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Medium: Fabric
Neon Iconic Pool Photograph by Brazilian Photographer
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...
Category

2010s Realist Fabric Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

Big Sight, Large Scale Limited Photography by Pico Garcez
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...
Category

2010s Realist Fabric Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

Mid Century Chevy El Camino, Midnight Modern Series Contemporary Photography
Located in Brooklyn, NY
Landscape, Car, Palm Tree, Vintage Chevy El Camino, Mid Century Modern, Limited Series. Archival Inkjet Print on Cotton Paper. Mid Century Modern Architecture Design. Tom Blachford, Palm Springs California. This is a limited edition print in a series of 10. Each pieces comes with a hand-signed certificate of authenticity. The latest and final release in Australian photographer Tom Blachford’s long-running project, Midnight Modern, will be exhibited for the first time at TOTH Gallery in New York. Loosening the shackles of Palm Springs and Mid Century, Blachford’s large scale works explores some of the outer reaches of the Modernist movement in Architecture, and captured using only the light of the full moon. Blachford's series is a surreal ode to the landscapes of California and its cache of pristine Modernist buildings. Shot entirely at night, bathed in moonlight, the homes, vintage cars, and foliage appear as they have been captured in another space and time. Recognizing the locations may be easy, but it is more difficult to identity when the image was actually taken, be this day or night, in the past, present, or future. The images act as portals in time where it seems these moments exist in all places at once. For Blachford these unique residences act as the sets for infinite narratives, both real and imagined, which the viewer is invited to script for themselves. Each image acts as a still frame for a story about to start and end simultaneously. California has a unique geography and climate, and this gives rise to a distinct deep blue sky: a hue of moonlight ideal for this approach to architectural photography. The long exposure allows the camera to capture a world just beyond our perception and distil it into a single moment. Midnight Modern has already included Palm Springs' most iconic properties; the Kaufman Desert House...
Category

2010s American Modern Fabric Photography

Materials

Cotton, Archival Ink, Photographic Paper

Blue Trailer Marfa Texas - Limited Photograph by Pico Garcez
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...
Category

2010s Realist Fabric Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

Mid Century Mercedes Benz SL, Midnight Modern Series Contemporary Photography
Located in Brooklyn, NY
Palm Springs Mid Century Modern Architecture, Vintage Classic Mercedes Benz SL, Palm Desert, Limited Series. Archival Inkjet Print on ...
Category

2010s American Modern Fabric Photography

Materials

Cotton, Archival Ink, Photographic Paper

Pico Garcez Black Ship, Bahia Brazil - Black White Photograph
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing freedom of look and intuition, seeking aesthetic challenges linked to the observation of the image in subjects such as: solitude, reflections of emptiness and behavior. Awarded by The Art of Intuitive Photography in NY for 4 times, Pico also find his work in the permanent collections of: The Rio Art Museum (MAR), Museum of Modern Art of Bahia (MAM-BA) and Museum of Photography of Fortaleza among other international collections. Having contact with a work of art has to be transformative. This photographic essay by Pico Garcez leads us to this, puts the gaze, sees and sees in constant dispute. The meaning is hidden and this leads us to be co-authors. In Pico's UNCONSCIOUS-NEST, work is not the aesthetics or the colors that speak the most, instead they fog our critical eye, trying to distract us in the central core of which it treats. It is an experience to observe these images. Pico puts us & leaves us in a void where our own inner solitude surfaces - Not having to share with. Where is life, if not ours? We are part of this work for empathy, and in that, Pico was generous - letting us in. UNCONSCIOUS-NEST is not a geographical place, instead it lives in us and everywhere. It shows what we've done for ourselves - it's a pool without a ledge. – “I can but I will not ... - I am here! I want to die and die where I've touched my heart.” Black and White...
Category

2010s Realist Fabric Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

Atacama Desert, Chile Pico Garcez
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing freedom of look and intuition, seeking aesthetic challenges linked to the observation of the image in subjects such as: solitude, reflections of emptiness and behavior. Awarded by The Art of Intuitive Photography in NY for 4 times, Pico also find his work in the permanent collections of: The Rio Art Museum (MAR), Museum of Modern Art of Bahia (MAM-BA) and Museum of Photography of Fortaleza among other international collections. Having contact with a work of art has to be transformative. This photographic essay by Pico Garcez leads us to this, puts the gaze, sees and sees in constant dispute. The meaning is hidden and this leads us to be co-authors. In Pico's UNCONSCIOUS-NEST, work is not the aesthetics or the colors that speak the most, instead they fog our critical eye, trying to distract us in the central core of which it treats. It is an experience to observe these images. Pico puts us & leaves us in a void where our own inner solitude surfaces - Not having to share with. Where is life, if not ours? We are part of this work for empathy, and in that, Pico was generous - letting us in. UNCONSCIOUS-NEST is not a geographical place, instead it lives in us and everywhere. It shows what we've done for ourselves - it's a pool without a ledge. – “I can but I will not ... - I am here! I want to die and die where I've touched my heart...
Category

2010s Realist Fabric Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

Queen #2
Located in New York, NY
Mixed Media on wood featuring the famed Queen Band. Freddie Mercury in the lead. Photographed by Joester. Images on sides as well. Not framed. Ab...
Category

2010s Conceptual Fabric Photography

Materials

Canvas, Photographic Film, Mixed Media

Nova Car - Marfa Texas - Vintage Car Photograph
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...
Category

2010s Realist Fabric Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

Never Alone Conceptual Portrait Blue Black Grey
Located in Rye, NY
Ly Hung Anh is known for his figurative oil on canvas paintings, he often paints members of his family in black, white and grey. “Never Alone” is a typical example of his style wher...
Category

Early 2000s Contemporary Fabric Photography

Materials

Canvas, Oil

Contemporary abstract landscape photograph architectural building sky signed
Located in Milwaukee, WI
In this image, Jessie Spiess applies her signature multiple-exposure technique to the Milwaukee Art Museum's famous Quadracci Pavilion, designed by architect Santiago Calatrava. She ...
Category

2010s Contemporary Fabric Photography

Materials

Canvas, Photographic Film, Archival Ink, Inkjet, Archival Pigment

Contemporary abstract landscape photograph architectural building sky signed
Located in Milwaukee, WI
In this image, Jessie Spiess applies her signature multiple-exposure technique to the Milwaukee Art Museum's famous Quadracci Pavilion, designed by architect Santiago Calatrava. She ...
Category

2010s Contemporary Fabric Photography

Materials

Canvas, Photographic Film, Archival Ink, Inkjet, Archival Pigment

Historia, Memoria y Silencios Unopened I
Located in New York, NY
Historia, Memoria y Silencios Unopened I, 2009 Archival Ink on Cotton Paper 16h x 16w in Edition of 5 Lorena Guillén Vaschetti was born in Rosario, Argentina in 1974 and currently lives and works in Buenos Aires. In 2000 Lorena received a degree in Architecture and Anthropology from University of Buenos Aires. Her work has been widely exhibited and published in the United States, South America, and Europe. Her first book, Historia, Memoria, y Silencios, Schilt 2011 was distinguished by PhotoEspana, 2012 and PDN as one of the Best Books of the Year. Her work is in the permanent museum collections of Brandts Museet for Fotokunst in Denmark, Museo de Bellas Artes of Rio de Janeiro, and the Southeast Museum of Photography in Florida. Lorena approaches photography as an anthropologist, and the simplicity of her work allows the viewer to bring in their own stories, conclusions, and realities to the images. Using the idea of memory as a foundation for her work, Lorena's photographic series dissect how we are in the present as a result of what we remember from the past. In her Historia, Memoria, y Silencio series the artist captures elements and artifacts recovered from a box of thrown out family photographs. In 2009, Lorena's mother threw away all of the family slides to protect her daughter from their family history. Lorena was able to recover only one box out of the many that her mother discarded. She re-photographed the contents from her perspective, choosing to leave the slides that were wrapped in packages unopened. Bound in elastic bands, and concealed in film cannisters...
Category

Early 2000s Contemporary Fabric Photography

Materials

Cotton, Paper, Archival Ink

Historia, Memoria y Silencios (Silencios) Unopened X
Located in New York, NY
Historia, Memoria y Silencios (Silencios) Unopened X, 2009 Archival Ink on Cotton Paper 16h x 16w in 1/5 Lorena Guillén Vaschetti was born in Rosario, Argentina in 1974 and current...
Category

Early 2000s Contemporary Fabric Photography

Materials

Cotton, Paper, Archival Ink

#1
Located in New York, NY
Photojournalist portrait of vanishing Surma tribe. Printed on canvas. Shot in July 2018, over a month in Ethiopia. "I wanted to photograph lost tribes because there are not m...
Category

2010s Conceptual Fabric Photography

Materials

Canvas, Archival Pigment

Echoes of My Mind
Located in Baton Rouge, LA
This 48x30 abstract is a bold exploration of contrast and color. Striking black and white elements create a dramatic foundation, while vibrant pops of blue, yellow, and green add dep...
Category

2010s Abstract Expressionist Fabric Photography

Materials

Canvas, Acrylic

Echoes of My Mind
$2,000 Sale Price
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"Abandoned Trading Post Near Grants, NM, " Photograph on Canvas by Tom Ferderbar
Located in Milwaukee, WI
"Abandoned Trading Post (Mural) Near Grants, NM" is a color photograph print on canvas by Thomas Ferderbar. This artwork is from his "Route 66 Series" and is signed lower left. This piece depicts a mural on a dilapidated wall whose colors have begun to chip and fade. 40" x 27 1/2" canvas 40 3/4" x 28 1/4" frame I wanted to become a photographer at the age of 12, when my sister Grace gave me a Kodak Box Brownie camera for Christmas. (I still have that camera.) Since our family was quite poor, I built my first enlarger with an oatmeal box, while that same box camera was used as its lens. In 1947, just after graduation from high school, I had the opportunity to travel to California by car and house trailer with my uncle, aunt and mother, and in the process to shoot my first pictures along Route 66. Then, after graduation from college, a stint in the army followed by photography school, I opened an advertising photography studio in 1954. For over four decades my staff and I earned numerous local, regional and national awards for our achievements in photography, including several "best of show" honors. In 1958 I studied with renowned landscape photographer Ansel Adams at his Yosemite National Park workshop. In 1980, while still operating my advertising photography studio, I began a serious photographic study of the decaying artifacts along our country's former Mother Road, Route 66. The former national highway route from Chicago, Illinois to Santa Monica, California was not a popular subject at the time, and so I filed away my transparencies, not knowing what I might ever do with them. However, as time passed Route 66 did become a topic of national interest, and upon my retirement in 1997, I once again returned to record the Mother Road's artifacts. A number of my Yosemite series photographs are included in the Ansel and Virginia Adams collection at the Center for Creative Photography at the University of Arizona at Tucson, and several of my Route 66 photographs and other subjects have been acquired by the Milwaukee Art Museum. At this time I am preparing a book of my photographic experiences along Route 66, from 1947 to the present. --Tom Ferderbar
Category

Early 2000s Contemporary Fabric Photography

Materials

Canvas, Color

Toronto Skyline, Photograph, Canvas (stretched)
Located in Yardley, PA
The Toronto skyline at night as seen from Center Island. :: Photograph :: Color :: This piece comes with an official certificate of authenticity signed...
Category

21st Century and Contemporary Other Art Style Fabric Photography

Materials

Canvas

#5
Located in New York, NY
Photojournalist portrait of vanishing Surma tribe. Printed on canvas. Shot in July 2018, over a month in Ethiopia. "I wanted to photograph lost tribes because there are not m...
Category

2010s Conceptual Fabric Photography

Materials

Canvas, Archival Pigment

NEON Swimming - Vibrant Noir Photograph
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...
Category

2010s Realist Fabric Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

Sabrina 1
Located in Miami, FL
ARTIST STATEMENT Sometimes I feel like the world has lost the capacity for admiration, to experience the incredible, to revel in astonishment. Life is filled with grace, motion, col...
Category

2010s Contemporary Fabric Photography

Materials

Canvas, Archival Ink

Indian Contemporary Art by Sumit Mehndiratta - Extraterrestrial Plantation
Located in Paris, IDF
Photograph on canvas, edition of 15 Vibrant Archival ink print on Epson matte finish Canvas. Canvas print with museum finish archival inks lasting more than 50 years in vibrancy and...
Category

2010s Abstract Fabric Photography

Materials

Canvas, Archival Pigment

Nova Car - Marfa Texas - Vintage Car Photograph
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...
Category

2010s Realist Fabric Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

Pico Garcez - Atacama #1, Landscape Photography
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing freedom of look and intuition, seeking aesthetic challenges linked to the observation of the image in subjects such as: solitude, reflections of emptiness and behavior. Awarded by The Art of Intuitive Photography in NY for 4 times, Pico also find his work in the permanent collections of: The Rio Art Museum (MAR), Museum of Modern Art of Bahia (MAM-BA) and Museum of Photography of Fortaleza among other international collections. Having contact with a work of art has to be transformative. This photographic essay by Pico Garcez leads us to this, puts the gaze, sees and sees in constant dispute. The meaning is hidden and this leads us to be co-authors. In Pico's UNCONSCIOUS-NEST, work is not the aesthetics or the colors that speak the most, instead they fog our critical eye, trying to distract us in the central core of which it treats. It is an experience to observe these images. Pico puts us & leaves us in a void where our own inner solitude surfaces - Not having to share with. Where is life, if not ours? We are part of this work for empathy, and in that, Pico was generous - letting us in. UNCONSCIOUS-NEST is not a geographical place, instead it lives in us and everywhere. It shows what we've done for ourselves - it's a pool without a ledge. – “I can but I will not ... - I am here! I want to die and die where I've touched my heart...
Category

2010s Realist Fabric Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

Historia, Memoria y Silencios (Silencios) Unopened VI
Located in New York, NY
Historia, Memoria y Silencios (Silencios) Unopened VI, 2009 Archival Ink on Cotton Paper 16h x 16w in 1/5 Lorena Guillén Vaschetti was born in Rosario, Argentina in 1974 and currently lives and works in Buenos Aires. In 2000 Lorena received a degree in Architecture and Anthropology from University of Buenos Aires. Her work has been widely exhibited and published in the United States, South America, and Europe. Her first book, Historia, Memoria, y Silencios, Schilt 2011 was distinguished by PhotoEspana, 2012 and PDN as one of the Best Books of the Year. Her work is in the permanent museum collections of Brandts Museet for Fotokunst in Denmark, Museo de Bellas Artes of Rio de Janeiro, and the Southeast Museum of Photography in Florida. Lorena approaches photography as an anthropologist, and the simplicity of her work allows the viewer to bring in their own stories, conclusions, and realities to the images. Using the idea of memory as a foundation for her work, Lorena's photographic series dissect how we are in the present as a result of what we remember from the past. In her Historia, Memoria, y Silencio series the artist captures elements and artifacts recovered from a box of thrown out family photographs. In 2009, Lorena's mother threw away all of the family slides to protect her daughter from their family history. Lorena was able to recover only one box out of the many that her mother discarded. She re-photographed the contents from her perspective, choosing to leave the slides that were wrapped in packages unopened. Bound in elastic bands, and concealed in film cannisters...
Category

Early 2000s Contemporary Fabric Photography

Materials

Cotton, Paper, Archival Ink

Historia, Memoria y Silencios (Silencios) Unopened IX
Located in New York, NY
Historia, Memoria y Silencios (Silencios) Unopened IX, 2009 Archival Ink on Cotton Paper 16h x 16w in Edition of 5 Lorena Guillén Vaschetti was born in Rosario, Argentina in 1974 a...
Category

Early 2000s Contemporary Fabric Photography

Materials

Cotton, Paper, Archival Ink

Historia, Memoria y Silencios (Unopened XV)
Located in New York, NY
Historia, Memoria y Silencios (Unopened XV), 2009 Archival ink on cotton paper 16h x 16w in Edition of 5 Lorena Guillén Vaschetti was born in Rosario, Argentina in 1974 and currently lives and works in Buenos Aires. In 2000 Lorena received a degree in Architecture and Anthropology from University of Buenos Aires. Her work has been widely exhibited and published in the United States, South America, and Europe. Her first book, Historia, Memoria, y Silencios, Schilt 2011 was distinguished by PhotoEspana, 2012 and PDN as one of the Best Books of the Year. Her work is in the permanent museum collections of Brandts Museet for Fotokunst in Denmark, Museo de Bellas Artes of Rio de Janeiro, and the Southeast Museum of Photography in Florida. Lorena approaches photography as an anthropologist, and the simplicity of her work allows the viewer to bring in their own stories, conclusions, and realities to the images. Using the idea of memory as a foundation for her work, Lorena's photographic series dissect how we are in the present as a result of what we remember from the past. In her Historia, Memoria, y Silencio series the artist captures elements and artifacts recovered from a box of thrown out family photographs. In 2009, Lorena's mother threw away all of the family slides to protect her daughter from their family history. Lorena was able to recover only one box out of the many that her mother discarded. She re-photographed the contents from her perspective, choosing to leave the slides that were wrapped in packages unopened. Bound in elastic bands, and concealed in film cannisters...
Category

Early 2000s Contemporary Fabric Photography

Materials

Cotton, Paper, Archival Ink

Historia, Memoria y Silencios (Silencios) Unopened IV
Located in New York, NY
Historia, Memoria y Silencios (Silencios) Unopened IV, 2009 Archival Ink on Cotton Paper 16h x 16w in Edition of 5 Lorena Guillén Vaschetti was born in Rosario, Argentina in 1974 and currently lives and works in Buenos Aires. In 2000 Lorena received a degree in Architecture and Anthropology from University of Buenos Aires. Her work has been widely exhibited and published in the United States, South America, and Europe. Her first book, Historia, Memoria, y Silencios, Schilt 2011 was distinguished by PhotoEspana, 2012 and PDN as one of the Best Books of the Year. Her work is in the permanent museum collections of Brandts Museet for Fotokunst in Denmark, Museo de Bellas Artes of Rio de Janeiro, and the Southeast Museum of Photography in Florida. Lorena approaches photography as an anthropologist, and the simplicity of her work allows the viewer to bring in their own stories, conclusions, and realities to the images. Using the idea of memory as a foundation for her work, Lorena's photographic series dissect how we are in the present as a result of what we remember from the past. In her Historia, Memoria, y Silencio series the artist captures elements and artifacts recovered from a box of thrown out family photographs. In 2009, Lorena's mother threw away all of the family slides to protect her daughter from their family history. Lorena was able to recover only one box out of the many that her mother discarded. She re-photographed the contents from her perspective, choosing to leave the slides that were wrapped in packages unopened. Bound in elastic bands, and concealed in film cannisters...
Category

Early 2000s Contemporary Fabric Photography

Materials

Cotton, Paper, Archival Ink

Noel Love edition # 1 of 1, Photograph, Canvas (stretched)
Located in Yardley, PA
The female model was airbrushed chrome for the series This is a handmade framed print and artistic expression its unique character and charm that is desired in one-of-a-kind ha...
Category

2010s Other Art Style Fabric Photography

Materials

Canvas

"Moment of Clarity"- Rich Dark Colored Mixed Media Painting/Photo Collaboration
Located in Brooklyn, NY
Collaboration between photographer John Mazlish & artist John Wright.
Category

2010s Contemporary Fabric Photography

Materials

Canvas, Mixed Media, Acrylic, Photographic Paper

Noel Love edition # 1 of 1, Photograph, Canvas (stretched)
Located in Yardley, PA
The female model was airbrushed chrome for the series This is a handmade framed print and artistic expression its unique character and charm that is desired in one-of-a-kind ha...
Category

2010s Other Art Style Fabric Photography

Materials

Canvas

Fishing in the Stream
Located in Belgravia, London, London
Oil on canvas Canvas size: 8.5 x 12 inches Framed size: 13.75 x 17.25 inches Signed lower right
Category

19th Century Fabric Photography

Materials

Canvas, Oil

Whispering Roses, Photograph, Canvas (stretched)
Located in Yardley, PA
Love is such a beautiful thing. There is never a wrong time for love. When we give love to one another, we give love to ourselves as well. Nobody can make us feel loved more tha...
Category

2010s Other Art Style Fabric Photography

Materials

Canvas

Zugspitze Keeblers, Photograph, Canvas (stretched)
Located in Yardley, PA
Life bombards our senses with millions of stimuli and the ones that we pay attention to, becomes the reality that we chose to live in. With each decision we make in our minds, we set...
Category

2010s Other Art Style Fabric Photography

Materials

Canvas

Floating Market Asia
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...
Category

2010s Realist Fabric Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

#2
Located in New York, NY
Photojournalist portrait of vanishing Surma tribe. Printed on canvas. Shot in July 2018, over a month in Ethiopia. "I wanted to photograph lost tribes because there are not m...
Category

2010s Conceptual Fabric Photography

Materials

Canvas, Archival Pigment

Bhutan Prayer Flags - Abstract Photography By PICO GARCEZ
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...
Category

2010s Realist Fabric Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

Big Sight, Photography by Pico Garcez
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing freedom of look and intuition, seeking aesthetic challenges linked to the observation of the image in subjects such as: solitude, reflections of emptiness and behavior. Awarded by The Art of Intuitive Photography in NY for 4 times, Pico also find his work in the permanent collections of: The Rio Art Museum (MAR), Museum of Modern Art of Bahia (MAM-BA) and Museum of Photography of Fortaleza among other international collections. Having contact with a work of art has to be transformative. This photographic essay by Pico Garcez leads us to this, puts the gaze, sees and sees in constant dispute. The meaning is hidden and this leads us to be co-authors. In Pico's UNCONSCIOUS-NEST, work is not the aesthetics or the colors that speak the most, instead they fog our critical eye, trying to distract us in the central core of which it treats. It is an experience to observe these images. Pico puts us & leaves us in a void where our own inner solitude surfaces - Not having to share with. Where is life, if not ours? We are part of this work for empathy, and in that, Pico was generous - letting us in. UNCONSCIOUS-NEST is not a geographical place, instead it lives in us and everywhere. It shows what we've done for ourselves - it's a pool without a ledge. – “I can but I will not ... - I am here! I want to die and die where I've touched my heart...
Category

2010s Realist Fabric Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

Blondie
Located in New York, NY
Mixed Media on Canvas featuring the infamous singer Blondie. Shot in London. Photographed by Joester. About the Artist: Steve Joester is a British-born Rock & Roll photograp...
Category

2010s Contemporary Fabric Photography

Materials

Mixed Media, Canvas, Photographic Film

Pink Cab - Florescent Abstract Photograph of New York City
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...
Category

2010s Abstract Expressionist Fabric Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

Something Happened
Located in New York, NY
Archival inks and acrylic on canvas. Gallery wrap continues the images on all the borders. Vibrant colors. About the Artist: Kat is an award-winning photographer, mixed m...
Category

2010s Abstract Fabric Photography

Materials

Canvas, Archival Ink, Acrylic

Andy Triptych
Located in New York, NY
Mixed Media on Canvas featuring the infamous Andy Warhol. Photographed by Joester. About the Artist: Steve Joester is a British-born Rock & Roll photographer and mixed media ar...
Category

2010s Contemporary Fabric Photography

Materials

Canvas, Photographic Film, Mixed Media

He Keeps Playing With My Heart + Until The Heart Breaks - Diptych/Framed/Fabric
Located in New York, NY
Archival Print on Fabric. Abstract. Glitch Art. Vibrant Colors. Red and black hues. Beautifully framed with one inch deep gold frame. Individually ...
Category

2010s Abstract Fabric Photography

Materials

Fabric, Archival Pigment

The Rendezvous
Located in Belgravia, London, London
Oil on canvas Canvas size: 18 x 12 inches Framed size: 23 x 16.75 inches Signed lower right
Category

19th Century Fabric Photography

Materials

Canvas, Oil

Nursery Grime
Located in New Orleans, LA
Mash Buhtaydusss launched in 2016, when painter Barbie L’Hoste and photographer Brandt Vicknair, both native to New Orleans, decided to merge their respective art mediums. Witnessing...
Category

21st Century and Contemporary Contemporary Fabric Photography

Materials

Canvas, Mixed Media

Triple Chuck Close, 15x41, Oil, encaustic, steel grid and archival pigments
Located in Southampton, NY
Ceravolo's "Triple Chuck Close", Combines Acrylic, oil, encaustic, moveable steel grids and Archival Pigments on canvas mounted on board. The viewer can sli...
Category

2010s Contemporary Fabric Photography

Materials

Steel

Dye Painting #9
Located in Santa Monica, CA
Jennifer Wolf utilizes layers of painted silk and mineral pigments to add luminous depth to her exquisitely moody abstract landscapes.
Category

2010s Abstract Fabric Photography

Materials

Canvas, Silk, Birch, Mixed Media, Mica

Blue farmer boy bringing lunch to the sugar field
Located in San Juan, PR
In this new series Mercado utilizes canvas in big format as a medium to intervene Jack Delano's photographs of Puerto Rican agriculture workers he documented for the FSA in the 19...
Category

21st Century and Contemporary Pop Art Fabric Photography

Materials

Canvas, Neon Light, Spray Paint, Acrylic, Photogram

Rumba, ca. 2017 Mixed media on canvas , metal leaf, acrylic
Located in San Juan, PR
CARLOS MERCADO TROPICALIA TROPICALIA...Inspired in Nostalgia of the Caribbean Puerto Rico and Cuban images from the Golden era of the 50's recollects th...
Category

2010s Contemporary Fabric Photography

Materials

Metal

Art Forms in Mechanism XXlll
Located in Houston, TX
Linarejos Moreno Art Forms in Mechanism XXlll, 2016 natural pigments print on gessoed burlap 117 x 60 inches “Art Forms in Mechanism” began when artist Linarejos Moreno discovered a collection of 19th century botanical models while researching at the Cabinet of Scientific Curiosities, a Spanish historical archive. Manufactured by a European company that specialized in scientific equipment, the models are made of papier-mâché, gears, clips, hooks, and printed numbers and labels, and they were designed for hands on, practical use. Moreno was initially attracted to the models because, as she notes, “they contained the tension between the industrial and the humanity/fragility that I often research in my work. On the one hand, they were machines, with all their gears, on the other hand, even if they were supposed to be neutral scientific objects...
Category

2010s Contemporary Fabric Photography

Materials

Burlap, Archival Pigment

Art Forms in Mechanism XXll
Located in Houston, TX
Linarejos Moreno Art Forms in Mechanism XXll, 2016 natural pigments print on gessoed burlap 117 x 58 inches “Art Forms in Mechanism” began when artist Linarejos Moreno discovered a collection of 19th century botanical models while researching at the Cabinet of Scientific Curiosities, a Spanish historical archive. Manufactured by a European company that specialized in scientific equipment, the models are made of papier-mâché, gears, clips, hooks, and printed numbers and labels, and they were designed for hands on, practical use. Moreno was initially attracted to the models because, as she notes, “they contained the tension between the industrial and the humanity/fragility that I often research in my work. On the one hand, they were machines, with all their gears, on the other hand, even if they were supposed to be neutral scientific objects...
Category

2010s Contemporary Fabric Photography

Materials

Burlap, Archival Pigment

"A Tajo Abierto Paracas VI" embroidery, nature, performance
Located in Ciudad de México, MX
A woman picks at herself in the mirror, searching for a wound and finding only a scar. She feels like a scar — like a numb, deafened stump. Not long ago, she had lost her father, and...
Category

2010s Performance Fabric Photography

Materials

Cotton Canvas

"A Tajo Abierto Paracas II" photograph, embroidery, desert, nature
Located in Ciudad de México, MX
A woman picks at herself in the mirror, searching for a wound and finding only a scar. She feels like a scar — like a numb, deafened stump. Not long ago, she had lost her father, and...
Category

2010s Performance Fabric Photography

Materials

Cotton Canvas

Waif – Roger Ballen, Contemporary, Abstract, Art, Lightbox, Venice Biennale
Located in Zurich, CH
Roger Ballen Waif, from the series 'The Theatre of Apparitions', 2012 One sided Texflex Lightbox, Powder coated Ferro Black Lightbox 100 x 86 x 9 cm (39 3/8 x 33 7/8 x 3 1/2 in.) Edi...
Category

2010s Fabric Photography

Materials

Textile, LED Light

Divided Self – Roger Ballen, Black and White, Staged, Lightbox, Venice Biennale
Located in Zurich, CH
Roger Ballen Divided Self, from the series 'The Theatre of Apparitions', 2007 One sided Texflex Lightbox, Powder coated Ferro Black Lightbox 100 x 100 x 9 cm (39 3/8 x 39 3/8 x 3 1/2...
Category

Early 2000s Fabric Photography

Materials

Textile, LED Light

Never Alone
Located in Rye, NY
Ly Hung Anh is known for his figurative oil on canvas paintings, he often paints members of his family in black, white and grey. “Never Alone” is a typical example of his style wher...
Category

Early 2000s Contemporary Fabric Photography

Materials

Canvas, Oil

Red Trailer Marfa Texas - Limited Photograph by Pico Garcez
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...
Category

2010s Realist Fabric Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

Marfa Texas Water Tower - Photography by Pico Garcez
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...
Category

2010s Realist Fabric Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

Atacama Mountains - Bright Landscape Photography by Brazilian Photographer
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...
Category

2010s Realist Fabric Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

Worship Prayer Flags Bhutan - Abstract Landscape Photography
Located in Brooklyn, NY
Pico Garcez (b.1963, São Paulo, Brazil) In Love with Photography, Iconography and Painting, exercises his gaze from childhood when he began to play with his first camera. Practicing ...
Category

2010s Realist Fabric Photography

Materials

Cotton, Archival Paper, Inkjet, Archival Pigment

Fabric photography for sale on 1stDibs.

Find a wide variety of authentic Fabric photography available on 1stDibs. While artists have worked in this medium across a range of time periods, art made with this material during the 21st Century is especially popular. If you’re looking to add photography created with this material to introduce a provocative pop of color and texture to an otherwise neutral space in your home, the works available on 1stDibs include elements of blue, purple, red, pink and other colors. There are many well-known artists whose body of work includes ceramic sculptures. Popular artists on 1stDibs associated with pieces like this include Chaco Terada, Patricia Heal, Bill Kane, and Lee Wells. Frequently made by artists working in the Contemporary, Abstract, all of these pieces for sale are unique and many will draw the attention of guests in your home. Not every interior allows for large Fabric photography, so small editions measuring 0.1 inches across are also available

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