated photographer, featuring amongst other...

Skiers At Verbier (1964) Limited Estate Stamped (Photo By Slim Aarons) Skiers relax in deckchairs on the slopes at Verbier. Switzerland 1964. Additional Information: Unframed...

Long Way Home (Stranger than Paradise) - 1999, 3 x 58x56cm, installed 58x180cm, (sold out Edition of 10), this is THE last Artist Proof 3/3. 3 Analog C-Prints, hand-printed by th...

'San Sebastian' by DJ Leon. Archival C-print photograph of San Sebastian, Spain's beach in summer, mounted on sintra, and facemounted in plexiglas. The photograph is measures 30 x...

Poolside Party, 1970 - Poolside Gathering at Kaufmann House in Palm Springs by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Po...

'Bluebird' Rainer W. Schlegelmilch Archive Limited Edition Fantastic and fantastical, many of the top car manufacturers like Ferrari, Porsche, Lamborghini etc launched concept cars in the 1970s...

View from Il Pellicano - Italian Crystal Waters Tuscany Porto Ercole Coastline by Slim Aarons 16" x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. ...

Palm Springs Palm Trees (Californication) - 2023 50x49cm. Edition of 10 plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Certificate and Signature label. Artist I...

Radha at Fence (29 Palms, CA) - 1999 featuring Radha Mitchell 60x58cm, Edition of 10 plus 2 Artist Proofs. Analog C-Print, hand-printed and enlarged by the artist, based on the Po...

ICES, by Richard Heeps, photographed at the British Seaside at the end of summer 2020. This artwork is about evoking memories of the simple joy of days by the beach. The mustard yell...

Ardizzones House - Portofino Villa Beatrice Italian Riviera Escape Mediterranean by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped C-Print. Edition of 150. Printed Later...

Motel Desert Shores, photograph from Richard Heeps Salton Sea Series. This artwork has the a vibe of a Southern California American road trip, the colours are so seductive, the palm ...

Cocktail Bar, portrait photograph from Richard Heeps' Man's Ruin series. Captured at the glamorous Goodwood Revival, a celebration of elegant vintage fashion...

Wanderlust Goes South, vintage book spines photograph from Richard Heeps' Norfolk series. Browsing second hand book shops on holidays by the seaside is always a joy, you never know w...

Conca dei Marini, 1984 - Amalfi Coast Salerno Italian Landscape Photograph by Slim Aarons 16" x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. 'Con...

A man with x-ray vision, Nick Veasey creates art that shows what it is really like inside. Original artwork. C print, Chromaluxe. Signed and numbered out of 25. Accompanied with th...

Baltic Ice, Peipsi Jaerv 015 is a limited-edition photograph by German contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 5 dim...

Beloved (Stage of Consciousness) - 2007 65x80cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on the Polaroid. Signature label and certificate. Artist Inventory ...

Hand printed by artist. Cibachrome paper. Framed in off white metal and high grade plexiglass. Has pencil inscription on the left hand side of front mat. 'Could be erased ' Retails ...

Christian Rothmann ROBOTNICS Series C-Print 2019 Edition S (Edition of 10) 12 x 8.3 inches (30.5 x 21 cm) Signed, dated and numbered verso Other Edition Sizes available: - Edition M (Edition of 6) 35.4 x 23.6 inches (90 x 60 cm) - Edition L (Edition of 6) 47.2 x 31.5 inches (120 x 80 cm) - Edition XL (Edition of 3) 88.8 x 58.8 inches (225 x 150 cm) PUR - Price Upon Request -------------- Since 1979 Christian Rothmann had more than 40 solo and 80 group exhibitions worldwide. Christian Rothmann had guest lectures, residencies, art fairs and biennials in Europe, Japan, USA, Australia and Korea. Christian Rothmann (born 1954 in Kędzierzyn, Poland ) is a painter, photographer, and graphic artist.⁠ ⁠ In 1976 he first studied at the “Hochschule für Gestaltung” in Offenbach, Germany and moved to Berlin in 1977, where he graduated in 1983 at the “Hochschule der Künste”. From 1983 to 1995 he taught at the university as a lecturer and as an artist with a focus on screenprinting and American art history. To date, a versatile body of work has been created, which includes not only paintings but also long-standing photo projects, videos, and public art.⁠ ⁠ Guest lectures, teaching assignments, scholarships and exhibitions regularly lead Rothmann to travel home and abroad.⁠ ------------------------ Rothmann's Robots These creatures date back to another era, and they connect the past and the future. They were found by Christian Rothmann, a Berlin artist, collector and traveler through time and the world: In shops in Germany and Japan, Israel and America, his keen eye picks out objects cast aside by previous generations, but which lend themselves to his own work. In a similar way, he came across a stash of historic toy robots of varied provenance collected by a Berlin gallery owner many years ago. Most of them were screwed and riveted together in the 1960s and 70s by Metal House, a Japanese company that still exists today. In systematically photographing these humanoids made of tin - and later plastic - Rothmann is paraphrasing the idea of appropriation art. Unknown names designed and made the toys, which some five decades on, Rothmann depicts and emblematizes in his extensive photo sequence. In their photographs of Selim Varol's vast toy collection, his German colleagues Daniel and Geo Fuchs captured both the stereotypical and individual in plastic figures that imitate superheroes which were and still are generally manufactured somewhere in Asia. Christian Rothmann looks his robots deep in their artificially stylized, painted or corrugated eyes - or more aptly, their eye slits - and although each has a certain degree of individuality, the little figures remain unknown to us; they project nothing and are not alter egos. Rothmann trains his lens on their faces and expressions, and thus, his portraits are born. Up extremely close, dust, dents, and rust become visible. In other words, what we see is time-traces of time that has passed since the figures were made, or during their period in a Berlin attic, and - considering that he robots date back to Rothmann's childhood - time lived by the photographer and recipients of his pictures. But unlike dolls, these mechanical robots bear no reference to the ideal of beauty at the time of their manufacture, and their features are in no way modeled on a concrete child's face. In this art project the robots appear as figures without a context, photographed face-on, cropped in front of a neutral background and reduced to their qualities of form. But beyond the reproduction and documentation a game with surfaces is going on; our view lingers on the outer skin of the object, or on the layer over it. The inside - which can be found beneath - is to an extent metaphysical, occurring inside the observer's mind. Only rarely is there anything to see behind the robot's helmet. When an occasional human face does peer out, it turns the figure into a robot-like protective casing for an astronaut of the future. If we really stop and think about modern toys, let's say those produced from the mid 20th century, when Disney and Marvel films were already stimulating a massive appetite for merchandising, the question must be: do such fantasy and hybrid creatures belong, does something like artificial intelligence already belong to the broader community of humans and animals? It is already a decade or two since the wave of Tamagotchis washed in from Japan, moved children to feed and entertain their newly born electronic chicks in the way they would a real pet, or to run the risk of seeing them die. It was a new form of artificial life, but the relationship between people and machines becomes problematic when the machines or humanoid robots have excellent fine motor skills and artificial intelligence and sensitivity on a par with, or even greater than that of humans. Luckily we have not reached that point yet, even if Hollywood adaptations would have us believe we are not far away. Rothmann's robots are initially sweet toys, and each toy is known to have a different effect on children and adults. They are conceived by (adult) designers as a means of translating or retelling history or reality through miniature animals, knights, and soldiers. In the case of monsters, mythical creatures, and robots, it is more about creating visions of the future and parallel worlds. Certainly, since the success of fantasy books and films such as Lord of the Rings or The Hobbit, we see the potential for vast enthusiasm for such parallel worlds. Successful computer and online games such as World of Warcraft, or the creation of avatars are also interesting worldwide phenomena of virtual realities that are not only relevant for children and teens. So when a middle-aged Berlin photographic artist (like Christian Rothmann) chooses to study 120 toy robots with great difference in form, it represents a journey back to his own childhood - even if at the time, he played with a steam engine rather than a robot. Once batteries had been inserted, some of the largely male or gender-neutral robots, could flash, shoot, turn around and even do more complicated things. Some can even still do it today - albeit clumsily. This, of course, can only be seen on film, but the artist intends to document that as well; to feature the robots in filmic works of art. The positioning of the figures in the studio is the same as the tableau of pictures in the exhibition room. In this way, one could say Rothmann deploys one robot after the other. This systematic approach enables a comparative view; the extreme enlargement of what are actually small and manageable figures is like the macro vision of insects whose fascinating, sometimes monster-like appearance only becomes visible when they are blown up a hundredfold. The same thing goes for the robots; in miniature form, they seem harmless and cute, but if they were larger than humans and made noises to match, they would seem more threatening. Some of the tin figures...

Mindscreen 02 (Night on Earth) - 1999 58x56cm, Edition of 10. Analog C-Print, hand-printed by the artist, based on the Polaroid. Signature label and Certificate. Artist Inventory...

Ellen VON UNWERTH (*1954, Germany) Hard to Tame, Dioni Tabbers, London, 2012 Chromogenic print on Fujiflex paper, later print 120 x 180 cm (47 1/4 x 70 7/8 in.) Edition of 3; (2/3) ...

Faded Memory (Oxana's 30th Birthday) - 2007, from the 29 Palms, CA project - 20x24cm, Edition of 10, plus 2 Artist Proofs. Archival C-Print, based on a Polaroid. Signature label...

Photography-based artwork, the original photograph was taken in Istanbul, Turkey. The artwork/photo is sold unframed (only the art print) and will be sent in a hard tube. The print is made on Canson fine art paper (310gsm) that the artist personally selects for this photograph. It is textured premium quality fine art paper which delivers the most accurate and vibrant colors in print as you see onscreen and also gives a touch of classic painting to the photo. The photo is printed with 2cm(0.8 inch) white border each side, which makes it easy for putting in frame. Comes with signed & numbered Certificate of Authenticity issued by the artist, to be affixed to the back when framed. Also artist signature at the back of the photo. The photograph is available in the following sizes and editions: * Small Edition: 29 x 40 cm (11.4” x 15.7”) – Edition of 20 * Medium Edition: 44 x 60 cm (17.3” x 23.6”) – Edition of 15 * Collector Edition: 58 x 80 cm (22.8” x 31.5” ) – Edition of 10 * Museum Edition...

ICES - Four Framed Artworks, Photographs by Richard Heeps. Featured here Viridian Green, Pink Lemonade, Sky Blue and Lemon Yellow. Get in touch to request other sizes or color comb...

Photograph taken in Segovia, Spain. The photo is printed on museum quality fine art paper Canson Baryta Prestige 340 grs, the most premium quality fine art paper which delivers t...

Go Lucky, vintage book spines photograph from Richard Heeps' Norfolk series. Browsing second hand book shops on holidays by the seaside is always a joy, you never know what you might...

Poolside Pairs 1970 (printed later) C print Estate stamped and numbered edition of 150 with Certificate of authenticity Caption: Former fashion model Helen Dzo Dzo Kaptur (in white...

RISAKU SUZUKI (*1963, Japan) SAKURA 13,4-152 2013 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 3/5 Framed The Sakura (Japanese term for ‘cherry bloss...

Spiegelbild (Stage of Consciousness), 2008 125x154cm, Edition 4/5, analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, matte surface, based on the Polaroid. ...

The photograph is sold unframed, only the art print. The print is a Giclée on Canson Etching Rag 310gsm paper, a museum quality fine art paper which delivers the most accurate and v...

Miles ALDRIDGE (*1964, Great Britain) A Drop Of Red #2, 2001 Chromogenic print Image 73 x 101.5 cm (28 3/4 x 40 in.) Sheet 83 x 111.5 cm (32 5/8 x 43 7/8 in.) Edition of 10, plus 2 A...

Arabian Nights 1960s/2022 Signed, dated, and numbered, verso Digital C-print 31 x 31 inches, image (Edition of 15) $4,500 22 x 22 inches, image (Edi...

Baltic Ice, Kakumaee 003 is a limited-edition photograph by German contemporary artist Bernhard Lang. This photograph is sold unframed as a print only. It is available in 3 dimensi...

Brigitte LUSTENBERGER (*1969, Switzerland) Now is not a time , 2020 From the series 'An Apparition Of Memory' C-print 107 x 100 cm (42 1/8 x 39 3/8 in.) Edition of 5, plus 2 AP; Ed....

RISAKU SUZUKI (*1963, Japan) SAKURA 16,4-22 2016 Chromogenic print Sheet 120 x 155 cm (47 1/4 x 61 in.) Edition of 5; Ed. no. 4/5 Framed The Sakura (Japanese term for ‘cherry blosso...

Flat - 2020 48x60cm, Edition of 7 plus 2 Artist Proofs. Archival C-Print based on the original Polaroid. Signature label with certificate. Artist inventory PL2020-964. Not mount...

Sunkissed Wendy, from Richard Heeps 'Man's Ruin' Series. This contemporary portrait is part of a sequence of artworks photographing Wendy at the Rockabilly Weekender, Viva Las Vegas....

Conca dei Marini - Amalfi Coast Italian Coastline Cove Photograph by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printed Later. "Conca dei Mar...

"Sexy Miami Futuristic Cocktail Lounge" is a series of photographs by Ryan Rivadeneyra inspired by the Art Deco colors of Miami that show beautiful objects ...

Museum quality fine art print of Lady Gaga by photographer Markus Klinko. Shot in 2009 in London for 35th anniversary of Hello Kitty. This print is available in the following sizes,...

Photography-based artwork, the original photograph was taken in Istanbul, Turkey. The artwork/photo is sold unframed (only the art print) and will be sent in a hard tube. The pri...

Fugitives (Till Death do us Part) - 2005, 20x24cm, Edition of 10, Archival C-Print print, based on the Polaroid. Certificate and Signature label. Artist Inventory No. 9377. Not...

Posing I (Wastelands) - 2003 Edition of 5, 20x20cm, Archival C-Print, based on the Polaroid. Signature label and Certificate. Artist Inventory No 1174.01 Not mounted. Gaze upon S...

A great burning swept across the island of Ibiza. This tree is one of the thousands of memorials to a landscape that is slowly recovering. :: Photograph :: Color :: This piece comes...

It was an honor that I had the chance to photograph University of Texas mascot, Bevo XIV when he was still alive. So when the Alcalde, the publication of the Texas Exes, called and ...

Acclaimed contemporary photographers, Richard Heeps and Natasha Heidler have collaborated to make this beautifully mesmerising collection. A celebration of the vinyl record and analogue technology, which reflects the artists practice within photography. This record features a muted tone blue Joy Division flexi-disc vintage...

Shadows cast across a vintage petrol pump at the Shady Dell Trailer Park in Bisbee, Arizona. Photograph from Richard Heeps' 'Dream in Colour' series...

White Trash Beautiful I (29 Palms, CA) featuring Radha Mitchell - 1999 128x125cm, Edition 3/5. Analog C-Print, hand-printed by the artist on Fuji Crystal Archive Paper, based o...

The photo is sold unframed. I work with top printing houses in Madrid & Barcelona, Spain that have extensive experience dealing with art galleries to make sure the art prints are of ...

Jung LEE (*1972, South Korea) The End #2, 2020 C-Type Print, Diasec Sheet 160 x 200 cm (63 x 78 3/4 in.) Frame 167 x 206,9 x 3,5 cm (65 3/4 x 81 1/2 x 1 3/8 in.) Edition of 5, plus 2...

Model Friend, 1952 - Romantic Couple Beach Photograph by Slim Aarons 16 x 20" print. Limited Edition Estate Stamped Print. Edition of 150. Printe...

Miles ALDRIDGE (*1964, Great Britain) Immaculée #2, 2007 Chromogenic print Image 152.5 x 118.1 cm (60 x 46 1/2 in.) Sheet 164.4 x 130.1 cm (64 3/4 x 51 1/4 in.) Edition of 3, plus 2 ...

Valhalla - 2021 20x20cm, Edition of 7 plus 2 Artist Proofs, Archival C-Print based on the Polaroid, Not mounted. Signed on the back and with certificate. Artist inventory PL2021...